Friedrich von Schiller

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Friedrich von Schiller

The Columbia Encyclopedia, Sixth Edition | 2008 | The Columbia Encyclopedia, Sixth Edition. Copyright 2008 Columbia University Press. (Hide copyright information) Copyright

Friedrich von Schiller 1759-1805, German dramatist, poet, and historian, one of the greatest of German literary figures, b. Marbach, Württemberg. The poets of German romanticism were strongly influenced by Schiller, and he ranks as one of the founders of modern German literature, second only to Goethe .

Life

The son of an army captain, Schiller attended the duke of Württemberg's military academy, the Karlsschule, and was forced by the domineering duke to study medicine. After graduating in 1780 he became an army surgeon, attached to a military life he abhorred. Turning to writing, he created a striking attack on political tyranny in Die Räuber (1781), one of the great plays of the Sturm und Drang period. Its performance (1782) in Mannheim won him public acclaim as well as the wrath of the duke, who forbade him to write.

Schiller fled from his post in Stuttgart and, after great deprivation, worked as a dramatist (1783-84) for the Mannheim theater. His second youthful success, Don Carlos, appeared in 1785 and was performed in revised form in 1787. While living in the great cultural center of Weimar, Schiller wrote a history (1788) of the revolt of the Netherlands against Spain. This work, together with the mediation of Goethe, gained him (1789) a professorship of history at the Univ. of Jena (now Friedrich Schiller Univ. of Jena). In 1790 Schiller married the gifted writer Charlotte von Lengefeld. Plagued by poor health, Schiller rejected subsequent offers of positions and from 1793 to the end of his life lived in Weimar, enjoying the friendship of Goethe.

Work

Schiller's great dramas are alike in being tragedies or epics with historical and political backgrounds; they exemplify his idealism, high ethical principles, and insistence on freedom and nobility of spirit. In Die Räuber and other early works his heroes are pure idealists who perish because of the villainy of evil opponents. As Schiller moved from the phase of Sturm und Drang, he saw dangers in rampant individualism and even in fanatic idealism; thus his later Don Carlos has been interpreted both as a cry for political liberty and as a plea against excessive idealistic zealousness.

Under the influence of the philosophy of Kant , Schiller developed his aesthetic theories, which stressed the sublime and emphasized the creative powers of humanity. These views and his concept of historical inevitability are manifest in the outstanding dramatic trilogy Wallenstein (1798-99, tr. of last two parts by S. T. Coleridge, 1800), in which the general, ennobled by Schiller as a great creative statesman, bows before inexorable fate. Wallenstein reflects Schiller's labors on a large historical study (1791-93) of the Thirty Years War. Mary Stuart (1800, tr. by Stephen Spender, 1959), his most popular play, and Die Jungfrau von Orleans (1801) deal with guilt and redemption. Wilhelm Tell (1804), which places history and hero in favorable conjunction, shows Schiller's technical mastery at its best.

Schiller's interest in classical antiquity, inspired by Winckelmann, is reflected in the play Die Braut von Messina (1803), essays, and poems. An unfinished novel, Die Geisterseher, and the "Ode to Joy" (1785), used by Beethoven for the finale of his Ninth Symphony, indicate the range of his literary activity. Also noteworthy are his ballades and philosophical lyrics—graceful, compelling, often pathetic in mood. Along with Goethe, he edited the literary periodicals Horen (1795-97) and Musenalmanach (1796-1800). Schiller wrote several significant treatises on aesthetics and created his finest plays and poetry in this period; he also translated Shakespeare's Macbeth (1801), Racine's Phèdre (1805), and other works.

Bibliography

See biography by T. Carlyle (1899, repr. 1974); studies by E. L. Stahl (1954), T. Mann (tr. 1959), R. M. Longyear (1966), and I. Graham (1974).

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Schiller, Johann Christoph Friedrich von

World Encyclopedia | 2005 | © World Encyclopedia 2005, originally published by Oxford University Press 2005. (Hide copyright information) Copyright

Schiller, Johann Christoph Friedrich von (1759–1805) German dramatist, historian, and philosopher. His early blank verse plays, such as The Robbers (1781) and Don Carlos (1787), are classics of the Sturm und Drang period. Schiller's aesthetic and philosophical ideas were influenced by the idealism of Kant. His masterpiece is the trilogy Wallenstein (1800). Other historical plays include Mary Stuart (1801), Maid of Orleans (1801), and William Tell (1804). Schiller's “Ode to Joy” forms the finale of Beethoven's Ninth Symphony.

http://www.schillerinstitute.org/transl/translations_main.html

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Schiller, (Johann Christoph) Friedrich von

The Concise Oxford Companion to the Theatre | 1996 | | © The Concise Oxford Companion to the Theatre 1996, originally published by Oxford University Press 1996. (Hide copyright information) Copyright

Schiller, (Johann Christoph) Friedrich von (1759–1805), outstanding German poet and dramatist. He was only 22 when his first play Die Räuber, about the hostility between two brothers, was accepted for the theatre at Mannheim, where it was produced in 1782 with immediate success. Schiller was appointed official dramatist to the theatre, writing for it Fiesco (1783) and Kabale und Liebe (1784). He was heavily in debt, however, having taken refuge in Mannheim, where he was living under an assumed name, from his duties as an army doctor. After the production of his first historical tragedy, Don Carlos (1787), he published two books, one of which, on the Thirty Years War, provided him with the material for his great dramatic trilogy Wallenstein, completed in 1799 and translated into English by Coleridge. Schiller's last years, before his early death from tuberculosis, were spent in Weimar, where he enjoyed the friendship and collaboration of Goethe, who staged some of his best works, notably Maria Stuart (1800); Die Jungfrau von Orleans (1801), his most operatic play; Die Braut von Messina (1803), written in the form of ancient drama in chiselled verse, with lyrically beautiful choruses; and his last play Wilhelm Tell (1804). All Schiller's plays were translated into English, at first for reading rather than for the stage. The most influential was Die Räuber, which reinforced the Sturm und Drang movement unleashed by Goethe's Götz von Berlichingen (1773). As The Red-Cross Knights it was seen at the Haymarket in 1799 and as The Robbers at Drury Lane in 1851. Kabale und Liebe as The Harper's Daughter was seen at Covent Garden in 1803 and as Power and Principle at the Strand in 1850. It was seen in German in London during the World Theatre Season of 1964. Maria Stuart, which brings together Elizabeth I and Mary Queen of Scots, who in real life never met, was staged at Covent Garden in 1819, the Court Theatre in 1880, and the Old Vic in 1958.

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PHYLLIS HARTNOLL and PETER FOUND. "Schiller, (Johann Christoph) Friedrich von." The Concise Oxford Companion to the Theatre. 1996. Encyclopedia.com. (November 27, 2009). http://www.encyclopedia.com/doc/1O79-SchllrJhnnChrstphFrdrchvn.html

PHYLLIS HARTNOLL and PETER FOUND. "Schiller, (Johann Christoph) Friedrich von." The Concise Oxford Companion to the Theatre. 1996. Retrieved November 27, 2009 from Encyclopedia.com: http://www.encyclopedia.com/doc/1O79-SchllrJhnnChrstphFrdrchvn.html

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