American Indian Movement. Of the various forms of ethnic and racial nationalism in the 1960s and 1970s, the American Indian Movement (AIM) emerged as the best‐known “Red Power” organization. AIM got its start in 1968 when charges of police brutality in Indian neighborhoods in Minneapolis led Chippewas Dennis Banks and George Mitchell to assemble “red patrols” to follow police and witness arrests.
AIM soon evolved into a national group patterned after the
Black Panthers, with chapters appearing in many cities. Especially popular among urban Indians, it quickly became a powerful force in the politics of many reservations as well. Members styled themselves as traditional warriors but drew on tactics of the larger
civil rights movement. Russell Means, an Oglala Sioux, became AIM's principal spokesperson by staging attention‐grabbing actions, such as the 1972 demonstrations in Gordon, Nebraska, to protest the murder of Raymond Yellow Thunder, and the Trail of Broken Treaties caravan that same year, which concluded in a six‐day occupation of the
Bureau of Indian Affairs (BIA) offices in
Washington, D.C. In 1973, Means was involved in AIM's dramatic seventy‐one–day siege of the village of Wounded Knee Creek, South Dakota, site of an 1890 massacre of Indians, as well as a fracas between AIM members and police in the Custer County, South Dakota, courthouse. In 1975, armed AIM members took over an electronics factory on the Navajo reservation.
By the late 1970s, AIM's popularity was fading as its militant, sometimes violent tactics became increasingly controversial. The government cracked down, imprisoning key leaders, and internal dissension split the ranks. Nonetheless, AIM's long‐term influence far surpassed its short lifespan. AIM not only contributed to a sense of pan‐Indian unity and to pride in Indian identity and heritage, but also drew national attention to Indian issues.
See also
Indian History and Culture: Since 1950;
Sixties, The;
Wounded Knee Tragedy.
Bibliography
Peter Matthiessen , In the Spirit of Crazy Horse, 1991.
Larry Burt