Algernon Charles Swinburne

The English poet, dramatist, and critic Algernon Charles Swinburne (1837-1909) was famous in Victorian England for the innovative versification of his poetry and infamous for his violent attacks on Victorian morality.

Algernon Charles Swinburne was born in London on April 5, 1837. He was nervous and frail from birth, but he was also fired with nervous energy and fearlessness to the point of being reckless. Much of his childhood was spent on the Isle of Wight, a circumstance that fostered his deep love of the sea. He also made frequent visits to his grandfather's estate in Northumberland, where he was fascinated by the medieval border ballads that the servants sang to him. Swinburne attended Eton from 1849 to 1853. At school he became an avid reader and won first prizes in French and Italian. The corporal punishment that was traditional at Eton may have developed the abnormal pleasure in the experience of pain that characterized his adult behavior.

Years at Oxford

Swinburne entered Balliol College, Oxford, in January 1856, and he studied there intermittently for almost 4 years. Though he continued to read widely, he chafed at academic discipline and neglected his studies. His appearance was strikingly unusual. He was abnormally short with narrow, sloping shoulders and tiny hands and feet. His eyes were green, and his disproportionately large head was topped by a great aureole of bright red hair. His appearance, plus his habit of fluttering his hands and hopping about as he excitedly talked, provoked Henry Adams to compare him to "a crimson macaw." Swinburne supplemented his astounding physique with equally bizarre behavior. He became known for his violent attacks on Christianity and on conventional morality as well as for his late hours and heavy drinking. Swinburne replaced the religious faith of his youth with political fervor, declaiming verses to a portrait of the Italian patriot Giuseppe Mazzini that he hung in his room at Oxford.

At the university Swinburne formed lasting friendships with two of Oxford's most famous scholars, Walter Pater and Benjamin Jowett. In 1857 Swinburne became intimate with the Pre-Raphaelites Dante Gabriel Rossetti, William Morris, and Edward Burne-Jones. By 1860 Swinburne's Balliol colleagues considered him "dangerous, " but his decision to leave Oxford without a degree was apparently his own. His father, greatly disturbed by his son's withdrawal, nevertheless provided him with a permanent allowance. Swinburne moved to London and devoted his life to writing.

His Works

In 1861 Swinburne began his long association with Rossetti, who exerted a steadying influence and thus enabled him to write some of his finest lyric poetry. Swinburne published two plays in 1860, The Queen Mother and Rosamond, but they received no critical notice. However, in 1865, his powerful imitation of Greek tragedy, Atlanta in Calydon, was an instant success. Most critics were entranced by the metrical virtuosity displayed in the constantly shifting rhythms of the play's choruses, and few noticed its darkly amoral theme. But Poems and Ballads, First Series, published in April 1866, made Swinburne's sensuality and anti-Christianity unmistakable. This volume contains his finest poetry—beautiful in supple and unusual rhythms, in melodious sound combinations, and in intricately extended images. The most notable poems in it were clearly intended to shock the Victorian public. The "Hymn to Proserpine" denounces Christ as the "pale Galilean, " and "Faustine, " "Laus Veneris, " "Anactoria, " and "Dolores" boldly flaunt Swinburne's sadomasochistic sexuality. The book was savagely attacked by the press, and a controversy raged. Swinburne answered in "Notes on Poems and Reviews."

In 1867 Swinburne met Mazzini, who told him to turn from "love frenzy" to the utilization of his poetic gift in the "service of the republic." The result was Songs before Sunrise (1871), a volume of poems dedicated to the cause of freedom and democracy and championing the Italian struggle for independence. In 1878 Swinburne published Poems and Ballads, Second Series, but this volume contained few poems as beautiful and none so shocking as those of the First Series. It marked the end of Swinburne's greatest poetic achievement.

Throughout this period of literary activity, Swinburne had also been living a dissolute life of heavy drinking and masochistic sexual practices. His dissipation had brought on a number of attacks similar to epileptic fits, but his amazing energy had enabled him to return each time to his frenzied style of life.

