COMPUTING
Concise Oxford Companion to the English Language
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1998
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© Concise Oxford Companion to the English Language 1998, originally published by Oxford University Press 1998. (Hide copyright information)
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COMPUTING The use of an electronic device that accepts data, performs mathematical and logical operations at speed on those data, and displays the results. Computers, although initially developed as calculating devices and open to a range of uses, have become central to communicative technology, and relate to language in at least three ways: (1) They require their own artificial languages in order to function. (2) Their use has adapted natural language to new ends, such as the processing of texts by computer. (3) Their users have developed their own styles and registers for working with them and talking about them. Since the 1950s, these factors have developed explosively and are major influences on late 20c English, the language most closely involved in computing.
Nature
The present-day computer derives from British work during the Second World War on cryptographic machines and is the most recent in a line of calculating devices that includes the abacus, the Jacquard loom, Babbage's Analytical Engine, and Hollerith's tab-sorter. Its primary purpose has been to compute, not to compile or converse. There are two kinds of computer:
analog and
digital. Analog computers, which are related to the slide rule and tables of logarithms (and virtually obsolete), use the strengths of voltages to represent the size of numbers, whereas digital computers use electrical signals only in the on/off form. Currently, digital computers consist of four major parts: (1) A
processor or
central processing unit (
CPU), which executes commands, performing arithmetical, logical, and manipulative operations on the data stored in the second part. (2) A
memory, the information store. Most computers have at least two kinds of memory: primary and secondary. Primary memory is usually silicon chips, typically DRAM (dynamic random access memory) chips. ‘Random access’ means that any part may be obtained immediately, as with a book that can be opened to any page. The process is fast, usually less than one microsecond to obtain an item of information. Secondary memory is usually magnetic disk, made of one or more platters rotating under a reading head. It is not random access: a particular part of the disk cannot be read until it rotates under the reading head, which usually takes several milliseconds. Storage is measured in
bytes, one byte containing eight
bits, and representing storage for one character in European alphabets. See
ASCII. (3)
Input/output equipment, which enables the user to get information into and out of the machine. The information is entered most commonly through a keyboard but also through removable disks, tapes, and other devices. Output goes to display screens, to printers (which produce text etc., usually known as
hard copy), and also to disks and tapes. (4)
Communications equipment, which permits a computer to ‘talk’ to other machines and to people located at a distance from it. The equipment includes a
modem (an acronym for ‘
modulator
demodulators’), which connect computers by telephone line, and networks to let machines talk at high speed to each other, as for example in using the
INTERNET and the WORLD-WIDE WEB.
Computer programs
Since computers work very fast, they cannot be directed step by step. Instead, a script must first be written for the computer to follow. The script typically contains sequences to be repeated, so that the script is much shorter than the operation as executed. The computer responds to
machine language, which is binary code (strings of 0s and 1s), in which the operations are very simple (such as elementary arithmetic or moving one piece of data from one place to another). Such scripts are written in
higher-level languages called
computer programs (BrE following AmE in this spelling, but AmE follows BrE in doubling the
m in
programming). A distinction is now universally made between the equipment as
hardware and
software, the latter now generally made available as commercial
software packages.
Computer languages
Also
programming languages,
high-level languages. Digital computers can follow directions written in a great variety of artificial languages that provide precise specifications of operations to be done and the order in which they must be done. Although strings of letters are used to name commands in these languages, they are quite different from natural language. Among other things, they must be logical and unambiguous: unlike people, computers do not know that the
and in
I like bread and jam means ‘both together’, while the
and in
I like cats and dogs does not imply that both must be present at once (= ‘I like cats and I like dogs’). Compared with natural language, high-level computer languages normally have: (1)
Very short words: most programmers save effort by giving variables names such as
x, one or two letters long, and by using many abbreviations, such as
del for
delete. (2)
Very short utterances: written English sentences might average 20 words in length, but statements in programming language are typically only six items long. (3)
Little syntactic variety: the typical computer language at present has a grammar of about 100 rules, compared with thousands in a formal grammatical description of English.
Specific languages
The many programming languages are divided into
business languages (verbose, emphasizing simple operations on complex data) and
scientific languages (terse, emphasizing complex operations on simple data). They often have distinctive histories and functions, and names of etymological interest.
ALGOL, a language suitable for expressing algorithms, is the computational equivalent of Esperanto, created in 1960 by an international committee. Its name, a reduction of
Algorithm Language, is a homonym of the star
Algol (Arabic, ‘the ghoul’).
BASIC is short for
Beginner's All-Purpose Symbolic Instruction Code, designed at Dartmouth College in New Hampshire in 1965 by J. Kemeny and T. Kurtz. It is often the first programming language learned and is similar to the
Basic of BASIC ENGLISH, also an acronym.
