Director: Laurence Olivier
Production: Two Cities Film, presented by Eagle-Lion; Technicolor, 35mm; running time: 153 minutes, some versions are 137 minutes. Released 22 November 1944, Carlton Theatre, London. Filmed 9 June 1943–12 July 1944 in Enniskerry, Eire; and at Denham and Pinewood Studios, England. Cost: about £400,000.
Producers: Laurence Olivier with Dallas Bower; screenplay: Laurence Olivier and Alan Dent, from the play by William Shakespeare; photography: Robert Krasker; editor: Reginald Beck; sound recordists: John Dennis and Desmond Drew; art directors: Paul Sheriff assisted by Carmen Dillon; scenic art: E. Lindgaard; music: William Walton; conductor: Muir Mathieson; played by: London Symphony Orchestra; special effects: Percy Day; costume designers: Roger Furse assisted by Margaret Furse; the film is dedicated to the Commandos and Airborne Troops of Great Britain—"the spirits of whose ancestors it has humbly attempted to recapture"
Cast: Leslie Banks (Chorus); Felix Aylmer (Archbishop of Canterbury); Robert Helpmann (Bishop of Ely); Vernon Greeves (English Herald); Gerald Case (Earl of Westmorland); Griffith Jones (Earl of Salisbury); Morland Graham (Sir Thomas Erpingham); Nicholas Hannen (Duke of Exeter); Michael Warre (Duke of Gloucester); Laurence Olivier (King Henry V); Ralph Truman (Montjoy, the French Herald); Ernest Thesiger (Duke of Berri, French Ambassador); Frederick Cooper (Corporal Nym); Roy Emerton (Lieutenant Bardolph); Robert Newton (Pistol); Freda Jackson (Mistress Quickley, the Hostess); George Cole (Boy); George Robey (Sir John Falstaff); Harcourt Williams (King Charles VI of France); Leo Genn (Constable of France); Francis Lister (Duke of Orleans); Max Adrian (Dauphin); Jonathan Field (French Messenger); Esmond Knight (Fluellen); Michael Shepley (Gower); John Laurie (Jamy); Nial MacGinnis (Macmorris); Frank Tickle (Governor of Harfleur); Renée Asherson (Princess Katherine); Ivy St. Helier (Lady Alice); Janet Burnell (Queen Isabel of France); Brian Nissen (Court, camp-boy); Arthur Hambling (John Bates); Jimmy Hanley (Michael Williams); Ernest Hare (Priest); Valentine Dyall (Duke of Burgundy); and Infantry and Cavalry by members of the Eire Home Guard.
Awards: Special Oscar to Laurence Olivier for his Outstanding Achievement as Actor, Producer, and Director in bringing Henry V to the screen, 1946; New York Film Critics' Award, Best Actor, 1946; Venice Film Festival, Special Mention, 1946.
Olivier, Laurence, and Alan Dent, Henry V, in Film Scripts One, edited by George P. Garrett, New York, 1971.
Oakley, C. A., Where We Came In: 70 Years of the British Film Industry, London, 1964.
Whitehead, Peter, and Robin Bean, Olivier-Shakespeare, London, 1966.
Darlington, W. A., Laurence Olivier, London, 1968.
Eckert, Charles W., editor, Focus on Shakespearian Films, Englewood Cliffs, New Jersey, 1972.
Geduld, Harry M., editor, A Filmguide to Henry V, Bloomington, Indiana, 1973.
Perry, George, The Great British Picture Show, from the 90s to the 70s, New York, 1974.
Barsacq, Leon, Caligari's Cabinet and Other Grand Illusions: A History of Film Design, New York, 1976.
Morley, Margaret, editor, Olivier: The Films and Faces of Laurence Olivier, Godalming, Surrey, 1978.
Hirsch, Foster, Laurence Olivier, Boston, 1979; revised edition, 1984.
Daniels, Robert, Laurence Olivier: Theatre and Cinema, London, 1980.
Olivier, Laurence, Confessions of an Actor: An Autobiography, New York, 1982.
Barker, Felix, Laurence Olivier: A Critical Study, Tunbridge Wells, Kent, 1984.
Bragg, Melvin, Laurence Olivier, London, 1984.
Silviria, Dale, Laurence Olivier and the Art of Filmmaking, Rutherford, New Jersey, 1985.
Tanitch, Robert, Olivier: The Complete Career, London, 1985.
Dunster, Mark, Olivier, Hollywood, 1993.
