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Muse

Muse

Rock group

For the Record

Selected discography

Sources

The British rock group Muse has garnered both critical and popular success since their explosive entrance onto the musical scene in the late 1990s. Fronted by Matthew Bellamy, the trio also includes Chris Wolstenholme and Dominic Howard. Frequently compared to the emotional and angst-ridden work of Radiohead, Muses debut album Showbiz was produced by John Leckie, who also produced Radioheads The Bends. While early reviewers noted the obvious comparison to Radiohead, Muse has emerged as a powerful band in its own right, gaining recognition for their outrageous live performances that mix dynamic showmanship and lyric bravado.

The group formed in the early 1990s in the small southern coastal town of Teignmouth, England. In response to the safe, if boring and limited life of their small town, the trio first came together when they were 13 years old, playing indie cover tunes under the name Gothic Plague. They later renamed themselves Fixed Penalty, and then Rocket Baby Dolls. The band turned to American music in response to the Britpop movement that left them flat. Their devotion to such bands as Primus, the Smashing Pumpkins, Nirvana, and Radiohead inspired their own developing sound.

When the band members were 15 they entered a local battle of the bands contest intending to shock their audience with over-the-top makeup and gear-smashing antics onstage. The real shock came, however, when the band, then known as Rocket Baby Dolls, won the contest, which motivated the band members to take their work more seriously. Bellamy admits that at the time the other bands were much tighter musically, but it was their passionate attitude in performance that made a difference.

In 1997 Bellamy settled on the name Muse after hearing a medium say, as he recalled in a biography on the Mushroom Records website, that you could summon up muses when you were at a very spiritual point in your life. And well, I suppose I summoned up this band. It was at this point that the band adopted a higher level of focus. Drummer Dominic Howard stated in an ARTISTdirect biography, Music became more than just a way out. It became a passion and a way for us to express ourselves.

The group released two EPs on Dangerous Records in the late 1990s, Muse and Muscle Museum. It was their pumped-up performance at the CMJ Music Festival in 1998 in New York City, however, that propelled them to the attention of executives from Madonnas Maverick label. Muse was signed in 1998 with Leckie as producer, and they began a fruitful collaboration in which the band learned to recreate the frenzied work of their live performances in the studio. According to Adrianne Stone of Rolling Stone, Leckie also encouraged the band to experiment with Wurlitzers and Mellotrons when recording. Chris Wolstenholme told Stone,

For the Record

Members include Matthew Bellamy (born in Cambridge, England), guitar, vocals, piano; Dominic Howard (born in Rotherham, England), drums; Chris Wolstenholme (born in Manchester, England), bass guitar.

Group formed in Teignmouth, Devon, England, as Gothic Plague, early 1990s; changed name to Fixed Penalty, Rocket Baby Dolls, and finally Muse, 1997; released debut EP Muse on Dangerous Records, 1998; released second EP, Muscle Museum, on Dangerous, 1999; appeared in New York City at CMJ Music Festival, 1998; signed with Maverick Records, 1998; released Showbiz, 1999; toured with Foo Fighters and the Red Hot Chili Peppers, 2000; released Origin of Symmetry, 2001; released the soundtrack Hullabaloo, 2002.

Awards: New Musical Express (NME) Carling Premier Award, Best New Band, 2000; Kerrang! Award, Best British Live Act, 2002.

Addresses: Record company Mushroom Records, 1 Shorrolds Rd., London SW6 7TR, England. Website-Muse Official Website: http://www.muse-official.com.

[Leckie] taught us the importance of getting a really good live performance sound in the studio. When you go into the studio, you dont have 10,000 watts of P.A. blasting in your face. Youre playing into a dead room. So youve got to put the energy in there somehow and being able to fiddle around with things makes the difference. Shortly after signing with Maverick, Muse also inked deals with European labels, including Motor in Germany, Naïve in France, and Mushroom Records in the United Kingdom.

With the release of Showbiz, Muse achieved word-of-mouth worldwide recognition resulting mainly from their visceral live performances. Their debut album attracted the attention of both fans and critics, with few middle-of-the-road responses. Nearly every critic drew comparisons to Radiohead, most of them favorably. Sean Price wrote in Melody Maker, [Muse] will genuinely move you. They will make you feel almost uncomfortable when exposed to the naked emotion and raw sincerity that pumps through the 80 or so songs theyve already stockpiled. Another reviewer noted in College Media, While its impossible to refute that comparison [to Radiohead], its tough to resist Showbiz, on which Muse builds its own brooding foundation to support its soaring, scorched passions and dark emotional subtexts.

Although some critics merely found the over-the-top bombastic output laughable, there was no denying that the band connected with its audience. Reviewing a live performance, Stephen Dalton wrote in the Times, The savage energy of their delivery, squeezing operatic hyperbole and hormone-crazed passion into three-minute rock symphonies, clearly connected on some primal level with the teens and early twentysomethings who danced and screamed along to every other song. Already wildly popular in Europe, especially France, the bands international appeal increased after they toured the United States with Foo Fighters and Red Hot Chili Peppers in 2000.

If response to their first album bordered on love it or hate it, reaction to their second album, Origin of Symmetry, was even more polarized. Many noted the bands effort to come out from under the shadow of Radiohead, yet compared songs on the second album to the operatic quality of 1970s rockers Queen. One reviewer quipped that there is a similarity between Bellamys onstage solo excesses to that of Nigel Tufnell in This Is Spinal Tap. On the other hand, unabashedly endorsing the band, a review by James Malone of the Wheres the Craic music website gushed, [Origin of Symmetry is] fresh, creative, operatic, passionate, innovative and da** f***ing loud. As you can see we love it and make no apologies for it.

