Fitzgerald, F. Scott (1896–1940), novelist and short story writer identified with the 1920s, which he named the “Jazz Age”.Born in St. Paul, Minnesota, and educated at Princeton University, F. Scott Fitzgerald served briefly in the army and achieved early success with
This Side of Paradise (1920), a coming‐of‐age novel mainly set at Princeton.
The Beautiful and Damned (1922), his second novel, traces the deterioration of a wealthy young couple.
Fitzgerald's most famous novel,
The Great Gatsby (1925), was neither a financial success nor a recognized masterpiece in its own time. This fictional assessment of the American Dream has become the most widely read and taught twentieth‐century American novel, and Jay Gatsby is an American icon. The theme—as in all of Fitzgerald's best work—is aspiration and disillusionment: His questing heroes are invariably defeated. The emotional quality of Fitzgerald's fiction is intensified by its stylistic richness, combining wit, sensory appeal, accurate observation, and a keen sense of time and place.
The insanity of Fitzgerald's wife, Zelda—herself a 1920s celebrity—delayed his most profound novel,
Tender Is the Night (1934). Set on the Riviera during the 1920s, it examines the failure of a brilliant young American psychiatrist during his marriage to a wealthy mental patient. This novel's disappointing reception, combined with financial worries and illness, contributed to Fitzgerald's breakdown, about which he wrote in a series of essays posthumously collected in
The Crack‐Up (1945). Fitzgerald went to Hollywood in 1937 to write for the movies. At the time of his death from a heart attack at age forty‐four, he was writing a Hollywood novel; the work‐in‐progress appeared posthumously as
The Last Tycoon (1941).
During his lifetime, Fitzgerald's reputation for extravagance and dissipation affected assessments of his writings. A reappraisal began in 1945, and by the 1960s and beyond, his work was read and studied in English and in translation throughout the world, both as literature and as documents of American social history. His 160 short stories for mass‐circulation
magazines, dismissed as hack‐work, included such masterpieces as
May Day, The Diamond as Big as the Ritz, The Rich Boy, The Last of the Belles, and
Babylon Revisited.
See also
Literature: Since World War I;
Twenties, The.
Bibliography
Matthew J. Bruccoli, Scottie Fitzgerald Smith, and Joan P. Kerr, eds., The Romantic Egoists: A Pictorial Autobiography from the Scrapbooks and Albums of Scott and Zelda Fitzgerald, 1974.
Matthew J. Bruccoli , Some Sort of Epic Grandeur: The Life of F. Scott Fitzgerald, rev. ed., 1993.
Matthew J. Bruccoli, ed., F. Scott Fitzgerald: A Life in Letters, 1994.
Matthew J. Bruccoli