In September 1879, however, Swinburne collapsed so completely that a friend, Walter Theodore Watts-Dunton, took him to his home in Putney, a suburb of London. There Watts-Dunton imposed a regimen that probably saved Swinburne's life. The poet spent the remaining 30 years of his life with Watts-Dunton in a manner as subdued as his youth had been wild. The sober discipline imposed on him enabled Swinburne to write and to publish 23 volumes of poetry, prose, and drama during these years. But A Century of Roundels (1883) clearly showed that Swinburne's rhythmic virtuosity had degenerated into excessive fluency of meter and that the fiery radical of Oxford was no more. In spite of continued avid reading and writing, Swinburne did not develop intellectually or artistically beyond his university days. He died of pneumonia on April 10, 1909, at Putney.

Further Reading

Swinburne's essays in defense of his work were collected by Clyde Kenneth Hyder in Swinburne Replies (1966). A wealth of fascinating detail is in Cecil Y. Lang's edition of The Swinburne Letters (6 vols., 1959-1962). The best biography is Georges Lafourcade, Swinburne: A Literary Biography (1932). The best critical appraisal is T.S. Eliot, "Swinburne as Poet, " in The Sacred Wood (1920). Major studies include Thomas Earle Welby, A Study of Swinburne (1926), and Samuel C. Chew, Swinburne (1929).

Additional Sources

Henderson, Philip, Swinburne; portrait of a poet, New York: Macmillan, 1974.

Kernahan, Coulson, Swinburne as I knew him: with some unpublished letters from the poet to his cousin the Hon. Lady Henniker Heaton, Philadelphia: R. West, 1978.

Mayfield, John S., Swinburneiana: a gallimaufry of bits and pieces about Algernon Charles Swinburne, s.l.: s.n., 1974 (Gaithersburg, Md.: Waring Press).

Thomas, Donald Serrell, Swinburne, the poet in his world, New York: Oxford University Press, 1979. □

Swinburne, Algernon Charles (1837–1909), educated at Balliol College, Oxford, where he was associated with Rossetti and the Pre-Raphaelite circle. Atalanta in Calydon (1865), a drama in classical Greek form with choruses that revealed his great metrical skills, brought him celebrity. Chastelard (1865), the first of three dramas on the subject of Mary Queen of Scots, raised doubts about the morality of Swinburne's verse, doubts reinforced by the first series of Poems and Ballads (1866), which brought down a torrent of abuse from R. Buchanan, J. Morley, and others. The volume contains many of his best as well as his most notorious poems (‘Dolores’, ‘Itylus’, ‘Hymn to Proserpine’, ‘The Triumph of Time’, ‘Faustine’, ‘Laus Veneris’, etc.) which clearly demonstrate the preoccupation with de Sade, masochism, and femmes fatales, and also his outspoken repudiation of Christianity. A Song of Italy (1867) and Songs before Sunrise (1871) express his support for Mazzini in the struggle for Italian independence, and a hatred of authority which owes much to Blake. Bothwell (1874) and a second Greek drama, Erechtheus (1876), were followed by the more subdued Poems and Ballads: Second Series (1878), which contains ‘A Forsaken Garden’. By this time Swinburne's health was seriously undermined by heavy drinking and other excesses. In 1879 he moved to Putney with his friend Watts-Dunton, who gradually weaned him from drink and restored his health. He published many more volumes, including Mary Stuart (1881), Tristram of Lyonesse and Other Poems (1882), Marino Faliero (1885, a tragedy on the same subject as Byron's of the same title), and Poems and Ballads: Third Series (1889), but they lack the force of his earlier work.

Swinburne commanded an impressive variety of verse forms, writing in classical metres, composing burlesques, modern and mock-antique ballads, roundels, etc.; he also translated the ballads of Villon. His influence on fellow aesthetes like Pater and a later generation of poets was considerable. Swinburne was a critic of perception and originality; his studies of Chapman (1875), Marlowe (1883, Encyclopaedia Britannica), Middleton (1887), Tourneur (1889, EB), and others were the first important successors to Lamb in the revival of interest in Elizabethan and Jacobean drama.

His letters were edited in 6 vols, 1959–62, by C. Y. Lang. Many of his writings remain unpublished, presumably unpublishable.

Swinburne, Algernon Charles (1837–1909) English poet and critic. A play, Atalanta in Calydon (1865), brought him fame, and his Poems and Ballads (1866) also won praise. Some of the poems in the collection, including “The Garden of Proserpine”, are among his finest. Two further series of Poems and Ballads appeared in 1876 and 1889.