ADA was designed in a competition run by the US Department of Defense from 1974 to 1980, going through successive refinements with such names as
Strawman,
Woodenman,
Tinman,
Ironman. The French computer scientist Jean Ichbiah led the winning team. It was named after Lady Ada Lovelace, daughter of the poet Byron and a supporter of Charles Babbage, the inventor of the Analytical Engine, an early mechanical digital computer. She is often called the first programmer. For some years, the goal of ‘programming in English’ (that is, using a more or less unrestricted subset of the natural language) attracted attention, but it has so far proved unattainable.
Processing text
Computers, among other things, are extensions of writing and print systems, and have therefore been used with greater or less success to do such things as evaluate, index, parse, translate, correct, and ‘understand’ text. When a suitably programmed computer is fed English, it can process it at several levels, but with decreasing competence as the task becomes more complex. The following sequence is typical:
1. The character level.
Text can be entered into a computer by three means:
keying it, typically into a word processor which will format the text (arranging the line lengths and character positions);
scanning it, using a machine which transfers a paper version into an image followed by a program that seeks to recognize the characters in it;
transferring it electronically, typically by diskette or telephone, from another compatible computer. Transfer is the fastest and most accurate method, but currently the least used. When a cleanly typed or printed original is available, without too many fonts or typographic complexities, scanning is faster and easier than rekeying. Once the text is entered, computers can print it in a wide variety of typefaces, sizes, and page formats, using either a printer or a desktop publishing system.
2. The word level.
A
spelling checker can find some kinds of typing mistakes, usually by comparing words with a dictionary list and noting those that are not in that list. Programs can make
word lists and
concordances (lists of each word with some context before and after it). By noting the most frequent words in a document, and comparing the word frequencies in a particular text with the average word frequencies in English, a program can suggest words that might be used for
indexing the document. The counting of relative
word frequencies and comparison with word frequencies from a standard sample can also help in guessing the authorship of anonymous works or measuring the readability level of a text.
3. The sentence level.
On the level of syntax,
PARSING programs can try to define the structure of sentences and relationships among words. This is typically done by applying grammar rules of the form ‘a verb phrase may be a verb followed by an adverb’. Unfortunately many sentences are ambiguous. In the preceding sentence, a computer would not know whether
Unfortunately modified the verb (implying that it is sad that ambiguous sentences occur) or the adjective
many (suggesting disappointment that ambiguous sentences are so frequent). Adding a comma after
Unfortunately could, however, serve as a means of disambiguation. However, some kinds of grammatical and stylistic errors can be diagnosed, and grammar checkers and style checkers have become available to help in the writing of business letters and the propagation of
PLAIN ENGLISH.
4. The message level.
At the level of word-and-sentence meaning, semantic analysis can map a sentence into a
knowledge-presentation language. Some research projects have been able to take such sentences as
Which ships are in port? and answer them by looking at a table of ship locations, but such systems currently operate in strictly limited subject areas. Other applications of semantics include machine translation and direct generation of language by computers (that is, the computer produces text without human input).
The above levels of activity depend on computational linguists writing rules of analysis, accumulating a GRAMMAR of syntactic and/or semantic rules for such a language as English. An alternative strategy for processing written language, however, uses reference books: the use of a
MACHINE-READABLE dictionary or thesaurus may help a computer make reasonable guesses about which sense of an ambiguous word is intended in a particular context. Another strategy relies on the statistical properties of large corpora to determine word relationships. Such methods have allowed parsing without writing a grammar in advance, a higher quality of error correction in spelling, and the automatic recognition of phrases. However, they handle uncommon constructions less well than the grammar-based procedures handle them, and depend for their success on the fact that such constructions are uncommon. See
COMPUTERESE,
COMPUTER USAGE,
CONCORDANCE,
CORPUS,
EMOTICON, ICON.
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Hans Hofmann.(Brief Article)
Magazine article from: Harvard Review; 12/1/2005; 700 words
; Hans Hofmann, Untitled, 1943, ink on paper, 11...A/Y #1652. [c] 2005 Estate of Hans Hofmann/Artists Rights Society (ARS), New...New York. [ILLUSTRATION OMITTED] Hans Hofmann, Student with Spectacles, 1926, ink...
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Seldom-Cited Master Hans Hofmann Returns To Reacquaint Viewers.(Arts&Entertainment)
Newspaper article from: The New York Observer (New York, NY); 1/17/2005; 700+ words
; ...German emigre painter and teacher Hans Hofmann (1880-1966), whose paintings...or aspiring to become one. The Hans Hofmann School of Fine Arts (as it was...accomplishments as a painter: "Hans Hofmann is the most remarkable phenomenon...
