VOWEL
Concise Oxford Companion to the English Language
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1998
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© Concise Oxford Companion to the English Language 1998, originally published by Oxford University Press 1998. (Hide copyright information)
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VOWEL A term in general use and in phonetics for both a
SPEECH sound that is distinct from a
CONSONANT (also
vowel sound) and the
LETTER of the
ALPHABET that represents such a speech sound (also
vowel letter). In general usage, the distinction between vowels in speech and writing is not always clearly made, but linguists and phoneticians seek to keep the two kinds of vowel distinct.
Vowel sounds
Phonetically a vowel is a speech sound characterized by voicing (the vibration of the larynx) and by absence of obstruction or audible friction in the vocal tract, allowing the breath free passage. The quality of a vowel is chiefly determined by the position of the tongue and the lips: see
VOWEL QUALITY. Vowel sounds divide into
MONOPHTHONGS (single vowel sounds that may be long or short),
DIPHTHONGS (double vowel sounds formed by gliding from one vowel position to another), and
triphthongs (triple vowel sounds formed by gliding from one through another to a third vowel position). The human speech mechanism is capable of producing a wide range of simple and complex vowel sounds. As with consonants, however, in each language (or language variety) a particular range of vowels is used: for example, in standard Parisian French, there are 12 non-nasal and 4 nasal monophthongs (16 vowel sounds in all); in BrE, the basic vowel system of RP has 12 monophthongs and 8 diphthongs (20 vowel sounds in all) while the basic vowel system of ScoE has 10 monophthongs and 4 diphthongs (14 vowel sounds in all).
Vowel letters
The five classic vowel letters of the Roman alphabet are
A,
E,
I,
O,
U, to which Y is usually added; apart from its syllable-initial role as a semi-vowel or semi-consonant in words like
year,
y functions in English largely as an alternative vowel symbol to
i. Phonetically, the letters
w (as in
win) and
y (as in
year) are articulated similarly to vowels, but positionally they function as consonants, initiating syllables and introducing vowels: compare
wear/bear and
year/fear. Phonetically, too, the liquid consonants written as
l,
r and the nasal consonants written as
m,
n have some of the characteristics of vowels (such as continuous non-fricative voicing), and when used syllabically (as in the pronunciations of
apple,
spasm,
isn't,
centre) they in effect represent a preceding SCHWA vowel sound in addition to their own sound value.
Whereas the five classic vowel letters match the five vowel phonemes of a language like Spanish, they are insufficient to distinguish the much larger number of vowel phonemes of English. When unaccompanied by another vowel letter, the five letters usually have a basic ‘short’ sound value in medial position in English words (as in
pat,
pet,
pit,
pot,
putt/put), but in some words (such as
yacht,
pretty,
son,
busy) their values are aberrant, and in certain environments, such as after /w/ and before /l, r/, they are commonly modified (as in
was,
word,
all,
old,
far,
her,
fir,
for,
fur). For each of the short values there is a corresponding ‘long’ value which formerly (before the
GREAT VOWEL SHIFT of the 15c) was close to the short value, but is today in varying degrees removed from it (and is not the ‘long’ value as understood in phonetics). The present-day long values are as heard in
mate,
meet,
might,
moat,
mute. Native speakers perceive the long values as intimately associated with the short values; the two often alternate in related words (as in
sane/sanity,
abbreviate/brevity,
five/fifth,
depose/deposit,
student/study) and the long values are heard as the names of the letters themselves (heard as
ay,
ee,
eye,
oh,
you).
The spelling of the long values of the vowels is varied and unpredictable: for example, Edward Rondthaler and Edward J. Lias (
Dictionary of American Spelling, 1986) list 114 alternative spellings for the five sounds. These include single graphemes (units of writing), as in
mind,
post,
truth,
DIGRAPHS as in
leave,
sleeve,
receive,
believe, and longer graphemes as in
beau,
queue. Some of these longer graphemes include consonant letters (as in the
eigh of
weigh and the
et of
ballet) that are in effect constituents of vowels. Highly characteristic of English vowel spellings is the ‘magic’
e placed after a consonant, which has the effect in Modern English of showing the long value of a preceding vowel, as in
mate,
mete,
mite,
mote,
mute. In addition to these parallel sets of short and long vowels corresponding to
a,
e,
i,
o,
u, English also needs to spell several vowel sounds for which alternative pairs of digraphs are widely (but not consistently) used according to position: for example, initial and medial
au,
eu,
ou,
ai,
oi, but final
aw,
ew,
ow,
ay,
oy (contrast
fault/flaw,
feud/few,
count/cow,
rain/ray,
coil/coy). A corollary of the many alternative spellings for the same vowel sound is the many alternative pronunciations that may be required for the same vowel letters: for example,
ea is pronounced in nine different ways in
eat,
threat,
great,
react,
create,
pear,
hear,
heart,
hearse.
See
ABLAUT,
ACCENT,
APHESIS,
DIACRITIC,
DIAERESIS,
ELISION,
EPENTHESIS,
LIGATURE,
RECEIVED PRONUNCIATION,
RHYTHM,
SPELLING,
STRESS,
SYLLABLE, VOWEL QUANTITY, VOWEL SHIFT,
WEAK VOWEL.
Cite this article
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The Oratorio in Modena.
