Claes Oldenburg

Claes Oldenburg , 1929-, Swedish-American artist, b. Stockholm. Usually considered part of the pop art movement, Oldenburg explores the ironic and humorous aspects of common objects by grossly distorting them in scale, shape, and material. He is noted for soft sculptures of stuffed cloth (e.g., Soft Hamburger, 1962; Art Gallery of Ontario, Toronto) and giant objects (e.g., Giant Saw, Hard Version, 1969; Vancouver Art Gall.). His gigantic monument, Lipstick, was erected at Yale in 1969. Since the 1970s many of his works have been monumental outdoor installations (e.g., colossal binoculars in Los Angeles, an enormous clothespin in Philadelphia, and huge shuttlecocks in Kansas City) and most have been executed in collaboration with his second wife, the Dutch artist and curator Coosje van Bruggen. Oldenburg's work is represented in many major public collections, including the Museum of Modern Art and Whitney Museum, both in New York City.

Oldenburg, Claes (1929– ) US sculptor, a leading member of the pop art movement. He is famous for his gigantic sculptures based on everyday objects, such as Lipstick (1969).

Oldenburg, Claes (b Stockholm, 28 Jan. 1929). Swedish-born sculptor and graphic artist who became an American citizen in 1953. He was educated at Yale University and studied at the Art Institute of Chicago (earning his living with part-time jobs as a reporter and illustrator), then in 1956 settled in New York. There he came into contact with a group of young artists, including Dine, Kaprow, and Segal, who were in revolt against Abstract Expressionism and from about 1958 he became interested in happenings, environments, ‘situations’, etc. His inspiration was drawn largely from New York's street life—shop windows, graffiti, advertisements, and so on—and in 1961 he opened ‘The Store’, at which he sold painted plaster replicas of foods and other domestic objects. This led to the work with which his name is most closely associated—giant-size sculptures of foodstuffs and ‘soft sculptures’ of normally hard objects (Dual Hamburger, 1962, MoMA, New York). With these he was hailed as one of the leaders of American Pop art. Oldenburg is also well known for his projects for colossal monuments—for example, Lipsticks in Piccadilly Circus, London (1966, Tate, London), consisting of a magazine cutting of an array of lipsticks pasted onto a picture postcard. The first of these projects to be realized was a giant lipstick erected at Yale University in 1969. Since 1976 he has concentrated almost exclusively on such large-scale projects, for example the 20 m (70 ft) high Match Cover erected in Barcelona in 1992.