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August Sander

The Columbia Encyclopedia, Sixth Edition | Date: 2008

August Sander , 1876-1964, Austrian photographer. During his long life Sander made a remarkable composite portrait of the German people. He began his immense work in the early 1890s, making pictures of young men who wanted mementos to give to their families before they emigrated to the United States. He opened a portrait studio in Linz (1904), but a great percentage of his precise, direct, and perceptive portraits were made in the homes and working environments of his sitters. Using large glass plates, he produced a realistic picture of the daily life and look of a vast cross-section of German society that, as a whole, is considered both a sociological and a photographic masterpiece. His subjects included country people, artisans, laborers, technicians, artists, professionals, politicians, aristocrats, and family groups of every sort, the total work comprising an extraordinary human document in which the photographer himself is particularly unobtrusive. Sander also wrote a treatise on the function of photography, Confession of Faith in Photography (1927).

Bibliography: See his Men without Masks: Faces of Germany, 1910-1938 (tr. 1973); G. Sander and U. Keller, ed., August Sander: Citizens of the 20th Century (1986); C. Schreier, August Sander: In Photography There Are No Unexplained Shadows (1997); S. Lange and M. Heiting, ed., August Sander: 1876-1964 (1999); S. Lange and G. Conrath-Scholl, August Sander: People of the 20th Century (7 vol., 2002).



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The Columbia Encyclopedia, Sixth Edition. Copyright 2008 Columbia University Press

Related newspaper, magazine, and journal articles from HighBeam Research

IN A PHOTO SHOW: AUGUST SANDER'S ALL-SEEING EYE VAST PROJECT SURVEYED GERMANY'S SOCIETY
The Boston Globe; 6/20/2004; Mark Feeney, Globe Staff; 1353 words ; NEW YORK - August Sander was the supreme photographer of the 18th century. On the face of it, that's a supremely ridiculous statement. The sheer Germanic heft of Sander's portraits is at the furthest remove from the lightness so prized by the Age of Reason. More to the point, photography didn't Read more
TOWERING GENIUSES Showered with prizes, worshipped by rival photographers, snapped up at auction: not bad for a husband and wife team who only shoot gravel plants, water towers and the odd coke-quenching tower, says Robin Muir
The Independent on Sunday; 4/17/2005; Robin Muir; 1508 words ; For nearly half a century, the photo- graphers Bernd and Hilla Becher have documented " to the exclusion it seems of anything else " the steel and concrete colossi that punctuate the skyline of the global industrial landscape. With the thoroughness of a taxonomist, the German husband and wife team, Read more
Photograph: EYE sight
The Independent - London; 2/22/1997; 35 words ; "Blind miner and blind soldier", from an exhibition of the work of August Sander, `In photography there are no unexplained shadows', at the National Portrait Gallery, St Martin's Place, London WC2 (0171-306 0055) from 28 Feb Read more
The mask behind the face: focusing primarily on the Weimar period, when August Sander made many of his best works, the author reconsiders the photographer's massive documentation of Germany's population. A traveling retrospective is currently on view at New York's Metropolitan Museum.(Photography)(Critical Essay)
Art in America; 6/1/2004; Rubinfien, Leo; 9075 words ; August Sander (1876-1964) was one of the 20th century's greatest photographers. He spent his early career as a commercial portraitist in Linz, Austria, but began the huge group of photographs for which he is best remembered after 1904 or so, when his pictures underwent a change in style. Where he Read more
The Photogenic: Institute of Contemporary Art. (Philadelphia).(Brief Article)
Artforum International; 1/1/2002; Frankel, David; 126 words ; The Photogenic is not about fashion models or other young-thing handsomeness; it is about photography in not entirely photographic art. The show began, says curator Ingrid Schaffner, in speculation as to what the German sculptor Stephan Balkenhol might share with artist-photographers such as the Read more
TRUE TO THEIR NATURE WORKS OF SANDER, BECHERS TRIED TO SHOW THE STARK REALITY OF THEIR SUBJECTS.(LA.COM)
Daily News (Los Angeles, CA); 5/11/2008; 983 words ; Byline: Jim Farber Staff Writer August Sander, the most insightful photographer of Germany between the wars, was a collector of people. His egalitarian portraits combine the keen eye of an artist with the methodology of a social anthropologist. His goal was to create a collective family album of Read more
MoMa presents reinstallation of photography galleries with a focus on multiple images.(museum MATTERS)(Museum of Modern Art)(Brief article)
Art Business News; 9/1/2007; 154 words ; NEW YORK -- The Museum of Modern Art has a new installation of photography from its collection that brings together groupings of closely related pictures. Since the medium's inception, photographers have explored its ease in producing multiple images to create sequences, various aspects of a single Read more
Sander book a remarkable portrait of Germany
Chicago Sun-Times; 7/11/1986; Marvin Weinstein; 826 words ; ... sponsoring a sweepstakes with a trip for two to Orlando, Fla., the grand prize. Entry blanks are available at the store. Send news of photo exhibits, camera clubs, contests and other related activities to Photography, Sun-Times Features Department, 401 N ... Read more
August Sander: People of the 20th Century.(Video recording review)
Arts & Activities; 11/1/2006; Herberholz, Barbara; 214 words ; [VHS/CD/VISUAL] AUGUST SANDER: People of the 20th Century. VHS or DVD/44 min375 (VHS rental, $75). Level: University. First Run/Icarus Films, 32 Court Street, 21st Floor, Brooklyn, NY 11201; (800) 876-1710; www.frif.com. Back in the 1920s, photographer August Sander made a radical departure from Read more
(book review)
The Art Bulletin; 3/1/2001; Welchman, John C; 5907 words ; ROBERT A. SOBIESZEK Ghost in the Shell: Photography and the Human Soul, 1850-2000 Cambridge, Mass.: MIT Press, in association with the Los Angeles County Museum of Art, 1999. 324 pp.; 184 color ills., 56 b/w. $59.95; $39.95 paper Addressed to a special conjunction between photography and faces that Read more

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