Spoto, Donald, Laurence Olivier: A Biography, New York, 1993.
Lewis, Roger, The Real Life of Laurence Olivier, New York, 1999.
Granger, Derek, Laurence Olivier: The Life of an Actor: The Authorized Biography, New York, 1999.
Variety (New York), 24 April 1946.
New York Times, 16 June 1946.
Agee, James, Agee on Film 1, New York, 1958.
McVay, Douglas, "Hamlet to Clown," in Films and Filming (London), September 1962.
Brown, Constance, in Film Quarterly (Berkeley), Summer 1967.
Hart, Henry, "Laurence Olivier," in Films in Review (New York), December 1967.
McCreadie, M., "Onstage and on Film," in Literature/Film Quarterly (Salisbury, Maryland), Fall 1977.
Manheim, M., "Olivier's Henry V and the Elizabethan World Picture," in Literature/Film Quarterly (Salisbury, Maryland), July 1983.
Reid's Film Index (Wyong), no. 4, 1990.
Martini, E., in Cineforum (Bergamo, Italy), July-August, 1990.
Nichols, Peter, "A Classy Tale," in Sight & Sound (London), vol. 1, no. 6, October 1991.
Deats, S. M., "Rabbits and Ducks: Olivier, Branagh, and Henry V," in Literature/Film Quarterly (Salisbury, Maryland), no. 4, 1992.
Manheim, M., "The Function of Battle Imagery in Kurosawa's Histories and the Henry V Films," in Literature/Film Quarterly (Salisbury), vol. 22, no. 2, April 1994.
Buhler, S.M., "Text, Eyes, and Videotape: Screening Shakespeare's Scripts," in Shakespeare Quarterly, vol. 46, no. 2, 1995.
Crowdus, Gary, in Cineaste (New York), vol. 22, no. 1, April 1996.
Bibliography, in Shakespeare Quarterly, vol. 47, no. 5, 1996.
Griffin, C.W., "Henry V's Decision: Interrogataive [sic] Texts," in Literature/Film Quarterly (Salisbury), vol. 25, no. 2, April 1997.
Royal, Derek, "Shakespeare's Kingly Mirror: Figuring the Chorus in Olivier's and Branagh's Henry V," in Literature/Film Quarterly (Salisbury), vol. 25, no. 2, April 1997.
Bibliography, in Shakespeare Quarterly, vol. 48, no. 5, 1997.
* * *
At the beginning of his career Laurence Olivier did not specialize in interpreting Shakespearean roles on the screen. He had played many of Shakespeare's greatest characters on stage, and was especially praised for having alternated with John Gielgud in the roles of Romeo and Mercutio in the 1935 production of Romeo and Juliet at London's New Theatre. He was charming in the 1936 film production of As You Like It as Orlando, but he really didn't take his film career seriously until 1939, when he played Heathcliff in Goldwyn's production of Wuthering Heights.
With the coming of war, his filmmaking was largely curtailed, but more than halfway through the conflict, when the Allied victory seemed certain, Olivier was released from his military duties to produce, direct, and star in a film to be made from Shakespeare's Henry V. Because the play is so patriotic, it was thought by the British government that the project would create a wonderful piece of nationalistic propaganda. Olivier had already played Henry V at the Old Vic, and knew what he wanted to achieve—a movie version that would restore glory to the common man's thinking about his own country.
There were some preliminary setbacks. David O. Selznick refused to allow Vivien Leigh to play the role of the French Princess Katherine; he thought it too small a role for the star of Gone with the Wind. Olivier chose Renée Asherson, Robert Donat's wife, for the part. He wanted William Wyler as director, because Wyler had directed him in Wuthering Heights. But Wyler was busy on another project, and suggested that Olivier himself direct the film. Olivier considered it, and began preproduction work, but the film might never have been made, were it not for the efforts of an Italian lawyer, Filippo del Giudice, who had been the driving force behind Nöel Coward in In Which We Serve. Del Giudice wanted another patriotic classic, and he eased Olivier's working budget of £300,000 upward more than another £100,000 for Henry V.
Olivier, preparing his own screenplay from the Shakespearean text, cut the play nearly a quarter so that he could give ample time to the staging of the Battle of Agincourt. He lifted the death of Falstaff from the last scenes of Henry IV, Part II, wisely casting a music hall comedian, George Robey, as Falstaff. He decided to begin his picture and end it as if it were a performance at the Globe Theatre in the time of Shakespeare, who had created the device himself when, in the lines of the Chorus in the Prologue, he instructs the audience, "On your imaginary forces work," leaving the way open for a very inventive cinematic trick: the camera pulls back, and we are out of the Globe and immediately into the conflict.