The classical quality of their music derived from the influences of Rachmaninov and Tchaikovsky, whom Bellamy referenced in an article about the bands tour to Russia. In response to comparisons to Queen, Bellamy maintained, The things we have in common with Queen are the things Im really proud of. We have a big sound, and were not afraid to put on a show.

Following the prolific output of their early career, Muse showed no signs of slowing down. In 2002 they released the DVD soundtrack Hullabaloo, including 18 live songs from their show at the Paris Zenith as well as documentary footage of the band on tour. Just as the band was sliding into a heavy rock groove, they were ready to switch gears again. When he spoke with New Musical Express (NME), Bellamy maintained that their upcoming album contains some uplifting songs, remarking, The stuff were going to do on this album is going to surprise a lot of people. Weve been writing loads of songs. A lot of the new songs are going in a different direction to what weve done before.

Selected discography

Muse (EP), Dangerous, 1998.

Muscle Museum (EP), Dangerous, 1999.

Showbiz, Mushroom, 1999.

Origin of Symmetry, Mushroom, 2001.

Hullabaloo (soundtrack), Mushroom, 2002.

Sources

Periodicals

Boston Phoenix, October 18, 1999.

CMJ New Music Report, September 28, 1999.

Evening Standard (London, England), November 7, 2001, p. 28,

Evening Times (Glasgow, Scotland), May 24, 2001, p. 29.

Guardian (London, England), April 9, 2001, p. 16; June 14, 2002, p. 29.

Melody Maker, June 26, 1999.

NME (London, England), February 2, 2000; April 4, 2002; April 9, 2002.

Rolling Stone, September 29, 1999; October 1, 1999; October 14, 1999.

Select Magazine, November 1999.

Spin, September 28, 1999.

Sunday Mail (Glasgow, Scotland), November 11, 2001, p. 24.

TDB Magazine, June 1999.

Times (London, England), April 20, 2001, p. 11; November 20, 2001, p. 20.

Online

Muse, All Music Guide, http://www.allmusic.com (September 3, 2002).

Muse, Mushroom Records, http://www.mushroomuk.com ber 3, 2002).

Muse, NME, http://www.nme.com/artists/biography/172196.htm (September 29, 2002).

Muse, Wheres the Craic, http://www.wheresthecraic.com/soundroom/albums/muse.htm (September 10, 2002).

Muse Biography, ARTISTdirect, http://www.artistdirect.com/soundroom/albums/muse.htm (September 12, 2002).

Muse Official Website, http://www.muse-official.com (September 24, 2002).

Muse: Showbiz, AV Guide, http://www.avguide.com (September 12, 2002).

Elizabeth Henry

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Muses

Muses

In Greek mythology, the Muses were sister goddesses of music, poetry, and other artistic and intellectual pursuits. Poets and other artists often called on them for inspiration. Zeus, the king of the gods, was the father of the Muses. Their mother was Mnemosyne, goddess of memory. In his role as god of music, poetry, and dance, Apollo* was sometimes said to be their leader. The Muses also figured in Roman mythology, although the Romans sometimes referred to them as the Camenae.

The Muses lived on two sacred Greek mountain peaks, Olympus* and Helicon. Originally they were threeMelete (Practice), Mneme (Memory), and Aoede (Song)but the Greek poet Hesiod named nine Muses in his Theogony (History of the Gods). Ancient writers, particularly the Romans, often linked individual Muses with specific arts and sciences, but they did not agree on the functions of particular Muses. One widely reconized list identified Calliope as the Muse of heroic and epic poetry and associated Erato with lyric and love poetry, Polyhymnia with sacred songs and mime, Melpomene with tragedy, Thalia with comedy, Euterpe with music played on instruments, Terpsichore with dancing, Clio with history, and Urania with astronomy.

In myths, the Muses often punished or rewarded mortals. Hesiod claimed that they gave him knowledge and inspired him. The Odyssey] tells of Demodocus, a man who was blinded and then given the gift of song by one of the Muses. She claimed that song was even more precious than sight. Although the Muses could be generous, they resented mortals who questioned their supremacy in the arts. The Iliad* mentions Thamyris, a poet who challenged the Muses. They made him blind and took away his ability to sing. Another myth tells of the Pierides, nine sisters who lived in Macedonia, north of Greece. The Pierides challenged the Muses to a contest. The Muses won and then turned their challengers into chattering birds. Some of the Muses had famous offspring. Calliope was the mother of the great musician Orpheus*, and Clio was the mother of the beautiful Hyacinthus.

epic long poem about legendary or historical heroes, written in a grand style

The word museum comes from the Muses. It means "place of the Muses" and was first used for the Museum of ancient Alexandria, Egypt, a center of scholarship and learning.

See also Apollo; Calliope; Greek Mythology.

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Muses

Muses, in Greek religion and mythology, patron goddesses of the arts, daughters of Zeus and Mnemosyne. Originally only three, they were later considered as nine. Calliope was the Muse of epic poetry and eloquence; Euterpe, of music or of lyric poetry; Erato, of the poetry of love; Polyhymnia (or Polymnia), of oratory or sacred poetry; Clio, of history; Melpomene, of tragedy; Thalia, of comedy; Terpsichore, of choral song and dance; Urania, of astronomy. Some say that Apollo was their leader. Early places of their worship were the district of Pieria, in Thessaly, where they were often called Pierides, and Mt. Helicon, in Boeotia. The springs of Castalia, Aganippe, and Hippocrene were sacred to them.

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muses

muses In classical mythology, nine daughters of the Titan Mnemosyne (memory) and Zeus. Calliope was the muse of epic poetry, Clio of history, Erato of love poetry, Euterpe of lyric poetry, Polyhymnia of song, Melpomene of tragedy, Terpsichore of dance, Thalia of comedy, and Urania of astronomy.

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