Fruit of the Loom, Inc.

Fruit of the Loom, Inc.

5000 Sears Tower
233 South Wacker Drive
Chicago, Illinois 60606
U.S.A.
(312) 876-1724
Fax: (312) 993-1749

Wholly Owned Subsidiary of Farley Inc.
Incorporated: 1955
Employees: 32,000
Sales: $1.8 billion
Stock Exchanges: American Chicago Pittsburgh Pacific
SICs: 2322 Men’s/Boys’ Underwear & Nightwear; 2341 Women’s/Children’s Underwear; 2329 Men’s/ Boys’Clothing Nec; 2252 Hosiery Nec; 2211 Broadwoven Fabric Mills, Cotton; 2321 Men’s and Boy’s Shirts; 2253 Knit Outerwear Mills; 2254 Knit Underwear and Nightwear Mills

Fruit of the Loom, Inc., a global manufacturer and marketer of family apparel, is America’s biggest seller of men’s briefs. The company’s brands, which include BVD, Munsingwear, and the namesake Fruit of the Loom, are among the best known in the world. With more than 50 manufacturing facilities, the company has operations in eleven states, Canada, Northern Ireland, and the Republic of Ireland, and produces almost one billion garments per year.

The history of the company involves two separate entities: the B. B. & R. Knight Brothers textile company and The Union Underwear Company. The Knight Brothers established a textile company in Pontiac, Rhode Island, in the mid-nineteenth century. Their high quality broadcloth was recognized as some of the best fabric for the homemade clothing and linens that were common at the time. In 1851, when trademarking was still in its infancy, the brothers gave their cloth the imaginative name “Fruit of the Loom.”

Rufus Skeel, one of the merchants who sold the Knight brothers’ cloth commercially, operated a dry goods store in New York’s Hudson Valley, and his daughter, an artist, painted pictures of local apple varieties. Over time, her paintings became associated with the “Fruit of the Loom” name. Soon the apple accompanied the name on printed labels that identified the Knight brothers’ increasingly popular cloth. The serendipitous combination of the two components helped make Fruit of the Loom the first branded textile product in America. When the federal patent and trademark office opened in 1871, the trademark (which had grown to include a cluster of fruits) received the United States’ 418th patent.

As long as women made their own clothing and linens, Fruit of the Loom textiles remained in demand. But the development of the manufactured apparel industry in the early twentieth century considerably diminished the fabric market. The market for piecegoods declined as homemakers did less sewing and began to favor ready made clothing and linens. Although the original product’s market dwindled, the trademark still enjoyed popularity, so in 1928, the Fruit of the Loom Company began to license the brand to manufacturers of finished garments.

At about the same time that Fruit of the Loom lost its direct consumer market, a young immigrant named Jacob (Jack) Gold-farb decided to start his own clothing business. Goldfarb learned about the apparel industry through his work with the Ferguson Manufacturing Company. There he noticed that Ferguson only made low-priced “sale items” available to those retailers who also purchased the company’s higher priced goods. Goldfarb reasoned that if he could provide retailers with strictly lower-priced, quality undergarments, he could establish a popular business.

He decided to concentrate on the most popular style of men’s underwear of the nineteenth century, the unionsuit, and named his endeavor The Union Underwear Company. Like the term “unionsuit” itself, there is some controversy about the origin of the company name. Some historians assert that the term union-suit referred to the “union” of a top and bottom, while others maintain that the name grew out of the fact that members of the Civil War-era Union Army wore the garment. Whether the name for The Union Underwear Company alluded to the United States or the construction of its clothing remains a mystery as well.

Oddly enough, Goldfarb started his manufacturing business without a factory. He purchased cloth from one supplier, had it delivered to a cutter, then sent the parts to a sewing shop for finishing and shipping. Union Underwear’s first garments were sewn by nuns in and around Indianapolis, Indiana, the site of the company’s first finishing plant.

