gospel music

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gospel music American religious musical form that owes much of its origin to the Christian conversion of West Africans enslaved in the American South. Gospel music partly evolved from the songs slaves sang on plantations, notably work songs, and from the Protestant hymns they sang in church. However, gospel music did not derive as much from Protestant hymns as did spirituals . Gospel music, more emotional and jubilant, also stemmed from the call-and-response singing between preacher and congregation, which became common in black churches. Gospel lyrics often call for obedience to God and avoidance of sin in order to obtain the reward of heaven's kingdom; they also celebrate God's love. Gospel style makes use of choral singing in unison or harmony, often, but not always, led by a lead singer or singers. The songs are performed with fervent enthusiasm, vigor, and spiritual inspiration, with much ornamentation in the solo vocal lines.

In the black culture of the first half of the 20th cent., gospel music was considered antithetical to blues and jazz , despite their similarity of origins, and gospel performers rarely sang in nonreligious settings. Later, as all three forms became popular outside the black community, they were less mutually exclusive. A strong gospel element underlies the "soul" jazz and rock music of the 1950s and 60s. Composer and pianist Thomas A. Dorsey , often referred to as "the father of the gospel song," played a major role in the development of gospel music. Important gospel performers have included Mahalia Jackson , Sister Rosetta Tharpe, Alex Bradford, James Cleveland, The Swan Silver Tones, The Mighty Clouds of Joy, The Dixie Hummingbirds, and The Five Blind Boys of Mississippi. Pop singers who have been heavily influenced by gospel include Aretha Franklin and Ray Charles . While the greatest era in gospel is widely considered to be c.1945–1965, the tradition and the music remain vital in contemporary culture. The Gospel Music Association rewards achievements in the genre with the annual Dove Awards.

Bibliography: See T. Heilbut, The Gospel Sound: Good News and Bad Time (1971); L. Gentry, A History and Encyclopedia of Country and Western and Gospel Music (1961, repr. 1972); H. C. Boyer, How Sweet the Sound: The Golden Age of Gospel (1995).

Gospel Music. Religious music of a revivalist nature, which originated in the USA in the second half of the 19th cent. Its texts emphasize the themes of personal salvation and the anticipation of heavenly joys; its music is largely derived stylistically from popular secular music. Developing from spirituals and Sunday School hymnody, it manifested itself in the hymn-singing and other music associated with the crusades of D. L. Moody and I. D. Sankey. Its most characteristic feature is the use of a refrain at the end of each verse. In the Black Churches from the early 20th cent. it took a more radical form, incorporating elements of ragtime, jazz, blues, and similar styles, and much ‘call and response’ interaction between those leading the singing and the congregation. Its performance may involve anything from a solo singer with guitar or instrumental group to full scale ‘gospel choirs’, with or without congregational participation. This Black style of Gospel Music has spread throughout the Pentecostal and other charismatically inspired Churches world-wide.