MODAL VERB
Concise Oxford Companion to the English Language
|
1998
|
|
© Concise Oxford Companion to the English Language 1998, originally published by Oxford University Press 1998. (Hide copyright information)
Copyright
MODAL VERB Also modal auxiliary, modal. A
VERB, normally an
AUXILIARY VERB such as English
must and
should, used to express
MODALITY. In English, such verbs have largely replaced the subjunctive mood, and three kinds of modality can be distinguished for them: (1) Epistemic modality, which expresses a judgement about the truth of a proposition (whether it is possible, probable, or necessarily true):
John may be in his office. (2) Deontic modality, which involves the giving of directives (in terms of such notions as permission and obligation): You
must leave immediately. (3) Dynamic modality, which ascribes such properties as ability and volition to the subject of the sentence:
I can come. Often the same modal verb is used for more than one kind of modality:
may for possibility (
It may rain tomorrow) and permission (You
may smoke now);
must for necessity (
The plane must have landed by now) an obligation (
I must go).
Central and marginal modals
The central modal verbs are
can,
could,
may,
might,
must,
shall,
should,
will,
would. The marginal modal verbs, sometimes called
semi-modal verbs,
are dare,
need,
ought to,
used to. All share the following characteristics: (1) They are auxiliary verbs. (2) They have no third-person -s form:
She may go,
They may go (contrast
She goes,
They go). (3) They have no non-finite forms (no infinitive,
-ing participle, or
-ed participle), and therefore in standard English can appear only in initial position in the verb phrase, and cannot occur with each other (although ‘double modal’ forms such as
might could go occur in some non-standard varieties, such as Southern US English). (4) All except
ought and
used are followed by the bare infinitive without to. (5) They have idiosyncratic semantic and formal features, affecting particularly their use in the past tense and in negation.
Kinds of modals
(1) Epistemic modals:
may (
He may be at home),
might (
It might get too hot),
must (
It must be your sister on the phone),
ought to (
They ought to have heard by now),
should (
The show should be over soon),
will (
That will be the doctor),
would (
Who would have guessed he was so young?). (2) Deontic modals:
can (
You can leave now),
could (
Could I go now please?),
may (
You may smoke),
might (
Might we have another one?),
must (
You must be patient),
need (
You needn't say anything),
ought to (
I ought to write more often),
shall (
You shall have my resignation letter tomorrow: a promise or a threat),
should (
You should write more legibly). (3) Dynamic modals:
can (
Neil can drive a car),
could (
He couldn't drive at that time),
dare (
I daren't tell/don't dare tell my parents),
shall (
We shall allow no obstacle to impede our programme),
will (
I will stay as long as I wish).
Future expressions
Shall (with first-person subjects only, particularly in Southern England) and will (often contracted to 'll) express future time and are often said to comprise the future tense:
I shall be back next week;
He will be here soon. Other ways of expressing the future include the semi-auxiliaries (see below)
be going to (
It's going to rain)
and be to (
She is to be married tomorrow), the present continuous (
I'm leaving for New York next week), and the simple present (
The plane leaves at noon).
Marginal modals and semi-auxiliaries
Dare,
need,
ought to, and
used to share most of the characteristics of modal verbs but are marginal for various reasons. Unlike the central modals,
ought and
used are followed by to and despite prescriptive objections often combine with do in negative and interrogative constructions, like a full verb: especially in England,
They didn't ought to say that alongside the more traditionally acceptable
They oughtn't to say that;
Did he used to play the violin?, alongside the rare
Used he to play the violin? Used to also differs semantically from central modals, since it conveys aspect (habitual situation) and not modality. In negative and interrogative contexts,
dare and
need may be either modals (
I daren't object;
Need I say more?) or full verbs with preceding do and following to-infinitive (
I don't dare to object or the blend without the to,
I don't dare objects;
Do I need to say more?). Elsewhere, they are full verbs:
I dare/dared to object;
I need/needed to say more. There are a number of semi-auxiliaries that express modal or aspectual meanings, such as
be able to,
be about to,
be bound to,
be going to,
have to,
have got to. They can be used as non-finite forms and are therefore convenient substitutes for modals in non-finite positions: for example, the use of
You may be able to see me tomorrow instead of the impossible *
You may can see me tomorrow.