Goldfarb continued to work under this complex system even through the onset of the Great Depression. Then, in 1930, he was approached by some promoters from Frankfort, Kentucky, who were looking for an industry that would provide employment and increase the city’s tax base during the lengthy depression. The municipality offered to build a plant for the business, which would bring all of Union’s operations to a single location. Goldfarb agreed to the lucrative offer, and within five years employed 650 people.

Union Underwear and Fruit of the Loom’s fortunes converged near the end of the decade. In his quest to become a national marketer, Golfarb purchased a 25-year license for the Fruit of the Loom trademark in 1938. He was certain that the well-known brand would propel his products to national prominence.

Union Underwear built a second plant—which produced broadcloth “boxer” shorts—in Bowling Green, Kentucky, on the eve of World War II. When America joined the Allied effort in 1941, the company was enlisted to manufacture millions of pairs of G.I. shorts. Union Underwear received numerous commendations from the government for its contribution on the homefront.

Goldfarb made several promotional innovations in the postwar era that set Union Underwear and the Fruit of the Loom label apart from other undergarment manufacturers. Before World War II, underwear was usually sold separately, but in the late 1940s, Goldfarb introduced a printed cellophane bag with three pair of shorts inside. The new packages were displayed separately to call attention to Union’s branded undergarments. The move established a trend that has become an industry standard for most basic underwear. And even though Goldfarb was only a licensee of the trademark, he became the only licensee to invest his own funds in consumer advertising.

The company expanded its product line from unionsuits and boxer shorts to include knit underwear in 1948, and opened its third plant in Campbellsville, Kentucky, in 1952. The plant provided internal knitting and bleaching facilities for Union manufacturing for the first time, helping the company to gain more vertical control of production and facilitating the production of a wider variety of men’s and boy’s undergarments.

Goldfarb continued his promotional innovations when Union became the first underwear company to advertise on network television in 1955. The company purchased spots during Dave Garroway’s “Today Show.” Union also utilized banners, posters, signs, price tickets, newspaper slicks, and a cooperative advertising program to support Fruit of the Loom sales. Consumer advertising campaigns were coordinated with such seasonal events as Father’s Day, Back-to-School, and Christmas to maximize the company’s advertising dollar.

Around the same time, Union allied itself to the mass merchandisers that were beginning to spring up in the mid-1950s. The company’s growth was soon tied to these new retailer’s success: by the early 1990s, 45 percent of men’s basic underwear was sold by discount stores.

The mid-1950s saw the start of a string of acquisitions that would place Union Underwear in several different hands over the next three decades. In 1955, Union Underwear was taken over by the Philadelphia & Reading Corporation, a newly-formed conglomerate. The new corporate structure provided Union with additional resources, enabling it to extend its manufacturing operations.

By this time, Union Underwear had grown to become Fruit of the Loom’s dominant licensee, and to most people, the name had come to mean underwear more than fabric. The licensee, in fact, had grown larger than Fruit of the Loom. In order to assure the availability of its well-known trademark, Philadelphia & Reading acquired the Fruit of the Loom Licensing Company in 1961.

In 1968, Union Underwear’s parent was purchased by Northwest Industries. The consolidation furnished new capital which further facilitated the company’s growth. That same year, Goldfarb stepped down from the chair to be replaced by Everett Moore, who had joined the company in 1932 at the Frankfort plant.

Union Underwear strove to energize advertising for men’s underwear in the late 1960s and early 1970s. In 1969 the company contracted sportscaster Howard Cosell to appear in five television commercials over three years. Next, British comedian Terry Thomas was named spokesperson, as advertisers hoped that an English representative would lend an air of quality and endurance to their commercials. The use of celebrity spokespersons brought more public attention to Fruit of the Loom underwear, but the company continued to seek more brand recognition and market share.

In 1975, Union made advertising history with the first “Fruit of the Loom Guys” campaign. The commercials featured three men in costume as a bunch of grapes, an Autumn leaf, and an apple, all elements of the brand’s trademark. The characters helped propel the Fruit of the Loom brand to 98 percent recognition and doubled Union’s share of the market for men’s and boy’s underwear.

