Margaret Fuller

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Margaret Fuller

The Columbia Encyclopedia, Sixth Edition | 2008 | The Columbia Encyclopedia, Sixth Edition. Copyright 2008 Columbia University Press. (Hide copyright information) Copyright

Margaret Fuller 1810-50, American writer and lecturer, b. Cambridgeport (now part of Cambridge), Mass. She was one of the most influential personalities of her day in American literary circles. A precocious child, she was forced by her father through an education that impaired her health but nonetheless gave her a broad knowledge of literature and languages. A stimulating talker, she conducted in Boston conversation classes for society women on social and literary topics. She was an ardent feminist, and her book Woman in the Nineteenth Century (1845) treated feminism in its economic, intellectual, political, and sexual aspects. A leader of transcendentalism , she edited its premier journal, the Dial, for its first two years (1840-42). Although she has been identified as Zenobia in Hawthorne's Blithedale Romance, she was never in sympathy with the Brook Farm experiment upon which the book is based. More recognizable is James Russell Lowell's caricature of her as Miranda in the Fable for Critics. Horace Greeley, attracted by her writings, including Summer on the Lakes in 1843 (1844), called her to New York City as the first literary critic of the New York Tribune, from which her Papers on Literature and Art (1846) were republished. In 1847, Fuller went to Rome, where she married the Marchese Ossoli, a follower of Mazzini, and with him took part in the Revolution of 1848-49 and wrote letters home describing the situation for Tribune readers. In 1850, while sailing to the United States, she was drowned with her husband and infant son when the ship was wrecked off Fire Island, N.Y. Her works were republished incompletely by her brother, Arthur Fuller, and her love letters were edited by Julia Ward Howe.

Bibliography: See her selected writings, Woman and the Myth, ed. by B. G. Chevigny (1977); her autobiography, Memoirs of Margaret Fuller, ed. by R. W. Emerson et al. (1852, repr. 1972); her letters (ed. by R. N. Hudspeth, 4 vol., 1983-87); biographies by J. W. Howe (1883, repr. 1969), M. Wade (1940, repr. 1973), P. Blanchard (1987), and C. Capper (2 vol., 1992 and 2007); studies by P. Miller, ed. (1963) and D. Watson (1989).

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Fuller, Margaret

The Oxford Companion to United States History | 2001 | | © The Oxford Companion to United States History 2001, originally published by Oxford University Press 2001. (Hide copyright information) Copyright

Fuller, Margaret (1810–1850), critic, journalist, and transcendentalist leader.Born in Cambridge, Massachusetts, to Margarett Crane and Timothy Fuller, a four‐term Republican congressman, Margaret Fuller received through her father's tutoring and private schooling the same advanced classical education available to boys of Boston‐Cambridge's intellectually ambitious Unitarian elite, which she supplemented by self‐education in the entire canon of European literature. Lacking a commensurate professional outlet, she soon carved out one for herself in the emerging transcendentalist movement. After teaching in its schools in Boston and Providence, in 1839 she started a five‐year series of “Conversations” for Boston's liberal and reform‐minded women. In 1840–1842 she edited the transcendentalists’ newly founded magazine, the Dial. In Summer on the Lakes (1844), she offered a self‐reflexive critique of the American West based on her previous summer's journey through the Great Lakes region. Woman in the Nineteenth Century (1845) was a pioneering philosophical study of womanhood and a prophetic plea for women's emancipation from social and psychological constraints.

In 1844 Fuller moved to New York to become the literary editor of Horace Greeley's New‐York Tribune, regularly reviewing current books and the city's cultural events and benevolent institutions. In Papers on Literature and Art (1846), a collection of her criticism from the Dial, the Tribune, and other periodicals, she applied her Romantic cultural theories to both classic European works and to America's emerging popular culture. In 1846 she sailed to Europe as the Tribune’s correspondent. Here she formed friendships with Giuseppe Mazzini and other prominent social Romantic exiles and ardently supported Italy's struggle for republican unification and independence. During the Roman Revolution of 1848–1849, she chronicled political developments in Italy and Europe from an increasingly socialist point of view. During the French siege of Rome she directed the city's principal hospital. After Rome's fall she fled to Florence, from which the following year she embarked for New York. She drowned with her husband, Giovanni Angelo Ossoli, a former officer in the Roman Republican Guard, and their out‐of‐wedlock, two‐year‐old son in a shipwreck off Fire Island.

Fuller was America's first public intellectual woman of letters. Her transcendentalist writings, along with those of Ralph Waldo Emerson and Henry David Thoreau, constitute the circle's most sustained effort to combine social reform and the Romantic claims of psychological self‐development. As the first theoretical considerations of gender in America, her feminist writings would remain influential through the twentieth century. Her criticism prefigured the two central themes of modern American critical discourse: finding a place for imaginative art and literature in a market‐driven, democratic culture and making American culture identity an integral part of the modern western conversation. America's quintessential questing Romantic, Fuller eventually became its first avant‐garde, cosmopolitan intellectual.
See also Feminism; Journalism; Romantic Movement; Transcendentalism; Unitarianism and Universalism; Women's Rights Movements.

Bibliography

Charles Capper , Margaret Fuller: An American Romantic Life, vol. 1, The Private Years, 1992.
Bell Gale Chevigny , The Woman and the Myth: Margaret Fuller's Life and Writings, 1976, reprinted 1994.

Charles Capper

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