Admiralty

ADMIRALTY

From the beginning, St. Petersburg's docks and associated administrative building, collectively known as the Admiralty, had been an essential part of the city's existence. The shipyard was built by Peter the Great in 1704, and in the 1730s Ivan Korobov added the central gate and golden spire. By 1806 plans submitted by Andreian Zakharov for reconstruction of the large, and by then, decrepit complex had been approved. Zakharov had attended the Academy of Arts in St. Petersburg and studied extensively in France and Italy. Although he died in 1811, long before the completion of the building in 1823, no significant changes were made in his design.

In reconstructing Korobov's partially destroyed Admiralty, Zakharov expanded the length of the facade from 300 meters to 375. In addition there were two perpendicular wings almost half that long extending to the river. From the perspective of the Neva River, the complex consisted of two pishaped buildings, one within the other. The inner building served the Admiralty dockyard, which it enclosed on three sides, while the outer contained

administrative offices. The Admiralty end-blocks, facing the Neva River, are among the most successful neoclassical attempts to achieve a geometric purity of structure.

The main facade, overlooking a large square (now a park), is marked in the center by a grand arch, flanked by statues of nymphs supporting a globe, sculpted by Feodosy Shchedrin. Above the arch, a sculpted frieze portrays Neptune handing Peter the Great the trident, symbol of power over the seas. The corners of the central tower support statues of Alexander the Great, Ajax, Achilles, and Pyrrhus. The tower culminates in a spire resting on an Ionic peristyle, the cornice of which supports twenty-eight allegorical and mythological statues representing the seasons, the elements, and the winds.

The remarkable power of the Admiralty building derives from Zakharov's ability to create visual accents for an immensely long facade. The simplicity of the surfaces provided the ideal background for large, rusticated arches and high-relief sculpture, thus converting a prosaic structure into a noble monument.

See also: architecture; st. petersburg

bibliography

Brumfield, William Craft. (1993). A History of Russian Architecture. New York and Cambridge: Cambridge University Press.

Hamilton, George Heard. (1975). The Art and Architecture of Russia. Harmondsworth, UK: Penguin Books.

William Craft Brumfield