Research topic:Charles Nicolas Cochin

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Oppenord, Gilles-Marie

A Dictionary of Architecture and Landscape Architecture | 2000 | | © A Dictionary of Architecture and Landscape Architecture 2000, originally published by Oxford University Press 2000. (Hide copyright information) Copyright

Oppenord, Gilles-Marie (1672–1742). French architect and decorator of Flemish descent of the Régence period, influenced by the work of Bernini and Borromini, he had a considerable role in the evolution of the Rococo or Louis Quinze style. He designed several altarpieces (e.g. at St-Germain-des-Prés (1704)), but his most influential work included interiors in Bonn, Brühl, and Falkenlust (under de Cotte), Rhineland, and the Palais Royal (1716–20) and Hôtel Crozat (1721–30), Rue de Richelieu, Paris. From 1719 he was engaged on work at the Church of St-Sulpice, Paris, completing the building except for the west portal (which he designed, but which was eventually finished, in greatly modified form, by Servandoni and Chalgrin), and designing the high-altar. Three volumes of engravings (Livre de Fragments d'Architecture, Livre de différents morceaux, and Œuvres) based on his work were published by Gabriel Huquier (1695–1772) in 1737–51, thus making his work widely known. By 1755 devotees of Neo-Classicism (e.g. Charles-Nicolas Cochin (1715–90)) saw him as one of those who had debauched Classical architecture. His work also informed the Rococo Revival of the 1880s.

Bibliography

Jervis (1984);
Lewis & Darley (1986);
Placzek (ed.) (1982);
Sturgis et al. (1901–2);
Jane Turner (1996)

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JAMES STEVENS CURL. "Oppenord, Gilles-Marie." A Dictionary of Architecture and Landscape Architecture. Oxford University Press. 2000. Encyclopedia.com. 22 Dec. 2009 <http://www.encyclopedia.com>.

JAMES STEVENS CURL. "Oppenord, Gilles-Marie." A Dictionary of Architecture and Landscape Architecture. Oxford University Press. 2000. Encyclopedia.com. (December 22, 2009). http://www.encyclopedia.com/doc/1O1-OppenordGillesMarie.html

JAMES STEVENS CURL. "Oppenord, Gilles-Marie." A Dictionary of Architecture and Landscape Architecture. Oxford University Press. 2000. Retrieved December 22, 2009 from Encyclopedia.com: http://www.encyclopedia.com/doc/1O1-OppenordGillesMarie.html

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Magazine article from: Proceedings of the American Philosophical Society; 6/1/2006; ; 700+ words ; ...have seen his face for the first time in 1883 when a watercolor portrait of him by Woo Sang, which was based on Charles Nicolas Cochin's popular "fur cap and spectacles" painting of 1777, appeared in Shanghai (fig. 1).6 It may also be...
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Newspaper article from: International Herald Tribune; 3/28/2009; ; 700+ words ; ...Guangdong. It was vital to get it right. Work began in 1767 and lasted until 1774. Directed by the engraver Charles-Nicolas Cochin, the best masters of the genre executed etchings, and also made prints from the same brass plates reworked...
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Related entries from encyclopedias, dictionaries, and thesauruses

Charles Nicolas Cochin
Book article from: The Columbia Encyclopedia, Sixth Edition Charles Nicolas Cochin , 1715-90, French engraver, designer, writer on art, and painter to the French court. His works, more than 1,500 in number...
Cochin, Charles-Nicolas the Younger
Book article from: The Oxford Dictionary of Art Cochin, Charles-Nicolas the Younger ( b Paris, 22 Feb. 1715; d Paris, 29 Apr. 1790). French engraver, trained by his father Charles-Nicolas the Elder (1688–1754). He was one of the outstanding...
Neo-Classicism
Book article from: A Dictionary of Architecture and Landscape Architecture ...volumes, parts of buildings, and elements to be clearly seen and understood. Charles-Nicolas Cochin (1715–90) and and Jérome-Charles Bellicard (1726–86) brought out their Observations sur les antiquit...
Oppenord, Gilles-Marie
Book article from: A Dictionary of Architecture and Landscape Architecture ...in 1737–51, thus making his work widely known. By 1755 devotees of Neo-Classicism (e.g. Charles-Nicolas Cochin (1715–90)) saw him as one of those who had debauched Classical architecture. His work also informed...

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