Magazine article from: Notes; 12/1/1994; ; 700+ words
; ...rich heritage of oratorio virtually came to...discussing each of the oratorios, Crowther lists...active centers of oratorio composition and performance. Some oratorios contain political...a "school" of oratorio composition. After...
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Elgar's Oratorios: the Creation of an Epic Narrative.(Book Review)
Magazine article from: Notes; 9/1/2003; ; 700+ words
; ...the focus on the oratorios permits McGuire...century British oratorio and touches on such...Life) Elgar's oratorios represent a quantum leap from past oratorios in matters of structure...that old standby of oratorio construction, replacing...
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A History of the Oratorio and The Oratorio in the Nineteenth and Twentieth Centuries. (Book Reviews).
Magazine article from: Notes; 12/1/2001; ; 700+ words
; ...studies. The German oratorio (i.e., oratorios in German) receives...activity" considers the oratorio in Italy and two oratorios by Antonin Dvorak. The...discern a continuing oratorio tradition. A few oratorios (
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Oratorio group branches out
Newspaper article from: The Record (Bergen County, NJ); 4/6/2008; ; 700+ words
; ...enough," Kaufman says. "Oratorio provides the choral force...censors." The most famous oratorio, Handel's "Messiah...During the 19th century, oratorios were so popular ...work was the now-forgotten oratorio "The Golden Legend." Today...
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Paul McCartney's Spirited `Oratorio'
Newspaper article from: The Washington Post; 10/27/1991; ; 700+ words
; ...the performance can. Oratorio was born as a substitute...forbidden. Traditionally, oratorios had religious subjects...new listeners to the oratorio form, and they will...of the most dramatic oratorios in the repertoire...libretto). In another oratorio recording (Philips...
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Early indications that Oratorio is a name to note; FIRST-SEASON SIRE PROFILE.(Sports)
Newspaper article from: The Racing Post (London, England); 5/12/2009; 700+ words
; Oratorio 2002 b Danehill-Mahrah, by Vaguely...Coolmore Stud FROM only three runners, Oratorio has been represented by a winner in Wealdmore...maiden winner, writes Martin Stevens. Oratorio's own two-year-old career gave good...
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Mendelssohn Oratorio Gets Stirring Revival
Newspaper article from: The Washington Post; 1/18/2001; ; 684 words
; ...And Mendelssohn's oratorios embody Victorian ideals...very seriously both the oratorio as a musical form and...but is not a typical oratorio. "Messiah" is, essentially...flavor. The typical oratorio, in contrast, tells...the primary source of oratorios, because the Old Testament...
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Handel's Oratorios and Eighteenth-Century Thought.
Magazine article from: Notes; 12/1/1996; ; 700+ words
; ...Contexts of Handel's English Oratorios" (Music in Eighteenth-Century...contextualize not only Handel's oratorios, but the oratorio as a genre within the larger...about the words of Handel's oratorios" (p. 1). But it is not...
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Racing: Oratorio cuts down Epsom hero Eclipse Stakes : Ballydoyle colt lowers Motivator's colours as Dettori breaks collarbone in fall
Newspaper article from: The Independent on Sunday; 7/3/2005; ; 700+ words
; ...read Aidan O'Brien; for the spider, Oratorio. Four times before this season had the...yesterday it all finally came good. Oratorio, the unsung 12-1 shot, caught Motivator...hero continue his royal progress, but Oratorio's performance was no great surprise...
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El Oratorio "El Mesías" de Georg Frederich Hándel en la Iglesia de San Francisco de Asis en Tijuana y St. Paul's Cathedral de San Diego
Newspaper article from: La Prensa San Diego; 11/21/2007; ; 700+ words
; ...cambiar de la pera al oratorio, no pas a realizar un...porque en realidad sus oratorios son peras sin decorados...bsica entre la pera y el oratorio handeliano, y entre el oratorio handeliano y los oratorios de otros compositores...
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oratorio
Book article from: The Columbia Encyclopedia, Sixth Edition
...than the true oratorio, but the oratorios of Schü...inaugurated the English oratorio, and his Messiah...own usually epic oratorios, became the prototype...Young, The Oratorios of Handel (1949...History of the Oratorio (1987).
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Christmas Oratorio
Book article from: The Concise Oxford Dictionary of Music
Christmas Oratorio. Choral work by Bach for soloists, ch., and orch., text by Picander...mus. was comp. for secular words. Schütz also wrote a Christmas Oratorio (1664). Ger. title is Weihnachts-Oratorium .
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opera-oratorio
Book article from: The Concise Oxford Dictionary of Music
opera-oratorio. Term used by Stravinsky to describe his Oedipus Rex , which is designed to be presented on the stage but in the static manner of a concert perf. of an oratorio.
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Oratorio
Book article from: The Concise Oxford Dictionary of World Religions
Oratorio. The setting of a religious (usually Christian) text to music; the setting is extensive, with soloists, chorus, and instruments. It is not, however, like opera, in that it is not staged or acted out.
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Handel, George Frideric
Book article from: The Concise Oxford Dictionary of Music
...to develop the genre of dramatic oratorios which is perhaps his most orig...and more expressive outlets in the oratorio form. Scores contain stage directions...his recovery, he wrote a series of oratorios, incl. Messiah , prod. Dublin...
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