Negation
When a verb phrase containing a modal is negated, the negation applies in some instances to the modal and in other instances to the proposition: for example, the modal is negated in
You may not leave (You are not allowed to leave), whereas the proposition is negated in
I may not be on time (It is possible that I won't be on time). The difference may affect the choice of the auxiliary: for example, epistemic
must (
It must be your sister on the phone) usually forms its negative equivalent through
may not for negating the proposition (
It may not be your sister on the phone: It is possible that it is not your sister on the phone) and
can't for modal negation (
It can't be your sister on the phone: It is not possible that it is your sister on the phone).
Past tense
Can,
may,
shall,
will have the past-tense forms
could,
might,
should,
would. These forms are chiefly used to express tentativeness or conditionality rather than past time, so that there is no time difference between
I may see you later and
I might see you later, or between Can you pass the salt? and
Could you pass the salt? The past forms, however, are used for past time in indirect speech (
I may see you later is reported as
She said that she might see me later). There are no past forms for
must,
dare,
need,
ought to. The epistemic modals indicate the past time of the proposition by using
have:
Andrew may/might have been in his office;
You must have seen them;
They will/would have landed by now. The deontic modals
ought to have and should have express past obligation, usually with the implication that it was not fulfilled:
You ought to have phoned (but you didn't);
They should have come in. Dynamic
could (was able to) and
would (was willing to) are used for past time in negative contexts (
He couldn't type;
They wouldn't help us).
Would is commonly used in the main clause of a sentence expressing a hypothetical condition:
If I were you,
I would buy it;
If you had seen them,
you would have been shocked. Sometimes, in BrE,
should is used with a first-person subject in place of
would:
If I had seen them,
I should have reported it.
Would and
should appear in other hypothetical contexts:
I was at the demonstration,
but it would take too long to tell you what happened.
Should may also appear after evaluative expressions (
It's odd that he should say that; also
It's odd that he says that) and expressions of necessity, intention, and the like (
We insisted that he should stay). See
DIALECT (UNITED STATES),
SCOTS.
Cite this article
Pick a style below, and copy the text for your bibliography.
|
The mirror of modernity: Marinetti's early criticism between decadence and "renaissance latine": a "French" Poet in Italy: Marinetti and the Anthologie-Revue de France et d'Italie.(Filippo Tommaso Marinetti)(Critical essay)
Magazine article from: The Romanic Review; 5/1/2006; ; 700+ words
; While the name of Filippo Tommaso Marinetti is indissolubly tied with futurism...of Italian Socialism, including Filippo Turati and Claudio Treves. It...Milanese dialect, suggested to Marinetti: "Ti che te se anche un poet...
|
|
Differentiating Catalan and Italian futurisms.
Magazine article from: Romance Quarterly; 1/1/2008; ; 700+ words
; ...Italian futurism associated with Filippo Tommaso Marinetti (1876-1944). Although...Gabriel Alomar, essay, Filippo Marinetti, futurism, modernism...Italian futurism associated with Filippo Tommaso Marinetti (1876-1944) in a more balanced...
|
|
Futurism and fascism. (in Italy, 1910-1944)(Cover Story)
Magazine article from: History Today; 11/1/1995; ; 700+ words
; ...to Mussolini until the end, Marinetti died in 1944, and with his...great political influence for Marinetti's movement. The Italian philosopher...brainchild of a single man, Filippo Tommaso Marinetti. Marinetti was a rich Italian...
|
|
Visual Arts: Metal machine music Futurism emerged at the turn of the century, flick-knives flashing, from the mean streets of Milan - more of a marketing campaign than an artistic movement, and a Fascist one to boot. But how else to sell the romance of the machine?
