Hill, Lauryn 1975(?)–
Lauryn Hill 1975(?)–
Singer, songwriter, producer
Celebrity Teen
Bunted Blunted
‘”Don’t Do It.… You’re a Superstar’”
Tagged the Future Sound of Soul
Selected discography
Sources
The adoration and respect accorded Lauryn Hill seems unparalleled. “Beautiful, multitalented, whipsmart,” wrote Harper’s Bazaar “Catalyst…shining star…a divine singing voice and an up-front rhyme flow that ranks her among hip hop’s dopest MCs,” assessed Vibe Public Enemy’s Chuck D. compared her to reggae legend Bob Marley. After creating, as Essence declared, “a new image of womanhood in the world of hip-hop” with her group the Fugees in the mid-1990s, Hill went on to score with her own phenomenally successful solo debut, 1998’s The Miseducation of Lauryn Hill. Just 23 years old, the star that is Hill—also affectionately called “L” and “L-Boogie”—seemingly could not rise any higher. But further Fugees projects and a certain renewal of a stalled film career were likely. In the midst of all this, Hill had never found the time to finish her Ivy League degree in history, but did seize the opportunity to make history on her own platform by teaming socially-relevant lyrics with sensitive and dynamic musical hooks; she then used the profits from record sales to fund a charitable/cultural foundation aimed at improving the lives of children of African descent around the globe.
Hill was born in the mid-1970s and grew up in South Orange, New Jersey, not far from its public-housing projects. Her father Mal, who once sang professionally, was a computer analyst, while mother Valerie taught school in nearby Newark. Hill recalled many hours as an adolescent spent listening to her parents’ old R&B records, which gave her an appreciation for the likes of Gladys Knight, Curtis Mayfield, and others. The Hills, however, stressed academic achievement for their children—she has an older brother, Malaney—and she won entry to Columbia High School, an academically challenging school, where she became acquainted with a friend of her brother’s named Prakazrel “Pras” Michel. A Haitian immigrant, Michel formed a rap group and asked Hill to join.
Hill, who also ran track, was a popular and magnetic personality even in high school. She once asked her father if she could have a birthday party in their backyard, and he agreed as long as it was kept small. “By the end of the night, 250 people must have showed up,” Mal Hill told Rolling Stone reporter Alec Foege. By this
At a Glance…
Born c. 1975, in New Jersey; daughter of Mal (a computer analyst) and Valerie (a teacher) Hill; children: Zion David, Selah Louise. Education: Attended Columbia University.
Career: Actress, singer, songwriter, and producer. Appeared in As the World Turns, early 1990s; Sister Act II: Back in the Habit, 1993; recorded as a member of the Fugees, Blunted on Reality, 1993; The Score, 1996; solo debut with The Miseducation of Lauryn Hill, 1998; produced Aretha Franklin and CeCe Winans.
Awards: Won two 1997 Grammy Awards for Best R&B song by a duo or group, for “Killing Me Softly with His Song,” and for best rap album, The Score; triple platinum certification, November 1998, for The Miseducation of Lauryn Hill, Recording Industry Association of America.
Addresses: Office —c/o Columbia Records, 550 Madison Ave., New York, NY 10022.
time, she had ventured out on a few auditions, and won a recurring role on the CBS soap opera As the World Turns “You’ll see that my house is right on the borderline of the suburbs and the ghetto,” Hill pointed out to Foege, who was visiting Hill at her family’s home in South Orange. “I always had this duality. I went to school with a lot of white kids—it was really like a suburban environment—but I lived with black kids.”
Hill, Michel, and another girl had formed a group called the Fugees-Tranzlator Crew. The “fugee” part was taken from the word “refugee,” based on their conviction that all blacks outside of Africa are, in a sense, refugees. They cut demos in which they rapped in other languages. One day Michel’s cousin, Wyclef Jean, came by the studio to hear them. Jean was also from Haiti, but grew up in a rough section of Brooklyn in a strict household headed by his minister father. “When I heard Lauryn sing, I was like ‘Wow!’” Jean told Edwige Danticat in Essence “It clicked. I knew it was meant to be.”
By this time, Hill had already won a billed film role opposite Whoopi Goldberg in the 1993 film Sister Act II: Back in the Habit, as insubordinate student Rita Watson. Accepted to several colleges, including Yale and Spelman, Hill chose to stick close to home and concentrate on her recording career by enrolling at Columbia University. After the other member departed for college, the three of them—Hill, Jean, and Michel—began performing in local talent shows and in New Jersey clubs; they also dropped the “Tranzlator” part of their name. “We sang, we rapped, we danced,” Hill recalled for Foege in the Rolling Stone interview. “As a matter of fact, we were a circus troupe,” she added. They won a recording contract with the Philadelphia rap label Ruffhouse, who released Blunted on Reality in 1993.
Hill and the others were unhappy with the finished product, however. Like many other young, inexperienced artists, they were shut out of the production and creative process, and the album was an edgy, quick-paced work of rap. “Hailed in Europe as a glimpse of the future, Blunted was summarily trashed in the American hip-hop press for missing the mark altogether,” noted Rolling Stone’s Foege. It languished on the charts, but when a producer remixed two of the tracks, the songs became underground club favorites. Then word of mouth began spreading about the female rapper who could also sing, and Hill soon became the focus of attention for the group. She, Michel and Jean fought for and won producer rights for their next effort, The Score, and their perseverance paid off. Bolstered by singles that showcased Hill’s talents, such as a cover of the 1973 Roberta Flack hit “Killing Me Softy with His Song,” and “Ready or Not,” and the 1996 release sold millions and was the number-three pop album in the country at one point while in first place on the Billboard R&B charts. With sales of 17 million, the Fugees became the biggest selling rap act in history.