The critic for Time wrote: "At last there has been brought to the screen, with such sweetness, vigor, insight and beauty that it seemed to have been written yesterday, a play by the greatest dramatic poet who ever lived." Henry V ran for five months in London, and it played on Broadway for 46 weeks. It opened the door for Olivier to other Shakespearean films. His Hamlet (1948) came next; then Richard III (1955). Ten years later in 1965 it was Othello, with Olivier as the Moor of Venice.
"Henry V." International Dictionary of Films and Filmmakers. . Encyclopedia.com. (July 21, 2017). http://www.encyclopedia.com/movies/dictionaries-thesauruses-pictures-and-press-releases/henry-v
"Henry V." International Dictionary of Films and Filmmakers. . Retrieved July 21, 2017 from Encyclopedia.com: http://www.encyclopedia.com/movies/dictionaries-thesauruses-pictures-and-press-releases/henry-v
The start of Henry's reign was seen by contemporaries as a new beginning. Thomas Walsingham, a monk of St Albans, claiming that with the new king winter was past and the rain over and gone. Commentators were eager for the new reign and saw in Henry a man ‘young in years but old in experience’, who had dealt successfully with protracted Welsh rebellion and had been a prominent member of the king's council, well able to rule. The stories of Henry's wild youth and amazing ‘conversion’, as dramatized by Shakespeare, have some contemporary justification. The chronicler Elmham says that Henry ‘was in his youth a diligent follower of idle practices, much given to instruments of music, and fired with the torches of Venus herself’ and that on the night of his father's death, Henry visited a recluse at Westminster, made confession of his former life, and promised to amend. But the famous story of Henry's dispute with Lord Chief Justice Gascoigne, alluded to and embroidered by Shakespeare, is first recorded only in 1531 and has no foundation in fact. Perhaps it does not really matter whether these stories about Henry are true or not. They should be seen as symbolizing a break with the past, that is the failure of Richard II's and Henry IV's reigns, and a new beginning.
Henry lived up to these expectations and enjoyed considerable popularity during his reign. He provided good and dynamic leadership that fired widespread enthusiasm. He seems to have appealed to feelings of nationalism and nationhood; Christopher Allmand wrote that ‘It was as a very English Englishman that Henry caught something of the mood of the day.’ Henry encouraged the keeping of the festivals of English saints and promoted the use of English. He gave active encouragement to translators and began the use of English rather than French in government. From 1417 his signet letters to his English subjects were written in English. He used the war with France to promote the idea that England was a nation blessed by God and favoured because their king was also favoured. The general enthusiasm for the war is evidenced by the large number of the nobility who followed him to France, and by the generous grants of taxation made by Parliament before the first campaign. The contemporary Agincourt carol commemorated the battle as a famous English victory. The Gesta Henrici Quinti describes the reception of the king after he returned to England after Agincourt. The Londoners staged a triumphal entry with music and pageants attended by great masses of people, the civic dignitaries escorting the king from Blackheath.
A desire to create unity and nationalistic fervour were not the only reasons for Henry's aggressive policy towards France. He seems truly to have been persuaded of the justice of his claims. He did not at first claim the French throne but began by pressing for the implementation of the treaty of Calais of 1360 in which the French had ceded Aquitaine, and to which he added further claims to Normandy, Touraine, and Maine. It is not clear whether Henry really expected to gain his ends by diplomacy, for he had made extensive preparations for war before the negotiations broke down in June 1415. The subsequent campaigns for the conquest of France were thoroughly well organized. Henry's diplomacy secured the early neutrality of John, duke of Burgundy; and after Agincourt the whole-hearted support of the Emperor Sigismund, with whom he signed the treaty of Canterbury in 1416. Militarily his main objective was the systematic reduction of the main centres of northern France. These, when provided with permanent garrisons, would become the centres from which the countryside could be subdued and governed. Henry's idea was that, once the initial conquests had been made, further warfare would pay for itself in the form of taxes from his new lands. The initial invasion was financed by borrowing and through generous parliamentary grants. The first campaign brought the capture of Harfleur in September 1415, and victory at Agincourt on 25 October 1415. Further campaigns were aimed at the effective conquest of Normandy, during which Rouen fell in January 1419. Henry's success forced the French to agree to the treaty of Troyes in May 1420, by which Henry was recognized as heir to the throne of France. The treaty was cemented by Henry's marriage to the Princess Catherine, which took place on 2 June. After this Henry continued his campaigns to reduce areas of the country still loyal to the deposed dauphin, Charles. During the sieges of Melun and Meaux his health began to fail and he died, probably of dysentery, at Bois de Vincennes on 31 August 1422, leaving, as his heir to both crowns, his son Henry, less than a year old.
