Lewis Lichtenstein Strauss

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Lewis Lichtenstein Strauss

The Columbia Encyclopedia, Sixth Edition | 2008 | The Columbia Encyclopedia, Sixth Edition. Copyright 2008 Columbia University Press. (Hide copyright information) Copyright

Lewis Lichtenstein Strauss , 1896-1974, American financier, chairman of the Atomic Energy Commission (1953-58), b. Charleston, W.Va. In World War I he served under Herbert Hoover on the Belgian Relief Commission and the Allied Supreme Economic Council. He was a special assistant to Secretary of the Navy James Forrestal in World War II, rising to the rank of rear admiral. Associated with Kuhn, Loeb & Company from 1919, as a partner after 1929, he resigned in 1946. Strauss was a member of the Atomic Energy Commission from 1946 to 1950 and returned as its chairman in 1953. His service on the AEC was marked by several controversies, including one with the atomic physicist J. Robert Oppenheimer, who had opposed development of the hydrogen bomb, a project Strauss strongly advocated. His term as AEC chairman ended in June, 1958, and President Dwight D. Eisenhower appointed him (Nov., 1958) Secretary of Commerce. Strauss held this office until June, 1959, when the Senate, in a close vote, refused to confirm the appointment.

Bibliography: See his memoirs, Men and Decisions (ed. by C. C. Rogers, 1962).

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"Lewis Lichtenstein Strauss." The Columbia Encyclopedia, Sixth Edition. 2008. Encyclopedia.com. 16 Nov. 2009 <http://www.encyclopedia.com>.

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Foulds, John (Herbert)

The Concise Oxford Dictionary of Music | 1996 | | © The Concise Oxford Dictionary of Music 1996, originally published by Oxford University Press 1996. (Hide copyright information) Copyright

Foulds, John (Herbert) (b Manchester, 1880; d Calcutta, 1939). Eng. composer and cellist. Son of a professional bassoonist. Studied pf. at 4 and started to compose at 7. Became orch. cellist at 14 and until 20 played in th. bands in Manchester region. Joined Hallé Orch. under Richter in 1900. In 1906 was Eng. composer-delegate to Essen Mus. Fest., where he met Mahler and Strauss, and in 1910 went to Munich for f.p. of Mahler's 8th Sym. Comp. incid. mus. for plays prod. by Lewis Casson. Moved in 1912 to London, where he met and eventually married the actress, musician, and writer Maud MacCarthy (1882–1967). Mus. dir., YMCA National Council 1918–23. From 1919 to 1921 he worked on his World Requiem, for soloists, ch., and orch. This ambitious work was perf. in Royal Albert Hall at Armistice Night commemoration (‘Festival of Remembrance’) in 1923 and for 3 subsequent years. In 1924 wrote incid. mus. for Shaw's Saint Joan. In 1927 Foulds went abroad, returning in 1930. Unable to obtain more than a few perfs., he went to India in 1935 to study folk music. In 1937 he was appointed dir. of mus. for All-India radio in Delhi. Formed radio orch. and Indo-European orch. of traditional Ind. instr. In 1939 was transferred to Calcutta to organize mus. at newly established radio station, but died from cholera after only a few days in new post.

Foulds's mus. was perhaps too eclectic to survive but a body of opinion exists which makes high claims for it. Like Ives he was a tireless experimenter and was ahead of his time in Eng. mus. in working in microtonalities. The modal pf. mus., the str. qt. Quartetto Intimo, the Vc. Sonata, and several songs are splendid mus. and deserve to emerge from oblivion.

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MICHAEL KENNEDY and JOYCE BOURNE. "Foulds, John (Herbert)." The Concise Oxford Dictionary of Music. 1996. Encyclopedia.com. 16 Nov. 2009 <http://www.encyclopedia.com>.

MICHAEL KENNEDY and JOYCE BOURNE. "Foulds, John (Herbert)." The Concise Oxford Dictionary of Music. 1996. Encyclopedia.com. (November 16, 2009). http://www.encyclopedia.com/doc/1O76-FouldsJohnHerbert.html

MICHAEL KENNEDY and JOYCE BOURNE. "Foulds, John (Herbert)." The Concise Oxford Dictionary of Music. 1996. Retrieved November 16, 2009 from Encyclopedia.com: http://www.encyclopedia.com/doc/1O76-FouldsJohnHerbert.html

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formalism

A Dictionary of Sociology | 1998 | | © A Dictionary of Sociology 1998, originally published by Oxford University Press 1998. (Hide copyright information) Copyright

formalism, formal sociology A branch of sociology usually considered to have been founded by Georg Simmel, which aims to capture the underlying forms of social relations, and thus to provide a ‘geometry of social life’.

Simmel distinguished the ‘content’ of social life (wars, families, education, politics) from its ‘forms’ (such as, for example, conflict), which cut across all such areas, and through which social life is patterned. Conflict, as a social form, may be found in situations as diverse as those of family life and politics, and to it certain common features will accrue. Contents vary–but forms emerge as the central organizing features of social life. Among the forms central to Simmel's thinking were the significance of numbers for group alignments (isolated individuals, dyads, triads), patterns of superordination and subordination, group relationships (conflicts, competitions, coalitions), identities and roles (the stranger, the poor), disclosures (secrets, the secret society), and evaluations (prices, exchanges).

Most sociology concentrates upon content: there are sociologies of education, the family, the media, and so forth. Formalism shuns this approach to sociology, by cutting across such topics, and seeking to identify generic processes and patterns through which they are socially constituted: stigma, stratification, and secrecy, for instance, may be forms cutting through the substantive areas of education, family, and media.

After Simmel, the earliest development of such an approach was to be found in the work of the Chicago interactionists. Robert Park was a student of Simmel's, and brought to Chicago a concern both to study the richness of the empirical world as revealed in the city, and a concern to detect the patterns of city life. The most popular textbook of the day ( Park and and Burgess 's An Introduction to Sociology
) is largely organized according to ‘forms’.

Barney Glaser and Anselm Strauss have attempted to develop formal sociology in their work on dying, moving from a rich substantive area of research (cancer wards and the dying process), to a more sustained theoretical analysis of common forms (such as status passages and awareness contexts). For example, moving from a detailed case-study of a dying patient, they were able to seek comparisons with other major status changes in order to develop a formal theory of status passage, which postulated many features in common with other status passages (see Status Passage, 1967
). From a grounded substantive study came more comparative, abstract, and formal theory. More recently, Robert Prus (‘Generic Social Processes’, Journal of Contemporary Ethnography, 1987)
has outlined five key dimensions of group life that are needed for a processual generic sociology: acquiring perspectives, achieving identity, being involved, doing activity, and experiencing relationships.

There have been a number of other attempts to construct a formal theory of social life, including John Lofland's Doing Social Life (1976) and Carl Couch's Constructing Social Life (1975), as well as more specific case-studies, such as Lewis Coser's The Functions of Social Conflict (1956) and Erving Goffman's Stigma (1961).

There is some dispute about the role and nature of formal sociology. Some see it as seeking fixed structures of an obdurate social order; others view it as depicting the very interactions out of which social life is constituted; while for many it is simply an analytic device produced by sociologists seeking to impose order on an otherwise chaotic universe. See also SYMBOLIC INTERACTIONISM.

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GORDON MARSHALL. "formalism." A Dictionary of Sociology. 1998. Encyclopedia.com. 16 Nov. 2009 <http://www.encyclopedia.com>.

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