Synthetism

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Synthetism. Term applied to a manner of painting associated with Bernard, Gauguin, and their associates at Pont-Aven in Brittany. It involved the simplification of forms into large-scale patterns and the expressive purification of colours. Bernard believed that form and colour must be simplified for the sake of more forceful expression. ‘Anything that overloads a spectacle … occupies our eye to the detriment of our minds. We must simplify in order to disclose its [i.e. Nature's] meaning … reducing its lines to eloquent contrasts, its shades to the seven fundamental colours of the prism.’ Gauguin too spoke much of ‘synthesis', by which he meant a blending of abstract ideas of rhythm and colour with visual impressions of nature, and he advised his disciples to ‘paint by heart’ because in memory coloured by emotion forms became more integrated and meaningful. Bernard and Gauguin each claimed credit for developing Synthetism and they probably acted as mutual catalysts, Bernard providing a theoretical rationale for Gauguin's intuitions and Gauguin's genius as a painter giving the theory brilliant visual expression. Synthetism was at its most vital between about 1888 and 1894, but some artists working at Pont-Aven continued the style well into the 20th century.

Synthetism. Term applied to a manner of painting associated with Bernard, Gauguin, and their associates at Pont-Aven in Brittany. It involved the simplification of forms into large-scale patterns and the expressive purification of colours. Bernard believed that form and colour must be simplified for the sake of more forceful expression, and Gauguin spoke much of ‘synthesis’, by which he meant a blending of abstract ideas of rhythm and colour with visual impressions of nature. He advised his disciples to ‘paint by heart’ because in memory coloured by emotion natural forms become more integrated and meaningful. Bernard and Gauguin each claimed credit for developing Synthetism and they probably acted as mutual catalysts. Synthetism was at its most vital between about 1888 and 1894, but some artists working at Pont-Aven continued the style well into the 20th century. It was influential on the Nabis and has affinities with the more literary Symbolism. See also Cloisonnism.

Synthetism. Term applied to a manner of painting associated with Bernard, Gauguin, and their associates at Pont-Aven in Brittany. It involved the simplification of forms into large-scale patterns and the expressive purification of colours. Bernard believed that form and colour must be simplified for the sake of more forceful expression, and Gauguin spoke much of ‘synthesis’, by which he meant a blending of abstract ideas of rhythm and colour with visual impressions of nature. He advised his disciples to ‘paint by heart’ because in memory coloured by emotion natural forms become more integrated and meaningful. Bernard and Gauguin each claimed credit for developing Synthetism and they probably acted as mutual catalysts. Synthetism was at its most vital between about 1888 and 1894, but some artists working at Pont-Aven continued the style well into the 20th century. It was influential on the Nabis and has affinities with the more literary Symbolism. See also Cloisonnism.