Amadis of Gaul

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Amadis of Gaul

Amadis of Gaul , Fr. Amadis de Gaule , famous prose romance of chivalry, first composed in Spain or Portugal and probably based on French sources. Entirely fictional, it dates from the 13th or 14th cent., but the first extant version in Spanish, a revision by García de Rodríguez de Montalvo, was published in 1508. The original inspired innumerable variations and continuations, as well as several translations. It was immensely popular in France and Spain until superseded by Don Quixote, and it was, indeed, a sign of inelegance not to be acquainted with its code of honor and knightly perfection. Its influence is apparent in Sir Philip Sidney's Arcadia. The story became the subject of a lyric tragedy by Philippe Quinault (1684), with music by Lully, and it inspired the opera Amadigi (1715) by Handel.

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"Amadis of Gaul." The Columbia Encyclopedia, Sixth Edition. 2008. Encyclopedia.com. 15 Nov. 2009 <http://www.encyclopedia.com>.

"Amadis of Gaul." The Columbia Encyclopedia, Sixth Edition. 2008. Encyclopedia.com. (November 15, 2009). http://www.encyclopedia.com/doc/1E1-AmadisGa.html

"Amadis of Gaul." The Columbia Encyclopedia, Sixth Edition. 2008. Retrieved November 15, 2009 from Encyclopedia.com: http://www.encyclopedia.com/doc/1E1-AmadisGa.html

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Amadis of Gaul

The Concise Oxford Companion to English Literature | 2003 | | Â© The Concise Oxford Companion to English Literature 2003, originally published by Oxford University Press 2003. (Hide copyright information) Copyright

Amadis of Gaul (Amadis de Gaula), a Spanish or Portuguese romance, written in the form in which we have it by Garcia de Montalvo in the second half of the 15th and printed early in the 16th cent. The romance was translated into English by Munday (?1590), and an abridged version by Southey appeared in 1803.

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MARGARET DRABBLE and JENNY STRINGER. "Amadis of Gaul." The Concise Oxford Companion to English Literature. 2003. Encyclopedia.com. 15 Nov. 2009 <http://www.encyclopedia.com>.

MARGARET DRABBLE and JENNY STRINGER. "Amadis of Gaul." The Concise Oxford Companion to English Literature. 2003. Encyclopedia.com. (November 15, 2009). http://www.encyclopedia.com/doc/1O54-AmadisofGaul.html

MARGARET DRABBLE and JENNY STRINGER. "Amadis of Gaul." The Concise Oxford Companion to English Literature. 2003. Retrieved November 15, 2009 from Encyclopedia.com: http://www.encyclopedia.com/doc/1O54-AmadisofGaul.html

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Oriana

The Oxford Dictionary of Phrase and Fable | 2006 | | Â© The Oxford Dictionary of Phrase and Fable 2006, originally published by Oxford University Press 2006. (Hide copyright information) Copyright

Oriana a name frequently applied by poets to Elizabeth I; in the medieval Spanish or Portuguese romance Amadis of Gaul, the princess of Britain with whom the hero Amadis is in love is named Oriana.

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ELIZABETH KNOWLES. "Oriana." The Oxford Dictionary of Phrase and Fable. Oxford University Press. 2006. Encyclopedia.com. 15 Nov. 2009 <http://www.encyclopedia.com>.

ELIZABETH KNOWLES. "Oriana." The Oxford Dictionary of Phrase and Fable. Oxford University Press. 2006. Encyclopedia.com. (November 15, 2009). http://www.encyclopedia.com/doc/1O214-Oriana.html

ELIZABETH KNOWLES. "Oriana." The Oxford Dictionary of Phrase and Fable. Oxford University Press. 2006. Retrieved November 15, 2009 from Encyclopedia.com: http://www.encyclopedia.com/doc/1O214-Oriana.html

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	Queen Calafia; California - 'What's In A Name?' Newspaper article from: Los Angeles Sentinel; 3/30/2005; ; 569 words ; ...a Spanish romance novel of five volumes, entitled "Amadis de Gaula," by Garcia Ordonez de Montalvo. In its fifth...Powerful Cavalier Esplandian, Son of the Excellent King Amadis of Gaul," Montalvo describes an exotic place and its inhabitants...
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	A letter to the editor. Magazine article from: Cervantes: Bulletin of the Cervantes Society of America; 3/22/2003; 700+ words ; ...is not strictly true that, as McCanles goes on to say, "he cannot grasp the metaphorical, fictive existence of Amadis of Gaul and Orlando, but takes the verbal heterocosms in which they dwell as literal histories." There are explicit indications...
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