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Worthy painter, unworthy tribute; Film misses the fire of Hans Hofmann.(DAILY DATEBOOK)(Review)
Newspaper article from: San Francisco Chronicle; 7/25/2003; ; 700+ words
; ...Baker RATING: (SNOOZING VIEWER) Hans Hofmann, Artist/ Teacher, Teacher...subscriber who starts to watch "Hans Hofmann: Artist/Teacher, Teacher...good intentions do nothing for "Hans Hofmann, Artist/Teacher, Teacher...
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HANS HOFMANN: Artist/Teacher, Teacher/Artist Narrated by Robert De Niro to Air on PBS in June 2003.
Business Wire; 4/30/2003; 671 words
; ...NEW YORK--(BUSINESS WIRE)--April 30, 2003 HANS HOFMANN: Artist/Teacher, Teacher Artist, a joyous and...The late Picasso's don't compare with the late Hofmann." HANS HOFMANN, Artist/Teacher, Teacher/Artist was produced...
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HANS HOFMANN: Artist/Teacher, Teacher Artist at www.pbs.org/hanshofmann.
Business Wire; 6/4/2003; 700+ words
; ...Learning Tools, Lesson Plans 40 Colorful Hofmann Gallery Works A companion Website to HANS HOFMANN: Artist/Teacher, Teacher/Artist...Abstract Expressionism The documentary film, HANS HOFMANN, Artist/Teacher, Teacher/Artist was...
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Hans Hofmann
Magazine article from: Artforum; 9/1/2008; ; 700+ words
; Hans Hofmann AMERINGER YOHE RNE ART Hans Hofmann's paintings on paper have a freshness, an energy, a presence that belies their age. They're sixty years old, but they have a timeless immediacy. "Time flows like water does back in the ocean...
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Hans Hofmann: AMERINGER YOHE FINE ART.(Critical essay)
Magazine article from: Artforum International; 9/1/2008; ; 700+ words
; Hans Hofmann's paintings on paper have a freshness...Painting" exhibition, remarked that Hofmann's art was being "recognized increasingly...convincingly argued? Or was it simply that Hofmann was German and MOMA wanted an all-American...
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Hans Hofmann's transitional ink drawings.
Magazine article from: Harvard Review; 12/1/2005; ; 700+ words
; Hans Hofmann made his first trip to the United States...Art in New York, which represents the Hofmann estate. Barbara Rose's essay appears in the exhibition catalogue for Hans Hofmann Drawings 1930-44 at the Andre Emmerich...
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Thick & thin: Hans Hofmann: in 1963, Hans Hofmann donated 47 major paintings to the University of California at Berkeley. A touring show of works from this group reminds us of the challenges and pleasures of pure painting.
Magazine article from: Art in America; 12/1/2002; ; 700+ words
; ...Abstract Expressionism, the show "Hans Hofmann--Paintings from the 1960s: The...country into a dour and fearful mood, Hofmann's paintings provide a momentary...painting shine unmistakably through. Hofmann himself lived through both world...
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Multimedia Available: HANS HOFMANN: Artist/Teacher, Teacher/Artist Narrated by Robert De Niro to Air on PBS in June 2003.
Business Wire; 4/30/2003; 384 words
; ...EDITORS: Multimedia Assets Available With This Story Include Logos, Photos, Text News Releases --(BUSINESS WIRE) HANS HOFMANN: Artist/Teacher, Teacher Artist, a joyous and colorful one-hour odyssey of an amazing -- but often neglected...
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Hans Hofmann
Encyclopedia entry from: Encyclopedia of World Biography
Hans Hofmann The German-American painter Hans Hofmann (1880-1966) approached abstract painting through cubism...American painting after 1945. Born in Weissenburg, Germany, Hans Hofmann studied music and science before enrolling in 1898 at Moritz...
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Hofmann, Hans
Book article from: A Dictionary of Twentieth-Century Art
Hofmann, Hans (1880–1966). German-born painter and teacher who became...taught at the University of California, Berkeley). He founded the Hans Hofmann School of Fine Arts in New York in 1934 (followed the next year by a summer...
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Clement Greenberg
Encyclopedia entry from: Encyclopedia of World Biography
...thinking was influenced by the theories of Karl Marx and Hans Hofmann. Greenberg's study of Marxist theory made the avant...America. More important, however, was the influence of Hans Hofmann, the German artist and educator. In 1938 and 1939...
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Lee Krasner
Encyclopedia entry from: Encyclopedia of World Biography
...1937 to 1940 to study with the widely known painter Hans Hofmann. During the same period she came to know the critic...Jackson Pollock, Arshile Gorky, Adolph Gottlieb, Hans Hofmann, Richard Pousette-Dart, and Mark Rothko —...
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Abstract Expressionism
Book article from: American Decades
...it was based, the public be damned. Such painters as Hans Hofmann, Willem de Kooning, Jackson Pollock, Lee Krasner...American Roots Beginning in the 1940s with the work of Hofmann and de Kooning, both immigrants who had settled permanently...
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