Even before Henry's death the initial enthusiasm for the war was waning in England. There were complaints about the high levels of taxation needed, and in 1421 the Norfolk gentry refused to join Henry in France. There was widespread resistance to Henry in France and, even in Normandy, English rule was not as welcome as Henry had assumed that it would be. It has been argued that the treaty of Troyes, which appeared to have been such a triumph, was in fact a mistake and that Henry would have been better advised to restrict himself to securing Normandy. Henry's interest in Europe was not limited to the war with France, however, and he had notable success at the Council of Constance, where, in collaboration with the Emperor Sigismund, he helped to resolve the Great Schism. It is possible that all Henry's efforts with regard to France and the papacy were ultimately directed towards his plans for a crusade, which he never undertook.
Allmand, C. , Henry V (1992);
Seward, D. , Henry V as Warlord (1987);
Taylor, F., and Roskell, J. S. (eds.), Gesta Henrici Quinti: The Deeds of Henry V (Oxford, 1975);
Wylie, J. H., and Waugh, W. T. (eds.), The Reign of Henry V (3 vols., Cambridge, 1914–29).
"Henry V." The Oxford Companion to British History. . Encyclopedia.com. (July 21, 2017). http://www.encyclopedia.com/history/encyclopedias-almanacs-transcripts-and-maps/henry-v
"Henry V." The Oxford Companion to British History. . Retrieved July 21, 2017 from Encyclopedia.com: http://www.encyclopedia.com/history/encyclopedias-almanacs-transcripts-and-maps/henry-v
Henry V (1387-1422) was king of England from 1413 to 1422. His reign marked the high point in English attempts to conquer France. While the long-term effects of his reign were minimal, Henry V became a folk hero in English literature.
The eldest son of Henry of Lancaster and Mary de Bohun, Henry V was born at Monmouth on Aug. 9, 1387. His early military training was under Thomas Percy, Earl of Worcester, and he is believed to have been educated at Queen's College, Oxford, under his uncle Henry Beaufort (later bishop of Winchester). Henry's early years were spent in various military campaigns, and in Ireland in 1398-1399 he was a hostage of Richard II. (Richard was deposed in 1399 by Henry's father, who then became King Henry IV.)
At the age of 15 Henry was leading royal forces against Conway, Merioneth, and Carnarvon, fighting Owen Glendower. By 1403 he was fighting with his father at Shrewsbury; 2 years later he was fighting in Wales, capturing Aberystwith, and by 1407 was invading Scotland. All this military activity negates the idea that he spent his youth in dissipation with no regard for his reputation, an idea that Shakespeare took from the work of Edward Hall. He also fought in France against the Armagnacs but withdrew from the Council in 1412, when his French policy was rejected. Coming to the throne on March 21, 1413, Henry was so secure that he pardoned the Percy family, who had conspired against his father, and gave the remains of Richard II an honorable burial.
In internal matters Henry seems to have followed his father's religious policies: the abolition of alien priories, the repression of the Lollards in 1414, and the arrest of Sir John Oldcastle 3 years later. However, he appears to have been favorable to the plan of the lay peers to confiscate some of the Church's wealth.
In external matters Henry revived the English claims to the French crown and is best remembered for his military activities to achieve this end. In August 1415, after dealing with a conspiracy to remove him from the throne, he led an army of 20,000 foot soldiers and 9,000 horsemen to attack Harfleur and, after sending a large part of his army home due to illness, marched to Calais to secure a base for further operations. On the way, unable to avoid a vastly superior French army, he gave battle at Agincourt on Oct. 25, 1415, gaining a great victory and capturing the constable of France and the Duke of Orléans.
