Bristol Old Vic. In 1943 the old Theatre Royal in
Bristol, helped by the Council for the Encouragement of Music and the Arts (CEMA, later the
Arts Council), became not only the oldest working theatre in England but also the first to be state subsidized. After reconstruction and redecoration it reopened with
Goldsmith's She Stoops to Conquer—first performed there in 1773—and three years later, through the joint efforts of CEMA and the London
Old Vic, a new resident company, the Bristol Old Vic, was launched under Hugh
Hunt, soon achieving a national and international reputation. One of the theatre's most popular productions was the musical play
Salad Days (1954) by Dorothy Reynolds and Julian Slade, which moved to London for a long run. A production of
Love's Labour's Lost staged in 1964 in honour of Shakespeare's Quatercentenary, toured all over the world. Other productions successful in London were
A Severed Head (1963), based by J. B.
Priestley and Iris Murdoch on the latter's novel, Frank Marcus's
The Killing of Sister George (1965), and Peter
Nichols's Born in the Gardens (1979). When the Arts Council relinquished the lease of the theatre in 1963 it was taken over by a Trust and in the early 1970s extensive redevelopments were carried out, including the building of a new stage, improved backstage facilities, and the acquisition of the adjacent Coopers' Hall, an 18th-century guildhall, to form a new entrance and foyer. The main theatre now seats 647. In 1989 the Bristol Old Vic was the first regional theatre to stage a co-production with the
National Theatre (of
Molière's The Misanthrope). A studio theatre, the New Vic, which opened in 1972, was built in the space occupied by the old entrance, but has been closed since 1989 for lack of local authority subsidy. From 1963 to 1980 the Bristol Old Vic also presented plays at the city-owned Little Theatre in the Colston Hall. An excellent Theatre School was founded at the same time as the company, and since its inception the Bristol Old Vic has worked in close conjunction with the Department of Drama at Bristol University.