Xu Beihong

Home > People > Literature and the Arts > Asian and Middle Eastern Art: Biographies

Xu Beihong ( Hsü Pei-hung) (1895–1953). Chinese painter, teacher, and administrator, the most important figure in introducing Western ideas about art to his country. After the death of his father (a painter and village teacher) in 1915, Xu moved from his home in Jiangsu province to Shanghai, where he made a living by painting whilst studying French at university. From 1919 to 1927 he lived in Europe (with one brief trip home), travelling widely and studying in Paris (at the École des Beaux-Arts) and Berlin. After his return to China he held a variety of teaching and administrative posts in Shanghai, Peking, and Nanjing, and when the country became the People's Republic of China in 1949 he was appointed director of the newly-founded Central Academy of Fine Arts and chairman of the National Artists' Association. His career was ended by a stroke in 1951. Xu's most characteristic works were large historical compositions. They were decidedly old-fashioned by European standards or even by the standards of his only rival in importance in introducing Western art to China—Liu Haisu (1896–1994), who was influenced by Impressionism and Post-Impressionism and who caused a scandal by introducing drawing from live models in his teaching at the Shanghai Academy. However, Xu's style was novel to most Chinese eyes and it was highly influential, proving completely compatible with the Soviet-inspired Socialist Realism that became the official style in Communist China in the 1950s.

Xu Beihong ( Hsü Pei-hung) (b Yixing, Jiangsu province, 19 July 1895; d Peking [Beijing], 26 Sept. 1953). Chinese painter, teacher, and administrator, the most important figure in introducing Western ideas about art to his country. From 1919 to 1927 he lived in Europe (with one brief trip home), travelling widely and studying in Paris (at the École des Beaux-Arts) and Berlin. After his return to China he held a variety of teaching and administrative posts in Shanghai, Peking, and Nanjing, and when the country became the People's Republic of China in 1949 he was appointed director of the newly founded Central Academy of Fine Arts and chairman of the National Artists' Association. Xu's most characteristic works were large historical compositions. They were decidedly old-fashioned by European standards or even by the standards of his only rival in importance in introducing Western art to China—Liu Haisu (1896–1994), who was influenced by Impressionism and Post-Impressionism and who caused a scandal by introducing drawing from live models in his teaching at the Shanghai Academy. However, Xu's style was novel to most Chinese eyes and it was highly influential, proving completely compatible with the Soviet-inspired Socialist Realism that became the official style in Communist China in the 1950s.