Newspaper article from: The Independent - London; 1/12/1999; ; 700+ words
; ...prankster of genius called Emilio Filippo Tommaso Marinetti. At the time Italy was the...from the grime of serfdom. But Marinetti was not from Siberia. He was...Milanese mass media). What was Marinetti's Milan like? Baedeker in...
|
|
Back to the Futurists.(ENTERTAINMENT)
Newspaper article from: Star Tribune (Minneapolis, MN); 11/22/1998; ; 700+ words
; ...volatile husband, Benedetta Marinetti (1897-1977) left only a...fleshed it out with photos of the Marinetti family, Futurist tracts and...Gino Severini. Its founder, Filippo Tommaso Marinetti, was an Egyptian-born, French...
|
|
Giorgio Guzzetta. Nation and Narration: British Modernism in Italy in the First Half of the 20th Century.(Book review)
Magazine article from: Annali d'Italianistica; 1/1/2005; ; 700+ words
; ...suggestive interpretations pertaining to the work of Marinetti, Linati and Vittorini, the three main writers...chapter focuses on the founder of Futurism, Filippo Tommaso Marinetti. Marinetti's Egyptian upbringing is shown to have influenced...
|
|
Back to the Futurists Has Futurism had its day?
Newspaper article from: The Independent - London; 2/20/2009; ; 700+ words
; ...include a banquet inspired by Filippo Tommaso Marinetti's Futurist Cookbook, multi...Futurist manifesto, written by Marinetti, was published on page one...zeitgeist, a call to arms by Marinetti to his fellow Italians who were...
|
|
Elasticake, anyone? British Library recreates weird and wonderful Futurist Banquet
News Wire article from: AP Worldstream; 4/7/2008; ; 700+ words
; ...Futurist Cookbook by Italian writer Filippo Tommaso Marinetti, a combination of radical manifesto...one we are still living with. Marinetti coined the term Futurism for...rejection of bourgeois values. Marinetti was the sworn enemy of comfort...
|
|
A forward movement all their tomorrows
Newspaper article from: The Scotsman; 2/6/2001; ; 700+ words
; ...newspaper Le Figaro printed Filippo Tommaso Marinetti's Manifesto of Futurism on...1909, it stirred controversy. Marinetti wanted to bring about a brave...starting again from scratch. Marinetti and his anarchic philosophy...
|
|
Elasticake, anyone? British Library recreates weird and wonderful Futurist Banquet A banquet of weird.(Flavor/Gracious Living)
Newspaper article from: The Virginian Pilot; 4/9/2008; 700+ words
; ...Futurist Cookbook by Italian writer Filippo Tommaso Marinetti, a combination of radical manifesto...one we are still living with. Marinetti coined the term Futurism for...rejection of bourgeois values. Marinetti caused a sensation by proposing...
|
|
Filippo Tommaso Marinetti
Book article from: The Columbia Encyclopedia, Sixth Edition
Filippo Tommaso Marinetti , 1876-1944, Italian poet, novelist, and critic. He is best known as the founder of futurism (1909), on which he wrote...
|
|
Marinetti, Filippo Tommaso
Book article from: A Dictionary of Twentieth-Century Art
Marinetti, Filippo Tommaso (1876–1944). Italian...Italian army, and in Italy ‘Marinetti gained enormous publicity from the...wrapped round himself when he slept. Marinetti was acquitted at the first trial...
|
|
Futurism
Book article from: A Dictionary of Twentieth-Century Art
...The founder of Futurism was Filippo Tommaso Marinetti , who launched the movement...modern. Many Italians shared Marinetti's dismay that—...the document was publicized. Marinetti was a brilliant manipulator...
|
|
Giorgio Morandi
Encyclopedia entry from: Encyclopedia of World Biography
...schools. In the same year Morandi found himself swayed by the Futurists, a group of Italian artists, including Filippo Tommaso Marinetti, Umberto Boccioni, and Giacomo Balla, who exalted the dynamism of the machine in their radical ideas on art...
|
|
futurism
Book article from: The Columbia Encyclopedia, Sixth Edition
futurism Italian school of painting, sculpture, and literature that flourished from 1909, when Filippo Tommaso Marinetti's first manifesto of futurism appeared, until the end of World War I. Carlo Carrà, Gino Severini...
|