Hoover, J. Edgar (1895–1972), director,
Federal Bureau of Investigation (FBI).Born in
Washington, D.C., Hoover earned a law degree from George Washington University night school in 1917 and obtained employment in the Justice Department's alien enemy registration section. His administrative abilities, strategic mind, and diligence quickly won him promotion in 1918 to head the General Intelligence Division, in 1921 to assistant director of the Bureau of Investigation (formally renamed the FBI in 1935), and in 1924 to bureau director, a post he held until his death. A lifelong bachelor, he devoted himself to the FBI.
Inheriting a scandal‐ridden operation, Hoover refurbished the bureau's image and turned it into a powerful and respected agency by instituting a series of administrative reforms and then by capitalizing on public concerns, first about
organized crime during the 1930s and then about spies during
World War II and the
Cold War. Indeed, Cold War
anticommunism became the catalyst of Hoover's unquestioned power and influence on national politics. Hoover also astutely cultivated presidents, members of Congress, and the media, and promoted a public‐relations campaign that successfully identified criticism of himself or the FBI with disloyalty. With Hoover's collaboration, the entertainment industry burnished the FBI's image, as in the radio program
The FBI in Peace and War. The story of Herbert Philbrick, who infiltrated the
Communist party for the FBI, was recounted in a movie,
I Was a Communist for the FBI (1951); Philbrick's own
I Led Three Lives (1952); and a 1950s television series. The FBI's
Ten Most Wanted lists, posted in post offices across the nation, further enhanced Hoover's reputation as a crime fighter.
After the 1930s, FBI investigations were not confined to law enforcement. FBI agents also collected (in some cases, as FBI officials themselves conceded, through “clearly illegal” means such as break‐ins, mail opening, telephone wiretaps, and electronic bugs), and Hoover and senior FBI officials covertly disseminated derogatory personal and political information. Such material went to Senator Joseph
McCarthy and the
House Committee on Un‐American Activities, for example, either to influence public opinion or to “harass, disrupt, and discredit” targeted individuals and organizations. The subjects of FBI investigations ranged from Communist party activists to Eleanor
Roosevelt, the actor Rock Hudson, the author Ernest
Hemingway, the baseball star Mickey Mantle, the poet Allen Ginsberg, and the rock star John Lennon. Furthermore, Hoover authorized a series of programs that targeted
civil rights and radical organizations for the explicit purpose of discrediting and neutralizing them. Hoover particularly sought to discredit Martin Luther
King Jr., by circulating information about King's private life obtained through clandestine surveillance devices.
The scope and nature of these abuses first became known in the mid‐1970s when Hoover's wall of secrecy immunizing FBI activities was first breached. The resultant disclosures tarnished Hoover's posthumous reputation and led to tighter administrative rules governing FBI operations.
Bibliography
Athan Theoharis and and John Stuart Cox , The Boss: J. Edgar Hoover and the Great American Inquisition, 1988.
Curt Gentry , J. Edgar Hoover: The Man and the Secrets, 1991.
Athan G. Theoharis