Dylan Thomas

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Dylan Thomas

The Columbia Encyclopedia, Sixth Edition | 2008 | The Columbia Encyclopedia, Sixth Edition. Copyright 2008 Columbia University Press. (Hide copyright information) Copyright

Dylan Thomas , 1914-53, Welsh poet, b. Swansea. An extraordinarily individualistic writer, Thomas is ranked among the great 20th-century poets. He grew up in Swansea, the son of a teacher, but left school at 17 to become a journalist and moved to London two years later. His Eighteen Poems, published in 1934, created controversy but won him immediate fame, which grew with the publication of Twenty-five Poems (1936), The Map of Love (1939; containing poetry and surrealistic prose), The World I Breathe (1939; also containing some prose), Deaths and Entrances (1946), and In Country Sleep and Other Poems (1952).

The prose Thomas published is fragmented into stories and sketches, many autobiographical or pseudo-autobiographical, all touched with fantasy; they are collected in Portrait of the Artist as a Young Dog (1940), Adventures in the Skin Trade (1955), and Quite Early One Morning (1955). He had a remarkable speaking voice, flexible and resonant, and his radio readings over the BBC were popular. In addition he wrote for the radio A Child's Christmas in Wales (published 1954) and his striking dramatic work, Under Milk Wood (published 1954), which records life and love and introspection in a small Welsh town.

Thomas's themes are traditional—love, death, mutability—and over the years he seemed to pass from religious doubt to joyous faith in God. His complex imagery is based on many sources, including Welsh legend, Christian symbolism, witchcraft, astronomy, and Freudian psychology; the private myth he created makes his early poetry hard to understand. Yet his sure mastery of sound (perhaps related to his fine voice), his warm humor, and his robust love of life attract the reader instantaneously.

Thomas greatly enjoyed his success but lived recklessly and drank heavily. His third highly popular tour of the United States ended in his death, which was brought on by alcoholism. The autobiography of Thomas's wife, Caitlin Thomas, Leftover Life to Kill (1957), and the account of the Thomases' tours by J. M. Brinnin, Dylan Thomas in America (1955), vividly describe his last years.

Bibliography: See his Collected Poems (1953); his letters, ed. by C. FitzGibbon (1967); his notebooks, ed. by R. Maud (1967); biographies by C. FitzGibbon (1965), J. Ackerman (1965), and A. Lycett (2004); studies by W. Y. Tindall (1962), W. T. Moynihan (1966), and R. Kidder (1973).

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Thomas, Dylan

A Dictionary of British History | 2004 | | © A Dictionary of British History 2004, originally published by Oxford University Press 2004. (Hide copyright information) Copyright

Thomas, Dylan (1914–53). Poet. Born in Swansea, son of a school teacher, Thomas began as a journalist, publishing his first book 18 Poems in 1934 and following it in 1936 with 25 Poems. He married in 1937 and settled in the coastal village of Laugharne, south of Carmarthen, working for the BBC and lecturing. Though he knew no Welsh, Thomas's roistering life‐style led some to accuse him of being a stage‐Welshman. His radio play Under Milk Wood (1954) was greatly acclaimed as a portrait of Welsh life in the fictitious village of Llareggub.

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JOHN CANNON. "Thomas, Dylan." A Dictionary of British History. 2004. Encyclopedia.com. 7 Dec. 2009 <http://www.encyclopedia.com>.

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Thomas, Dylan

The Oxford Companion to British History | 2002 | | © The Oxford Companion to British History 2002, originally published by Oxford University Press 2002. (Hide copyright information) Copyright

Thomas, Dylan (1914–53). Poet. Born in Swansea, son of a schoolteacher, Thomas began as a journalist, publishing his first book 18 Poems in 1934 and following it in 1936 with 25 Poems. He married in 1937 and settled in the coastal village of Laugharne, south of Carmarthen, working for the BBC and lecturing. A collection of short stories of a strongly autobiographical nature, Portrait of the Artist as a Young Dog, came out in 1940. Though he knew no Welsh, Thomas's roistering life-style led some to accuse him of being a stage-Welshman. Deaths and Entrances (1946) and Collected Poems 1934–52 were well received, but Thomas died on a lecture tour of the USA. His radio play Under Milk Wood (1954) was greatly acclaimed as a portrait of Welsh life in the fictitious village of Llareggub.

J. A. Cannon

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Free newspaper and magazine articles

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