Hill’s appearance on magazine covers without her bandmates may have fueled speculation early on that she would ditch them for a solo career. The issue became one of the most overreported non-events during the peak of Fugee success. She emphatically dismissed such talk—”It’s not a compliment when people tell me to break off from them,” Hill told Vibe magazine in early 1996. “That’s like telling me to drop my brothers,” she continued. The group toured heavily in 1996, but by the time they performed at the Grammy Awards ceremony in early 1997, Hill was three months pregnant. She had met Rohan Marley, son of the late reggae giant Bob Marley, when he showed up for a Fugee show and tried to talk to her. At first, she was uninterested in the beginning because of a past relationship that soured with a University of Miami football player. “But back then I wasn’t really checking for anybody,” Hill told Essence writer Monifa Young. “I was very much into my music. You know, I’d spent so many years working at a relationship that didn’t work that I was just like, “I’m going to write these songs and pour my heart into them.’”
Yet Marley persisted, a romance developed, and soon the fact that Hill was carrying the grandchild of late Bob Marley only added to the aura of divinity that seemed to surround her. She had initially refused to disclose who the father was, and took heat for taking the “single mother” route at such a young age. “A lot of people told me, ‘Don’t do it. It’s not the right time, you’re a superstar,’” Hill recalled in an interview with Daisann McLane in Harper’s Bazaar “But I looked at my life, and I said, “Well, God has blessed me with a whole lot in a little bit of time.” At the end of the day, the only reason for me not to have a child would have been that it was an inconvenience to my career, and that wasn’t a good enough excuse for me not to have my son.”
Carrying a child, Hill has said, gave her even more energy—she recorded a track with gospel star CeCe Winans the day before she gave birth—and she wrote over two dozen songs for her own project. Hill’s solo debut, The Miseducation of Lauryn Hill, was released in August of 1998. Writing in Essence, Young called it “one of the most anticipated albums of the year by fans and industry insiders.” It debuted to platinum sales. On it was a tribute to her son, named Zion David, titled “Joy of my World Is in Zion.” Time magazine put Hill on the cover, and inside wrote about her and other African American artists such as Maxwell and Erykah Badu who were producing a fresh wave of “emotionally relevant” music that seemed to embody what writer Christopher John Farley called the “neo-soul” movement. Farley termed Hill’s solo debut “the kind of galvanizing work neo-soul needs: unabashedly personal, unrelentingly confrontational, uncommonly inventive.”
Hill has become one of the most lauded of behind-the-scenes talents as well. She executive-produced Miseducation, and went to Detroit to work with Aretha Franklin and wrote the song “A Rose Is Still a Rose” for the Queen of Soul, which became the title track for Franklin’s album. Hill also directed its video. “She’s positive, detailed, conscientious,” Franklin said of Hill to McLane in Harper’s Bazaar “Frankly, I was surprised to see that in such a young woman,” she continued. Still, fighting for control over her talents has not been easy, and the ultimate realized success of her vision brings its own demons. “This is a very sexist industry,” Hill told Young in the Essence interview. “They’ll never throw the “genius’ title to a sister. They’ll just call her diva and think it’s a compliment.”
Hill still lives with her parents in South Orange, New Jersey. The house she grew up in is now Lauryn Hill headquarters. Though enmeshed with more responsibilities now that her album has been released, Hill slowed the pace as she awaited the arrival of her second child. Her daughter, Selah Louise Marley was born in November of 1998. After some bonding time, she will pursue other activities, including acting projects. She had to turn down an offer from director Jonathan Demme to appear in Beloved, the Oprah Winfrey project based on Toni Morrison’s novel, due to her first pregnancy, but scripts reportedly arrive daily at her home. Hill is also the founder of the Refugee Camp Youth Project, an outreach organization aimed at improving the lives of children in places like Haiti, Zaire, Kenya, Uganda, and New Jersey. Its projects include a day camp for inner-city kids in New Jersey, and well-building projects in Africa. During her Fugeera, Hill’s charity put on the first ever concert by an American act in Haiti. Over 75,000 showed up, including the country’s president, for the benefit concert for the country’s orphanages and rehabilitation camps. The money was mismanaged, some say by the Haitian government, but a second concert in Miami also garnered money for the foundation. Hill also organized “Hoodshock” in Harlem. Among the performers was the late Notorious B.I.G. and the Fugees. “I’m very, very blessed,” Hill told McLane in Harper’s Bazaar “I think it’s because God has a plan for me. Because I’m supposed to do something. It’s like: ‘Okay, Lauryn. Everything is in place. Now do what you have to do. Say what you have to say,’” she concluded.
(with the Fugees)
Blunted on Reality, Ruffhouse/Columbia, 1993.
The Score, Ruff house/Columbia, 1996.
Solo
The Miseducation of Lauryn Hill, Ruffhouse/Columbia, 1998.
Periodicals
Essence, August 1996, p. 85; June 1998, p. 74.
Harper’s Bazaar, April 1998, pp. 204–208.
Rolling Stone, September 5, 1996.
Time, July 6, 1998, pp. 85–86.
Vibe, March 1996; June/July 1996; August 1998.
Other
Additional information for this profile was provided by an Internet site at http://www.laurynhill.com, Entertainment Weekly Online, and MTV Online.
—Carol Brennan
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Book article from: The Columbia Encyclopedia, Sixth Edition
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