Supremacy, Act of
The Oxford Companion to British History
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2002
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© The Oxford Companion to British History 2002, originally published by Oxford University Press 2002. (Hide copyright information)
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Supremacy, Act of, 1534 (26 Hen. VIII c. 1). This Act, passed in the sixth session of the Reformation Parliament in November–December 1534, defined the headship of the English church, which Henry VIII had progressively asserted over the previous two to three years. The Act claimed merely to ‘confirm and corroborate’ the pre-existing right of the king and his successors to be supreme head on earth of the Church of England. Already in the preamble to the Act in Restraint of
Appeals of 1533, the ‘Supreme Head and King’ had been defined as having ‘whole and entire power’ over clergy and laity alike. However, whereas earlier legislation had limited itself to specific fiscal and legal aspects of church authority, the Act of Supremacy conferred personally on the king all spiritual authority to reform abuses and correct doctrine. On 15 January 1535 Henry included the supreme headship in the royal style, and around then transferred its authority to a spiritual ‘vicegerent’, the layman Thomas
Cromwell. Such personal control over spiritual
issues, as well as spiritual people, was unique to the Henrician supremacy; the title of supreme head was abolished by Mary I in 1554–5 (1 & 2 P. and M. c. 8), to be replaced by the more muted title of ‘Supreme Governor’ under Elizabeth I.
Euan Cameron
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New copies by Leonardo after Pollaiuolo and Verrocchio and his use of an ecorche model: some notes on his working method as an anatomist.
Magazine article from: Apollo; 1/1/2004; ; 700+ words
; ...show his indebtedness to Antonio del Pollaiuolo, the study of the relationship between...anatomical knowledge far surpassed that of Pollaiuolo, he continued to turn to the older...a sack full of nuts', he hinted at Pollaiuolo's anatomically inaccurate renderings...
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Battle of the Nudes: Pollaiuolo's Renaissance Masterpiece
Magazine article from: The Virginia Quarterly Review; 7/1/2003; ; 356 words
; Battle of the Nudes: Pollaiuolo's Renaissance Masterpiece, by...art in the 15th century, Antonio Pollaiuolo is overshadowed by Leonardo and...copiously illustrated book places Pollaiuolo's print in its artistic context...
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More than mastery of the nude: David Ekserdjian reviews the first comprehensive account of the art of Antonio and Piero Pollaiuolo, which bravely tackles the challenging problems of attribution in the careers of two artists who worked with great skill in many media.(The Pollaiuilo Brothers: The Arts of Florence and Rome)(Book Review)
Magazine article from: Apollo; 1/1/2006; ; 700+ words
; ...Nude, Kenneth Clark writes of Antonio Pollaiuolo's Hercules compositions that 'These...and indeed the less talented Piero--Pollaiuolo have not received the recognition they...with writing about Antonio and Piero Pollaiuolo. The first is that the attribution...
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the arts 1: The art of spin Mark Irving reveals the secret stories of politics and power struggles behind the Medicis' Renaissance masterpieces
Newspaper article from: The Independent - London; 10/9/1999; ; 700+ words
; ...2885) Hercules and Deianeira, by Antonio del Pollaiuolo The Pollaiuolo brothers (Antonio and Piero) catered for the...and was the subject of three enormous paintings Pollaiuolo executed in the 1460s for the great hall of the...
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Golden decade
Magazine article from: The Spectator; 10/30/1999; ; 700+ words
; ...sculpture. Verrocchio and Antonio del Pollaiuolo -- the leading artists in the 1470s...produced an amazing variety of art. Pollaiuolo, starting off as a goldsmith, went...Florence, got from elsewhere. The rival Pollaiuolo workshop - including Antonio and his...
