Bert Lahr

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Bert Lahr

The Columbia Encyclopedia, Sixth Edition | 2008 | The Columbia Encyclopedia, Sixth Edition. Copyright 2008 Columbia University Press. (Hide copyright information) Copyright

Bert Lahr 1895-1967, American comic actor, b. New York City, originally named Irving Lahrheim. Lahr first performed in burlesque and vaudeville, where he became known for his morose facial expression. After his Broadway debut in Harry Delmar's Revels (1927), he appeared in numerous Broadway shows, in films, and on television. His performance in Waiting for Godot in 1956 is considered the high point of his career, but he is probably best remembered as the Cowardly Lion in the film The Wizard of Oz (1939).

Bibliography: See biography by his son John Lahr (1969).

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Lahr, Bert

The Oxford Companion to American Theatre | 2004 | | © The Oxford Companion to American Theatre 2004, originally published by Oxford University Press 2004. (Hide copyright information) Copyright

Lahr, Bert [né Irving Lahrheim] (1895–1967), comic actor. The rubber‐faced, caterwauling comedian, famous for his “gnong‐gnong” and “Some fun, eh kid?,” began his career in vaudeville and burlesque. His first Broadway assignment was in Delmar's Revels (1927), but it was his clowning as the punch‐drunk Gink Schiner in Hold Everything! (1928) that made him a star. Appearances followed in Flying High (1930), Hot‐Cha! (1932), George White's Music Hall Varieties (1932), Life Begins at 8:40 (1934), George White's Scandals of 1935, The Show Is On (1936), Du Barry Was a Lady (1939), and Seven Lively Arts (1944). In 1946 he was praised for his performance as Skid in a revival of Burlesque, then, after appearing in Two on the Aisle (1951), he won further laurels for his portrayal of Estragon in Waiting for Godot (1956), a role he claimed he never understood. Lahr's later performances included Boniface in the farce Hotel Paradiso (1957), the revue The Boys Against the Girls (1959), a number of quick‐change roles in The Beauty Part (1962), and, his last Broadway appearance, the sly miser Foxy (1964). His son is critic and author John LAHR (b. 1941) who was born in Los Angeles and educated at Yale and Oxford University. After working as a dramaturg for some regional theatres, he started writing reviews in Evergreen Review, the Village Voice, and later The New Yorker. Among his many books is a biography of his father, Notes on a Cowardly Lion, 1969.

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Gerald Bordman and Thomas S. Hischak. "Lahr, Bert." The Oxford Companion to American Theatre. Oxford University Press. 2004. Encyclopedia.com. 12 Nov. 2009 <http://www.encyclopedia.com>.

Gerald Bordman and Thomas S. Hischak. "Lahr, Bert." The Oxford Companion to American Theatre. Oxford University Press. 2004. Encyclopedia.com. (November 12, 2009). http://www.encyclopedia.com/doc/1O149-LahrBert.html

Gerald Bordman and Thomas S. Hischak. "Lahr, Bert." The Oxford Companion to American Theatre. Oxford University Press. 2004. Retrieved November 12, 2009 from Encyclopedia.com: http://www.encyclopedia.com/doc/1O149-LahrBert.html

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Lahr, Bert

The Concise Oxford Companion to the Theatre | 1996 | | © The Concise Oxford Companion to the Theatre 1996, originally published by Oxford University Press 1996. (Hide copyright information) Copyright

Lahr, Bert [ Irving Lahrheim] (1895–1967), American vaudeville and burlesque player, who became a leading actor in both musical shows and straight plays. Basically a clown, he first played the vaudeville circuits at the age of 15, and within a few years had developed his own solo act. After serving in the Navy during the First World War he teamed up in a double act with Mercides Delpino, later his wife, and made his Broadway début in the revue Delmar's Revels (1927), his first outstanding success being the prizefighter Gink Schiner in the musical Hold Everything (1928). During the 1930s he was in a number of musical shows, including the revue Life Begins at 8.40 (1934) and the Cole Porter musical Du Barry was a Lady (1939). In 1939 he also became internationally famous for his performance as the Cowardly Lion in the film The Wizard of Oz. His subsequent stage career included Skid, a passéburlesque comic, in a revival of Burlesque in 1946, Gogo (Estragon) in Beckett's Waiting for Godot (1956), and Boniface in Hotel Paradiso (1957), based on a farce by Feydeau. He gave fine performances as Bottom in A Midsummer Night's Dream in the American Shakespeare Festival production of 1960, and in Foxy, a musical version of Jonson's Volpone, in 1964.

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PHYLLIS HARTNOLL and PETER FOUND. "Lahr, Bert." The Concise Oxford Companion to the Theatre. 1996. Encyclopedia.com. 12 Nov. 2009 <http://www.encyclopedia.com>.

