Aldus Manutius

Aldus Manutius or Aldo Manuzio , 1450-1515, Venetian printer. He was educated as a humanistic scholar and became tutor to several of the great ducal families. One of them, the Pio family, provided him with money to establish a printery in Venice. Aldus was at this time almost 45 years old. He devoted himself to publishing the Greek and Roman classics, in editions noted for their scrupulous accuracy; a five-volume set of the works of Aristotle, completed in 1498, is the most famous of his editions. He was especially interested in producing books of small format for scholars at low cost. To this end he designed and cut the first complete font of the Greek alphabet, adding a series of ligatures or tied letters, similar to the conventional signs used by scribes, which represented two to five letters in the width of one character. To save space in Latin texts he had a type designed after the Italian cursive script; it is said to be the script of Petrarch. This was the first italic type used in books (1501). Books produced by him are called Aldine and bear his mark, which was a dolphin and an anchor. Aldus employed competent scholars as editors, compositors, and proofreaders to insure accuracy in his books. Much of his type was designed by Francesco Griffi, called Francesco da Bologna. The Aldine Press was later managed by other members of his family, including a son, Paulus Manutius (1512-74), and a grandson, Aldus Manutius (1547-97), who was best known for his classical scholarship.

Colonna, Fra Francesco (1433–1527). Venetian cleric and author. His Hypneroto-machia Polifili, written in 1467 and published by Aldus Manutius (1450–1515) in Venice in 1499, was a work of imagination, but it contains descriptions of hieroglyphs and many buildings of Classical Antiquity, clearly drawing on Antique literature (including Vitruvius) and on contemporary Renaissance architectural concerns. Manutius's celebrated edition contained fanciful woodcut illustrations that were very influential for long afterwards. Bernini's elephant carrying an obelisk and the common theme of an obelisk on top of a pyramid are but two of the images that recur after 1499. Hypnerotomachia is regarded as the first Italian architectural treatise.

Bibliography

Colonna (1999);
J. Curl (2005);
Jervis (1984);
Pevsner (ed.) (1968)