Henry soon returned to England to gain new supplies and men, to solidify English support for his further campaigns, and to build a navy. By 1417 he was back in France, attacking Cherbourg, Coutances, Avranches, and Évreux as well as capturing most of Normandy and the key city of Rouen. By making an alliance with Philip the Good, Duke of Burgundy, Henry was able to make the Treaty of Troyes (May 21, 1420), by which he was declared the heir to Charles VI, regent of France and lord of Normandy, thus uniting the thrones of England and France. The terms of the treaty included Henry's marriage to Catherine of France.
The French Dauphin and his followers, who did not accept the treaty, continued to oppose Henry, who returned to campaigning, capturing Melun in November and making a triumphal entrance into Paris the following month for the treaty's ratification by the Parliament of Paris. After making plans for the governing of Normandy, Henry took his bride to England to be crowned queen and devoted time to internal affairs, reforming the Benedictine monasteries and dealing with James I of Scotland.
After the defeat of the English forces under the Duke of Clarence at Beauge, Henry was forced to return to France to reestablish his control in March 1421; there he relieved Chartres and drove the forces of the Dauphin across the Loire. After capturing Meaux the following year while on the way to help his ally, the Duke of Burgundy, Henry came down with a fatal fever and died on Aug. 31, 1422, at Bois de Vincennes at the age of 35. After a funeral procession back to England, he was buried in Westminster Abbey.
There are many good biographies of Henry V, beginning with the 16th-century study The First English Life of King Henry the Fifth, edited by Charles Lethbridge Kingsford (1911). Other biographies include James Hamilton Wylie, The Reign of Henry the Fifth (3 vols., 1914-1929); Ernest Fraser Jacob's short and interesting Henry V and the Invasion of France (1947); Harold F. Hutchinson, King Henry V: A Biography (1967); and C. T. Allmand, Henry V (1968). The military campaigns are discussed in such works as Edouard Perroy, The Hundred-Years War (trans. 1951), and Christopher Hibbert's shorter Agincourt (1964). Background information is in Ernest Fraser Jacob, The Fifteenth Century, 1399-1485 (1961).
Allmand, C. T., Henry V, Berkeley: University of California Press, 1992.
Barbie, Richard A., Good King Hal, Chicago, Ill.: Dramatic Pub. Co., 1981.
Brennan, Anthony., Henry V, New York: Twayne Publishers, 1992.
Candido, Joseph, Henry V: an annotated bibliography, New York: Garland Pub., 1983.
Earle, Peter, The life and times of Henry, London, Weidenfeld and Nicolson, 1972.
Gesta Henrici Quinti = The deeds of Henry the Fifth, Oxford Eng.: Clarendon Press, 1975.
Labarge, Margaret Wade., Henry V: the cautious conquerer, New York: Stein and Day, 1976, 1975.
Labarge, Margaret Wade., Henry V: the cautious conqueror, London: Secker and Warburg, 1975.
Lindsay, Philip, King Henry V: a chronicle, London, Howard Baker Publishers Ltd., 1969.
Seward, Desmond, Henry V: the scourge of God, New York, N.Y., U.S.A.: Viking, 1988, 1987. □
"Henry V." Encyclopedia of World Biography. . Encyclopedia.com. (July 21, 2017). http://www.encyclopedia.com/history/encyclopedias-almanacs-transcripts-and-maps/henry-v-1
"Henry V." Encyclopedia of World Biography. . Retrieved July 21, 2017 from Encyclopedia.com: http://www.encyclopedia.com/history/encyclopedias-almanacs-transcripts-and-maps/henry-v-1
Henry V (king of England)
Henry V, 1387–1422, king of England (1413–22), son and successor of Henry IV.
Henry was probably brought up under the care of his uncle, Henry Beaufort. He was knighted by Richard II in 1399 and created prince of Wales when his father usurped the throne in the same year. With his father, with Sir Henry Percy, and later by himself, he led armies against Owen Glendower in Wales and there gained valuable military and administrative experience. Although wounded, he figured largely in the royal victory over the Percys at Shrewsbury (1403).
Henry began (c.1409) to work actively in the privy council, which he and his friends dominated in 1410–11. In favoring the Burgundians rather than the Armagnacs in France (see Armagnacs and Burgundians), he disagreed with the king, and a suggestion by his followers that he should succeed immediately to his father's throne led to his dismissal from the council (1411). He became king, however, upon his father's death in 1413.
