Hart Crane

Hart Crane (Harold Hart Crane), 1899-1932, American poet, b. Garrettsville, Ohio. He published only two volumes of poetry during his lifetime, but those works established Crane as one of the most original and vital American poets of the 20th cent. His extraordinarily complex, visionary, and sonorous poetry, with its rich imagery, verbal ingenuity, frequent obscurity, and meticulous craftsmanship, combines ecstatic optimism with a sense of haunted alienation. White Buildings (1926), his first collection of poems, was inspired by his experience of New York City, where he had gone to live at the age of 17. His most ambitious work is The Bridge (1930), a series of closely related long poems on the United States in which the Brooklyn Bridge serves as a mystical unifying symbol of civilization's evolution.

Crane's personal life was anguished and turbulent. After an unhappy childhood during which he was torn between estranged parents, he held a variety of uninteresting jobs, always, however, returning to New York City and his writing. An alcoholic and a homosexual, he was constantly plagued by money problems and was often a severe trial to friends who tried to help him. In 1931 he won a Guggenheim Fellowship and went to Mexico to work on a long poem about Latin America; a year later, returning by ship to the United States, the poem not even started, he jumped overboard and drowned. His collected poems were published in 1933.

Bibliography: See Hart Crane: Complete Poems and Selected Letters (2006), ed. by L. Hammer; letters ed. by T. S. W. Lewis (1974); O My Land, My Friends (1997), selected letters, ed. by L. Hammer and B. Weber; The Correspondence Between Hart Crane and Waldo Frank (1998), ed. by S. H. Cook; biographies by P. Horton (new ed. 1957), J. Unterecker (1969, repr. 1987), P. Mariani (1999), and C. Fisher (2002); studies by R. W. B. Lewis (1967), M. D. Uroff (1974), R. Combs (1978), D. R. Clark, ed. (1982), A. Trachtenberg, ed. (1982), H. Bloom, ed. (1986), M. F. Bennett (1987), W. Berthoff (1989), T. E. Yingling (1990), B. Reed (2006), and G. A. Tapper (2006).

Crane, [Harold] Hart (1899–1932), Ohioborn poet, although he published only two books during his lifetime, is recognized as an outstanding poet of his era. White Buildings (1926), despite its lack of a single theme to synthesize the author's experience of the American scene, is distinguished by a sonorous rhetoric and concrete imagery, revealing by tangential suggestion an acute mystical perception. The promise of this early work is fulfilled in The Bridge (1930), a long mystical poem concerned with the American background and the modern consciousness to which it gives rise. Crane finds in America a principle of unity and absolute faith, through the integration of such symbols as Columbus, Pocahontas, Rip Van Winkle, Poe, Whitman, the subway, and, above all, Brooklyn Bridge, an image of man's anonymous creative power unifying past and present. The lack of discipline in the poet's personal existence, and his belief that his creative ability had been dissipated, caused him to commit suicide by jumping from a ship that was bringing him home from a year's residence in Mexico. His Collected Poems (1933) incorporate previously unpublished West Indian sketches and other new poems. His Letters were published in 1952, and his correspondence with Yvor Winters was printed in 1978.

Crane, (Harold) Hart (1899–1932) US poet. Acclaimed as one of the most brilliant and creative 20th-century US poets, he published his first volume, White Buildings, in 1926. His major work, The Bridge (1930), is a series of related poems in which New York City's Brooklyn Bridge serves as a mystical symbol of the creative power of civilization.