The Eight

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Eight, The. A group of American painters who exhibited together in 1908, united by opposition to the conservative National Academy of Design and a determination to bring painting into direct touch with modern life. The eight members were: Arthur B. Davies, Maurice Prendergast, Ernest Lawson, Robert Henri, George Luks, William J. Glackens, John Sloan, and Everett Shinn. They banded together when the Academy rejected work by Glackens, Luks, and Sloan for its 1907 exhibition. Henri, who was the dominant personality of the group and a member of the Academy's jury, withdrew his own work in protest, and Davies was then asked to organize an independent exhibition at the Macbeth Gallery, New York. This took place in February 1908; it was the only exhibition in which The Eight showed together as a group, but it was subsequently circulated to nine other venues over a period of a year and gained a good deal of publicity for their work and ideals. The members of the group were not unified stylistically (one hostile reviewer referred to the ‘clashing dissonances of eight differently tuned orchestras’), but their predominant theme was contemporary urban life (several of them were part of the broader trend known as the Ashcan School). Their exhibition is regarded as an important landmark in American art, helping to lead the way to the Armory Show of 1913.

The Eight was also the name of a group of progressive Czech artists formed in Prague in 1907, and of a group of Hungarian painters, inspired by Post-Impressionism, founded in Budapest in 1909. Emil Filla and Bohumil Kubišta (1884–1918) were the best-known members of the Czech group, and Károly Kernstok (1873–1940) was the leader of the Hungarian group.

Eight, The. A group of American painters who exhibited together in 1908, united by opposition to the conservative National Academy of Design and a determination to bring painting into direct touch with modern life. The eight members were: Arthur B. Davies, Maurice Prendergast, Ernest Lawson, Robert Henri, George Luks, William J. Glackens, John Sloan, and Everett Shinn. They banded together when the National Academy of Design rejected work by Glackens, Luks, and Sloan for its 1907 exhibition. Henri, who was the dominant personality of the group and a member of the Academy's jury, withdrew his own work in protest, and Davies was then asked to organize an independent exhibition at the Macbeth Gallery, New York. This took place in February 1908; it was the only exhibition in which The Eight showed together as a group, but it was subsequently circulated to nine other venues over a period of a year and gained a good deal of publicity for their work and ideals. The members of the group were not unified stylistically, but their predominant theme was contemporary urban life (several of them were part of the broader trend known as the Ashcan School). Their exhibition is regarded as an important landmark in American art, helping to lead the way to the Armory Show of 1913.

The Eight was also the name of a group of progressive Czech artists formed in Prague in 1907, and of a group of Hungarian painters, inspired by Post-Impressionism, founded in Budapest in 1909.

the Eight group of American artists in New York City, formed in 1908 to exhibit paintings. They were men of widely different tendencies, held together mainly by their common opposition to academism. They were stigmatized as the "ashcan" school because they abandoned decorous subject matter and portrayed the more common aspects of American life. The group comprised Arthur B. Davies, a romanticist; Maurice Prendergast, Ernest Lawson, and William Glackens, impressionists; Everett Shinn, an illustrator; Robert Henri, a singularly honest virtuoso; and John Sloan and George Luks, at that time followers of Henri. These men, and above all Davies, were responsible for the Armory Show of 1913, which introduced modern European art to a shocked, recalcitrant, but curious America. In 1917, together with George Bellows and other adherents, they organized the Society of Independent Artists. Modern American painting owes much to their efforts and their example.