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Scheider, Roy 1932(?)– (Roy R. Scheider)
SCHEIDER, Roy 1932(?)–
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Cite this article
"Scheider, Roy 1932(?)– (Roy R. Scheider)." Contemporary Theatre, Film and Television. 2004. Encyclopedia.com. 10 Feb. 2012 <http://www.encyclopedia.com>. "Scheider, Roy 1932(?)– (Roy R. Scheider)." Contemporary Theatre, Film and Television. 2004. Encyclopedia.com. (February 10, 2012). http://www.encyclopedia.com/doc/1G2-3428000152.html "Scheider, Roy 1932(?)– (Roy R. Scheider)." Contemporary Theatre, Film and Television. 2004. Retrieved February 10, 2012 from Encyclopedia.com: http://www.encyclopedia.com/doc/1G2-3428000152.html |
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Scheider, Roy
SCHEIDER, RoyNationality: American. Born: Roy Richard Scheider in Orange, New Jersey, 10 November 1935. Education: Attended Franklin and Marshall College, Lancaster, Pennsylvania, B.A. 1955. Military Service: U.S. Air Force. Family: Married 1) Cynthia Eddenfield Bebout, 1962, one daughter; 2) Brenda King, one son, one daughter. Career: Member of the Lincoln Center Repertory Company; 1964—film debut in Curse of the Living Corpse; 1980—on Broadway in Betrayal; 1993–95—in TV series seaQuest DSV; 1993—in TV mini-series Wild Justice, and Leopold & Loeb, 1994. Films as Actor:
PublicationsBy SCHEIDER: articles—Interview in Films Illustrated (London), January 1976. Interview with James Cameron-Wilson, in Film Review (London), November 1980. Interviews in Ecran Fantastique, July/August 1983 and April 1985. Interview in Time Out (London), 14 March 1985. On SCHEIDER: article—Hamill, Pete, "Recognizing Roy Scheider," in New York, 23 May 1983. * * *Roy Scheider's career is marked by variety and diversity, but it has not been varied by degrees. Instead, Roy Scheider characters can always be seen at the extremes. He is at once the heroic, everyman, Sheriff Martin Brody in Jaws and Jaws II and Frank, the sadistic pimp in Klute. On both counts, at whatever end of the character spectrum he operates, he is always believable, and most importantly, accessible. The best way to visualize the extremes in Scheider's long film career is to look at the year 1971. In that year he had roles in two Academy Award-winning motion pictures. In Klute he played Jane Fonda's pimp Frank, a necessarily small, seedy character from whose lips syrupy wooing and brutal epithets flow with equal credibility. Later that year, Scheider got what was to become perhaps his breakthrough role. As Buddy Russo, Gene "Popeye Doyle" Hackman's partner in The French Connection, he was the ideal, play-it-by-the-book offset to Hackman's obsessive Doyle. Scheider's most memorable role, and subsequently his most marketable persona, is that of Sheriff Martin Brody in Jaws. Brody is the perfect commoner's hero: a former New York cop, who is afraid of the water, but lives and works on a small resort island. Brody himself wittily underscores this fact saying, "It's only an island if you're looking at it from out there [the water]." Brody, like so many later Scheider characters—the mild-mannered psychiatrist in The Still of the Night or the daring copter pilot in Blue Thunder—must rise above his personal limitations or hang-ups to overcome an adversary seemingly much better prepared. The task of these characters is made harder by the fact that they are also outsiders. But Scheider has worked his way up the ranks (i.e., "paid his dues" as an actor—anyone who has seen the low-budget Curse of the Living Corpse will agree), and been a tough guy in real life (Golden Gloves boxer in high school). These factors have helped bring a special kind of realism to his roles. A less visible aspect of Scheider's career, but one that is just as significant, is the number of times he has played against his usual persona. In films such as William Friedkin's Sorceror, Scheider finds characters that seem to have no precedent in his prolific past. All That Jazz is the best example of how Scheider has willingly taken career chances. In the film, which Bob Fosse loosely based on his own self-destructive lifestyle, Scheider plays a famed choreographer/filmmaker named Joe Gideon. As such, he must dance, sing, and most importantly, develop a character that is credible within such a world. Scheider did an excellent job of making Gideon a three-dimensional character, managing to create a sympathetic side to a self-indulgent womanizer. His performance earned him an Academy Award nomination. Among other things, Scheider has been fortunate enough to have worked with the major directorial talents of the last two decades: Steven Spielberg, William Friedkin, Robert Benton, Alan J. Pakula, and Bob Fosse. It is also, decidedly, a tribute to Roy Scheider's talents that the foremost names continue to want to work with him. —Rob Winning, updated by Linda J. Stewart |
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Cite this article
"Scheider, Roy." International Dictionary of Films and Filmmakers. 2001. Encyclopedia.com. 10 Feb. 2012 <http://www.encyclopedia.com>. "Scheider, Roy." International Dictionary of Films and Filmmakers. 2001. Encyclopedia.com. (February 10, 2012). http://www.encyclopedia.com/doc/1G2-3406802018.html "Scheider, Roy." International Dictionary of Films and Filmmakers. 2001. Retrieved February 10, 2012 from Encyclopedia.com: http://www.encyclopedia.com/doc/1G2-3406802018.html |
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Scheider, Roy 1932-2008
Scheider, Roy 1932-2008PERSONALFull name, Roy Richard Scheider; born November 10, 1932, in Orange, NJ; died of complications from multiple myeloma, February 10, 2008, in Little Rock, AR. Actor. Twice nominated for an Academy Award, Scheider was best known for his role as an earnest police chief trying to save his small New England town from a marauding shark in the 1975 blockbuster hit Jaws. A boxer and athlete as a young man, Scheider turned from sports toward the theatre and began taking acting classes in college. After serving three years in the U.S. Air Force, Scheider returned to acting, making his debut at the New York Shakespeare Festival and shortly thereafter winning an Obie Award for his performance in the play Stephen D. A string of small roles in films soon followed. In 1971 Scheider earned his first major film role, playing opposite Jane Fonda in Klute. That year he also starred with Gene Hackman as a police detective in the thriller The French Connection, a role that earned him an Academy Award nomination. Scheider followed this with his star-making performance in Jaws, after which he appeared in Marathon Man and Jaws II. In 1979 Scheider won further acclaim for his starring role as Joe Gideon in All That Jazz, the semiautobiographical story of director and choreographer Bob Fosse. For that performance Scheider was nominated for an Academy Award, a Golden Globe Award, and a British Academy of Film and Television Arts Award. In 1980 he returned to the theatre in a staging of Harold Pinter's Betrayal and won a Drama League Award for distinguished performance. Although Scheider continued to appear in films in his later career, he turned from leading man to smaller character parts, most notably in Still of the Night, Blue Thunder, Russia House, Romeo Is Bleeding, and The Myth of Fingerprints. Scheider also narrated a number of documentaries and television specials. PERIODICALSNew York Times, February 11, 2008. People Weekly, February 10, 2008. |
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Cite this article
"Scheider, Roy 1932-2008." Contemporary Theatre, Film and Television. 2009. Encyclopedia.com. 10 Feb. 2012 <http://www.encyclopedia.com>. "Scheider, Roy 1932-2008." Contemporary Theatre, Film and Television. 2009. Encyclopedia.com. (February 10, 2012). http://www.encyclopedia.com/doc/1G2-3069600156.html "Scheider, Roy 1932-2008." Contemporary Theatre, Film and Television. 2009. Retrieved February 10, 2012 from Encyclopedia.com: http://www.encyclopedia.com/doc/1G2-3069600156.html |
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