Upon his accession to the throne, Henry dismissed the incumbent ministers and made Henry Beaufort lord chancellor. A rebellion by the Lollards, led by Sir John Oldcastle, resulted in a strong parliamentary statute (1414) against the sect, but trouble continued intermittently until the execution of Oldcastle in 1417. Determined to regain the lands in France held by his ancestors, Henry arranged a secret pact with Burgundy and prepared to attack France, thus reopening the Hundred Years War. Launching his first invasion in 1415, he laid successful siege to Harfleur and marched toward Calais, having announced his claim to the throne of France. He met and defeated a superior French force in one of the most famous battles of English history at Agincourt (1415).
The enthusiastic acclaim that Henry received for this victory for the time overshadowed English political and economic unrest. Henry formed (1416) an alliance with Holy Roman Emperor Sigismund and extended his agreement with the Burgundians. In 1417 he led another expedition to France. In 1419, Rouen capitulated, and Normandy was in English hands. In 1420, Henry concluded the Treaty of Troyes, by which he agreed to marry Catherine of Valois and to rule France in the name of her father, Charles VI, who accepted Henry as his successor.
The English king continued his conquests to consolidate his holdings and late in 1420 entered Paris. The following year he returned with his wife to England, there made further military preparations despite considerable popular opposition to the continuation of war, and embarked on his third invasion of France. After a year of minor victories, he fell ill and died in Sept., 1422.
Character and Legacy
Henry abandoned his early recklessness (celebrated and probably exaggerated by Shakespeare) and ruled with justice and industry. He lifted England from the near anarchy of his father's reign to civil order and a high spirit of nationalism. His main interest, however, was in gaining control of lands in France—lands that he sincerely believed to be his right. He exhibited military genius, characterized by brilliant daring, patient strategy and diplomacy, and attentiveness to detail. His strong personality, his military successes, and his care for his less fortunate subjects made him a great popular hero. The wars, however, placed the crown further in debt and left the nation with economic and military problems that could not be met in the reign of his son, Henry VI.
See biography by H. F. Hutchison (1967); E. F. Jacob, Henry V and the Invasion of France (1947, repr. 1963); K. H. Vickers, England in the Later Middle Ages (7th ed. 1950); V. H. Green, The Later Plantagenets (1955); M. W. Labarge, Henry V: The Cautious Conquerer (1976); G. L. Harriss, ed., Henry V: The Practice of Kingship (1985).
"Henry V (king of England)." The Columbia Encyclopedia, 6th ed.. . Encyclopedia.com. (July 21, 2017). http://www.encyclopedia.com/reference/encyclopedias-almanacs-transcripts-and-maps/henry-v-king-england
"Henry V (king of England)." The Columbia Encyclopedia, 6th ed.. . Retrieved July 21, 2017 from Encyclopedia.com: http://www.encyclopedia.com/reference/encyclopedias-almanacs-transcripts-and-maps/henry-v-king-england
Orléans, Henri Philippe Marie, prince d'
Henri Philippe Marie Orléans, prince d' (äNrē´ fēlēp´ märē´ prăNs´ dôrlāäN´), 1867–1901, French explorer and author, b. England; son of Robert, duke of Chartres. After a journey (1889) from Siberia to Siam, by way of Tibet, and a visit (1892) to SE Africa, he left (1895) Hanoi to complete the earlier work of M. J. F. Garnier on the Mekong River in Indochina. He traveled as far as the Brahmaputra, established the fact that the Thanlwin (Salween) originates in Tibet (now in China), and also discovered the source of the Ayeyarwady. His accounts of his travels include Around Tonkin and Siam (1894, tr. 1894) and From Tonkin to India (1897, tr. 1898).
"Orléans, Henri Philippe Marie, prince d'." The Columbia Encyclopedia, 6th ed.. . Encyclopedia.com. (July 21, 2017). http://www.encyclopedia.com/reference/encyclopedias-almanacs-transcripts-and-maps/orleans-henri-philippe-marie-prince-d
"Orléans, Henri Philippe Marie, prince d'." The Columbia Encyclopedia, 6th ed.. . Retrieved July 21, 2017 from Encyclopedia.com: http://www.encyclopedia.com/reference/encyclopedias-almanacs-transcripts-and-maps/orleans-henri-philippe-marie-prince-d
"Henry V." World Encyclopedia. . Encyclopedia.com. (July 21, 2017). http://www.encyclopedia.com/environment/encyclopedias-almanacs-transcripts-and-maps/henry-v-0
"Henry V." World Encyclopedia. . Retrieved July 21, 2017 from Encyclopedia.com: http://www.encyclopedia.com/environment/encyclopedias-almanacs-transcripts-and-maps/henry-v-0