Philipp Otto Runge

Philipp Otto Runge , 1777-1810, German painter. Immersed in the mysticism of the romantic movement in Germany, Runge became a central figure of romantic painting. He was influenced by C. D. Friedrich and by Goethe to express universal harmonies in his art. His Rest on the Flight into Egypt (c.1805) is in the Kunsthalle in Hamburg.

Runge, Philipp Otto (1777–1810). German painter and draughtsman. Although he made a late start to his career and died young (of consumption), he ranks second only to Friedrich among German Romantic artists. He studied at the Copenhagen Academy (1799–1801), then moved to Dresden, where he knew Friedrich. In 1803 he moved to Hamburg, where he spent most of the rest of his life. Runge was of a mystical, pantheistic turn of mind and in his work he tried to express notions of the harmony of the universe through symbolism of colour, form, and numbers. To this end he planned a series of four paintings called The Times of the Day, designed to be seen in a special building and viewed to the accompaniment of music and poetry. He painted two versions of Morning (1808 and 1809, Kunsthalle, Hamburg), but the others did not advance beyond drawings. Runge was also one of the best German portraitists of his period; several examples are in Hamburg. His style was rigid, sharp, and intense, at times almost Naive. In 1810 he published Farben-Kugel (Colour Sphere) after doing several years of research on colour, during which he corresponded with Goethe.

Runge, Philipp Otto (b Wolgast, Pomerania, 23 July 1777; d Hamburg, 2 Dec. 1810). German painter and draughtsman. Although he made a late start to his career and died young (of consumption), he ranks second only to Friedrich among German Romantic artists. He studied at the Copenhagen Academy (1799–1801), then moved to Dresden, where he knew Friedrich. In 1803 he moved to Hamburg, where he spent most of the rest of his life. Runge was of a mystical, pantheistic turn of mind and in his work he tried to express notions of the harmony of the universe through symbolism of colour, form, and numbers. To this end he planned a series of four paintings called The Times of the Day, designed to be seen in a special building and viewed to the accompaniment of music and poetry. He painted two versions of Morning (1808 and 1809, Kunsthalle, Hamburg), but the others did not advance beyond drawings. Runge was also one of the best German portraitists of his period; several examples are in Hamburg. His style was rigid, sharp, and intense, at times almost naive. In 1810 he published Farben-Kugel (Colour Sphere) after doing several years of research on colour, during which he corresponded with Goethe.