Also that year Moore retired and was succeeded by John Holland. In 1976 Union acquired the century-old BVD trademark. The company began to merchandise BVD as a completely separate line of underwear aimed at the more upscale department store market. Union also began to expand its product line to include “Underoos” decorated underwear for boys and girls in 1978, and began to supply blank T-shirts for the screen print market during the 1970s. The expansion into plain T-shirts soon evolved into a huge business known as Screen Stars, which sold unbranded T-shirts, sweatshirts, and sweatpants to wholesalers who imprinted them for promotional uses.

Union did not escape the trend toward leveraged buyouts of the 1980s. In 1984, William F. Farley acquired Union Underwear when he bought Northwest Industries for $1.4 billion. Farley privatized the parent company and renamed it Farley Industries. Just two years earlier, Farley had made his first major acquisition, defense contractor Condec Corp. In the 1980s tradition of leveraged buyouts and junk bonds, Farley parlayed his acquisitions into larger and larger conquests until, by the end of the decade, he had fashioned a textile and apparel conglomerate with $4 billion in annual sales and 65,000 employees worldwide.

In 1985, the conglomerate was restructured, $260 million in shares were sold, and Union Underwear was renamed Fruit of the Loom, Inc. to relate the business more closely to its famous trademark. Farley, a former encyclopedia salesperson, worked to improve Fruit of the Loom’s operational efficiency and squeeze more profits out of the company’s number-one status as the holder of a 35 percent share of the undergarment market. Farley proceeded to sell the bulk of Northwest Industries’ other businesses and cut costs at Fruit of the Loom. The proceeds of the asset sales were combined with revenues from bond issues to finance domestic modernization and expansion into Europe.

Over the course of the 1980s, those manufacturing changes facilitated Fruit of the Loom’s evolution from an underwear manufacturer into an apparel company. Farley and Chief Executive Holland decided to expand into men’s fashion underwear, women’s underwear, and socks over the course of the decade, putting the Fruit of the Loom label on sportswear in 1987. Women’s panties became one of the brand’s most popular extensions. The company launched that division in 1984 and led the category with a ten percent share within four years. Fruit of the Loom also made apparel history with its popular pocket T-shirt. Produced in a rainbow of colors, the wardrobe staple’s flexibility made it a consumer favorite for decades.

In 1982, sales of men’s and boy’s white underwear made up 80 percent of the company’s revenues, but by 1988, brand extensions comprised more than 40 percent of revenues. The active-wear market also grew much more rapidly than the underwear category: activewear sales tripled in the 1980s, while the underwear market grew only about six percent annually.

Capital improvements had enabled Fruit of the Loom to expand into newer, faster-growing markets, but they also left the company saddled with debt. Fruit’s debt-to-equity ratio of 3.5-to-l contributed to three out of four years of losses before the decade was over. Interest expenses also consumed ten percent of annual sales revenues in 1989. At the same time, Fruit of the Loom was threatened on two fronts: low priced imports began to eat into Fruit of the Loom’s 38 percent market share of basic men’s undergarments, and the company’s largest competitor, Sara Lee Corp.’s Hanes Knit Products, was raising the ante in the “un-derwars.”

In an effort to promote its move from department stores to discount merchandisers, Hanes introduced “Inspector 12” into its advertising campaigns in 1982. The curmudgeonly quality-control character claimed that her brand fit better and shrank less than Fruit of the Loom’s. Fruit of the Loom fired back with promotions that featured the tagline, “Sorry, Hanes, you lose!” The war escalated into a legal battle that ended with an out-of-court settlement wherein the two competitors agreed to pull the offending ads.

