Amedeo Modigliani
The Columbia Encyclopedia, Sixth Edition | Date: 2008
Amedeo Modigliani , 1884-1920, Italian painter, b. Livorno. In Paris after 1906, Modigliani first worked as a sculptor and was influenced by cubism and African art. Soon, however, he developed a unique style in painting, characterized by an elongation of form, a purity of line, a sense of sculptural mass, and a languorous atmosphere reminiscent of Florentine mannerism . Although known to other artists and many Parisian intellectuals, he remained largely unknown to the public during his short life, which was one of poverty, dissipation, and disease. Shortly after his death from tuberculosis, his magnificent portraits and figure studies became highly prized by collectors. Modigliani is particularly well represented in the Art Institute of Chicago and the Museum of Modern Art, New York City.
Bibliography: See biography by W. Fifield (1978); studies by J. Modigliani (1958), J. T. Soby (1963), A. Werner (1967), C. Mann (1985), A. S. Pfannsteil and B. Schuster (1986), A. Kruszynski (1996), D. Autkrystof (2000), K. Wayne (2002), M. Restilinni (2003), and M. Klein et al. (2004).
Author not available, MODIGLIANI, AMEDEO.,
The Columbia Encyclopedia, Sixth Edition 2008
The Columbia Encyclopedia, Sixth Edition. Copyright 2008 Columbia University Press
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AMEDEO MODIGLIANI
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Reassessing Modigliani; Phillips seeks to delve 'Beyond the Myth'.(ARTS & CULTURE)(ART)
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Modigliani comfortable as Jew; Italian artist's works on display at Philips Collection
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; Italian artist's works on display at Phillips Collection I am Amedeo Modigliani, Jew," the Italian-born, Parisian-based painter and sculptor was known to declare. A peer of the early 20th-century cadre of French-based artists and intellectuals -- Pablo Picasso, Marc Chagall, Leon Bakst, Jacques
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Modigliani at the Royal Academy.(Amedeo Modigliani)
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Amedeo Modigliani: The Jewish Museum.(NEW YORK)
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; After decades of revisionist art history, with its accompanying tendency to downplay the significance of biography, it's hard to believe that the oeuvre of Amedeo Modigliani remains colored by accounts of personal tragedy. Perhaps the most famous of the Montparnasse peintres maudits, Modigliani's
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