PHYLLIS HARTNOLL and PETER FOUND. "Lahr, Bert." The Concise Oxford Companion to the Theatre. 1996. Encyclopedia.com. (November 12, 2009). http://www.encyclopedia.com/doc/1O79-LahrBert.html

PHYLLIS HARTNOLL and PETER FOUND. "Lahr, Bert." The Concise Oxford Companion to the Theatre. 1996. Retrieved November 12, 2009 from Encyclopedia.com: http://www.encyclopedia.com/doc/1O79-LahrBert.html

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Newspaper article from: The Post-Standard (Syracuse, NY); 8/13/2009; 700+ words ; ...The Wizard of Oz." Who can forget Bert Lahr as the Cowardly Lion? Well, today is the anniversary of the birth of Bert Lahr, and this week marks the 70th anniversary...occasion, Jane Lahr, the daughter of Bert Lahr, will visit the Gage Home today...
Original 'Cowardly Lion' Costume Worn by Bert Lahr in 'The Wizard of Oz' to Be Auctioned by World-Renowned 'Profiles in History', December 14-15, 2006.
PR Newswire; 11/27/2006; 625 words ; ...Calif., Nov. 27 /PRNewswire/ -- Fans and collectors world- wide will want to "Put 'em up, put 'em up" when Bert Lahr's original lion costume from the 1939 classic "The Wizard of Oz" goes on the auction block during Profiles in History...
Russell, the mane attraction from Oz; (1) Tressed to impress: Russell Crowe with his flowing locks on Jay Leno yesterday (2) Spot the difference: Bert Lahr as the hirsute, Cowardly Lion in the Wizard of Oz.
Newspaper article from: The Daily Mail (London, England); 10/1/2008; 491 words ; Byline: KLARA KUBIAK HE WAS once the epitome of pure masculinity a ruggedly handsome, dangerous chunk of a man whose character in Gladiator made Roman history sexy. But when Russell Crowe appeared on U.S. television yesterday, female fans despaired that he had swapped machismo for a shampoo
Son of a Cowardly Lion Also Roars: New Yorker's John Lahr Opens Jaws
Newspaper article from: Forward; 1/26/2001; ; 700+ words ; ...biography of his father, Bert Lahr, the Jewish vaudeville...underlay the marriage itself. Bert allowed Millie, also an...Only once did Mr. Lahr, who was raised in Manhattan...eighth-grade drop-out, Bert Lahr found success as a physical...
The dysfunctional lion and other stars; Show and Tell: New Yorker Profiles. By John Lahr (Bloomsbury, pounds 20). Reviewed by Michael Emery.(Books)
Newspaper article from: The Birmingham Post (England); 10/20/2001; 700+ words ; ...grotesque childhood. Lahr is the son of Bert Lahr, one of America's most respected...experienced dreadful childhoods. Bert Lahr, like many comedians, was incredibly...room.' Despite his huge success, Bert Lahr left Hollywood for Broadway, 'Well...
How not to tame a Broadway diva Cole Porter once said of Elaine Stritch: 'She talks funnier than the scripts.' So when John Lahr helped the 76-year-old star write her one-woman show, he couldn't win. Instead he kept score
Newspaper article from: The Sunday Telegraph London; 9/22/2002; ; 700+ words ; ...over it yet, really." At our first meeting, I told Elaine that she reminded me on stage of my father, the comedian Bert Lahr, who had a certain prowess with audiences too. Both brought their panic-struck solitude with them on stage; both...
The subversive paradox of Dame Edna Everage
Newspaper article from: The Boston Globe; 12/15/1992; ; 700+ words ; ...biography, and the great loss is not what Lahr doesn't say about Barry Humphries' life; writing about Dame Edna gives Lahr the opportunity to make another inquiry...one of America's funniest men, Bert Lahr; it also comes up in his novel...
SINATRA - OTHER THAN HIS WAY; IN LATEST PRE-POSTHUMOUS TOME, OL' BLUE EYES IS OFFERED AS COMPLEX, COMPELLING PERSONALITY.(L.A. LIFE)
Newspaper article from: Daily News (Los Angeles, CA); 1/6/1998; 700+ words ; ...as some Jekyll-and-Hyde case, Lahr resolved to present the man as a single...thing that makes him vulgar,'' says Lahr, 56, theater critic of the New Yorker...selling biographies of his father, actor Bert Lahr (``Notes on a Cowardly Lion...
THERE'S NO BUSINESS LIKE SHOW BUSINESS
Newspaper article from: The Washington Post; 11/22/1992; ; 700+ words ; ...resist? By a stroke of fortune John Lahr's Dame Edna Everage and the Rise...power over an audience like that," Lahr said to Humphries after watching him...This is the son of the great clown Bert Lahr speaking. Humphries replied, "That...
WHY EVERY STAR HAS A LESS THAN SILVER LINING. (book review)
Newspaper article from: The Daily Mail (London, England); 9/21/2001; ; 700+ words ; ...this. AS AN interviewer, Lahr has two advantages the cachet...His father, the comedian Bert Lahr, was the beloved Cowardly...Inconsolable' is the word Lahr uses of many of them. Does...profile of his father, Bert. He was a 'friendly absence...

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