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Making an impression; REVIEW: The Jones Print Collection at the Minneapolis Institute of Arts has more than 6,000 works. A show celebrating the opening of the expanded museum displays 200 of them, the largest sampling on view in 90 years.(SCENE)
Newspaper article from: Star Tribune (Minneapolis, MN); 6/2/2006; ; 700+ words
; ...Whistler and others. Among the 15th-century Italians, Antonio Pollaiuolo's "Battle of the Nudes" broke new ground because of its...purpose of donating it to the Minneapolis Institute of Arts. Pollaiuolo, Mantegna, Durer, Rembrandt, Cranach the Elder, Ribera...
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Books THE pick of the new art books lead all the way from 15th- century florence to 21st-century southwold, says Martin gayford
Newspaper article from: The Sunday Telegraph London; 11/27/2005; ; 700+ words
; ...making this the most festive art book of the season. The Pollaiuolo Brothers: The Arts of Florence and Rome by Alison Wright...sinewy nudes led on to Michelangelo's muscle-men. But the Pollaiuolo brothers spread their abilities widely; they were sculptors...
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FAMILIES: The horses that broke feminism's back STAYING AFLOAT
Newspaper article from: The Independent - London; 7/15/2002; ; 700+ words
; ...National Gallery, on a cultural quest. We've come to look at Pollaiuolo's picture Apollo and Daphne, since we're doing Myths...toes turned to twigs? Did her clothes get all ripped?" Pollaiuolo's version of events settles some questions but raises others...
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From Gauguin to Gormley plus all the vexations of art; Books: A deeper look at Rubens and the best account yet of Francis Bacon's early years stand out among this season's art books.
Newspaper article from: The Evening Standard (London, England); 12/12/2005; 700+ words
; ...behind, but I pay homage to it because I understood almost nothing. Alison Wright THE POLLAIUOLO BROTHERS Yale, [pounds sterling]50 Antonio and Piero Pollaiuolo are not the easiest painters on whom to write a readable book. Florentines astride...
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Arts: Seen any good jokes recently? Humour in the visual arts usually means cartoons, comics and caricatures. But can we ever see the joke in pictures?
Newspaper article from: The Independent - London; 8/15/2000; ; 700+ words
; ...possible, I'll be explaining them to death. Antonio del Pollaiuolo's Apollo and Daphne, for instance, in the National Gallery...impulse to laugh is only a slight wrong turning. And the Pollaiuolo picture, at least, has the plausible ingredients of a pictorial...
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Antonio Pollaiuolo
Encyclopedia entry from: Encyclopedia of World Biography
Antonio Pollaiuolo Antonio Pollaiuolo (ca. 1432-1498), Italian painter, sculptor, goldsmith...appealed especially to the circle of Lorenzo de' Medici. Antonio Pollaiuolo was born in Florence. Most of the dated documents refer to...
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Pollaiuolo
Book article from: The Columbia Encyclopedia, Sixth Edition
Pollaiuolo , family of Florentine artists. Jacopo Pollaiuolo was a noted 15th-century goldsmith. His son and pupil Antonio Pollaiuolo, 1429?-1498, goldsmith, sculptor, painter, and engraver, became head of one of the foremost Florentine...
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Pollaiuolo, Antonio
Book article from: The Concise Oxford Dictionary of Art and Artists
Pollaiuolo, Antonio ( c. 1432–98) and Piero ( c. 1441– c. 1496). Florentine artists, brothers, who jointly...
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Cronaca, Simone del Pollaiuolo
Book article from: A Dictionary of Architecture and Landscape Architecture
Cronaca, Simone del Pollaiuolo called Il (1457–1508). Florentine architect. He worked with Giuliano da Sangallo on the octagonal sacristy of Santo...
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Andrea del Verrocchio
Encyclopedia entry from: Encyclopedia of World Biography
...Rossellino in the Prato Cathedral. In 1477 Verrocchio competed with Piero Pollaiuolo for the monument of Cardinal Niccol ò Forteguerri in Pistoia. Although Pollaiuolo's design was accepted, Lorenzo de' Medici ordered the one by Verrocchio...
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