The Fruit of the Loom Guys were phased out when the company launched its more modern “We fit America like we never did before” campaign. Introduced in 1988, the television spots featured family scenes, including a mother dropping her daughter off at the school bus, and also included the first views of a woman in a pair of panties on network television. The $25 million campaign, created by Grey Advertising, Inc., emphasized Fruit of the Loom’s move into basic apparel for both sexes and all ages.

The brand extensions, expanded capacity, advertising blitz and years of debt paid off in 1988 when Fruit of the Loom made its first profit since its acquisition by Farley. The mid-1980s capital investments had pumped up domestic operating margins to 20-25 percent, and European plants began earning profits in the early 1990s. Sales had actually grown 13 percent annually since 1976 to $1 billion in 1988, but debt had consumed all of the income.

In 1990, Fruit of the Loom unveiled the underwear industry’s first network advertisements that featured a male model sporting the flagship white briefs. The commercials asked the musical question, “Whose underwear is under there?” The answer was provided by hunky celebrities Ed Marinaro, Patrick Duffy, and James DePavia. Lawyers for Grey Advertising spent two weeks battling one of the big three networks to air the commercials that would have been banned just three years earlier. Over the next two years, Fruit of the Loom’s celebrity underwearers would include soap-opera star Don Diamont, action-adventure hero David Hasselhoff, and sitcom dad Alan Thicke.

In 1991, Fruit of the Loom introduced the “It’s your time,” campaign for its growing line of casualwear, which was extended to include garments for infants and toddlers. The company enlarged its array of brands that year through a licensing agreement with the upscale Munsingwear brand in the hopes of expanding Fruit of the Loom’s retail distribution.

The company’s financial restabilization continued. Debt was reduced by more than $332 million with the help of sales totaling $1.4 billion, a stock offering of $100 million, a decline in capital expenditures, and the conversion of $60 million of debt into equity. Fruit of the Loom’s European sales surged 43 percent over 1990 as these divisions hit stride.

And despite a lingering recession in the United States, the company once again found its capacity constrained. Farley and Holland predicted that Fruit of the Loom would invest $125 million in new equipment and increase the workforce by 3,000 at plants in the United States, Canada, and Europe in 1992. With strong ties to mass merchandisers, major product launches, and line extensions, Fruit of the Loom hoped to increase sales 15 percent each year, decrease debt load, and grow per share earnings by one third annually in the 1990s.

Further Reading

Applebaum, Cara, “Fruit of the Loom Sticks with Stars,” Adweek’s Marketing Week, February 4, 1991, p. 8.

“Fruit of the Loom, Hanes Stretch from Skivvies into Active Wear,” Adweek’s Marketing Week, December 2, 1991, p. 7.

Corwin, Pat, “More Options in Men’s Underwear,” Discount Merchandiser, September 1990, pp. 36–39.

“Boyswear Brightens the Apparel Picture,” Discount Merchandiser, December 1991, pp. 52–54, 69–70.

“Commanding Lead in Men’s Underwear,” Discount Merchandiser, August 1992, pp. 38–45, 61.

Esquivel, Josephine R., “The Pains and Gains of ‘91,” Bobbin, June 1992, pp. 50–60.

Fannin, Rebecca, “Underwear: Inspector 12 Takes on the Fruits,” Marketing & Media Decisions, April 1988, pp. 55–6.

Greising, David. “Bill Farley in on Pins and Needles,” Business Week, September 18, 1989, pp. 58, 61.

“Bill Farley Could Lose His Shirt—and His Underwear,” Business Week, March 11, 1991, p. 86.

Laing, Jonathan R., “Love that Leverage!” Barren’s, May 1, 1989, pp. 6–7, 31-33.

Levine, Joshua, “Marketing: Fantasy, Not Flesh,” Forbes, January 22, 1990, pp. 118–120.

Oneal, Michael, “Fruit of the Loom Escalates the Underwars,” Business Week, February 22, 1988, pp. 114, 118.

Zipser, Andy, “Cherry-picking Fruit of the Loom,” Barren’s, May 20, 1991, pp. 30–31.

—April S. Dougal