Parrhasius

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Parrhasius

The Columbia Encyclopedia, Sixth Edition | 2008 | The Columbia Encyclopedia, Sixth Edition. Copyright 2008 Columbia University Press. (Hide copyright information) Copyright

Parrhasius , fl. c.400 BC, Greek painter. He was born in Ephesus but settled in Athens and is classed with the Attic painters. One of the greatest painters of Greece, a contemporary and rival of Zeuxis, he is credited by ancient writers with having been the first painter to attain perfect symmetry and correct proportions in his figures. Among the most celebrated of his numerous works were an allegorical painting, Demos, personifying the Athenian democracy, and Theseus. All his works have perished and are known only through descriptions by classical writers.

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Parrhasius

The Oxford Dictionary of Art | 2004 | | © The Oxford Dictionary of Art 2004, originally published by Oxford University Press 2004. (Hide copyright information) Copyright

Parrhasius. Greek painter from Ephesus, active in the later 5th century bc. He is said to have been particularly skilful in the use of contour and in depicting character through facial expression, and his mastery of illusionism is recorded in one of Pliny's most famous anecdotes. It concerns a contest Parrhasius had with Zeuxis, who painted some grapes so naturalistically that birds came to peck at them. Victory seeming to be his, he called on Parrhasius to draw back the curtain concealing his picture, but this turned out to be a painted curtain. Zeuxis conceded the contest; he had deceived the birds, but Parrhasius had deceived him.

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IAN CHILVERS. "Parrhasius." The Oxford Dictionary of Art. 2004. Encyclopedia.com. 27 Dec. 2009 <http://www.encyclopedia.com>.

IAN CHILVERS. "Parrhasius." The Oxford Dictionary of Art. 2004. Encyclopedia.com. (December 27, 2009). http://www.encyclopedia.com/doc/1O2-Parrhasius.html

IAN CHILVERS. "Parrhasius." The Oxford Dictionary of Art. 2004. Retrieved December 27, 2009 from Encyclopedia.com: http://www.encyclopedia.com/doc/1O2-Parrhasius.html

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The Language of Framing.
Magazine article from: Shakespeare Studies; 1/1/2000; ; 700+ words ; ...the anecdote with a fictive account of Parrhasius, and his frame. When Alexander had...none engrave him but Pirgotales, Parrhasius framed a Table squared everye way twoo...with-out fashion being so great. Parrhasius answered him, "Let it be lawful for...
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Newspaper article from: Seven Days; 4/16/2008; ; 700+ words ; ...two still-life painters: Zeuxis and Parrhasius. Zeuxis' still life was so realistic...eat his succulent grapes. When it was Parrhasius' turn to unveil his painting, he gave...I have deceived the birds, but Parrhasius has deceived Zeuxis." Parrhasius...
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Newspaper article from: International Herald Tribune; 11/21/2009; ; 700+ words ; ...as Zeuxis was fooled by his rival Parrhasius: When Zeuxis tried to push aside the cloth covering one of Parrhasius's paintings the trompe-l'oeil...Annamaria Giusti. The tale of Zeuxis and Parrhasius, related by Pliny the Elder in his...
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Magazine article from: Journal of Canadian Studies; 7/1/1998; ; 700+ words ; ...Timanthes, Androcydes, Eupompus, Parrhasius. This last, it is recorded, entered...eat from the painted vine. Whereupon Parrhasius designed so lifelike a picture of a...had managed only to deceive birds, Parrhasius had deceived an artist. Bryson sees...
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Magazine article from: The Spectator; 2/5/2000; ; 700+ words ; ...describes a competition in eye-deluding between the painters Zeuxis and Parrhasius. Birds were fooled into pecking Zeuxis' grapes, but Zeuxis himself was fooled by Parrhasius' curtain. Consequently, curtains - and grapes - were popular subjects...
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Newspaper article from: The Independent on Sunday; 1/5/2003; ; 700+ words ; ...did it all begin? Around 400BC, I guess, with Zeuxis and Parrhasius. According to Pliny, the Greeks held a contest to see who...birds pecked at the still life of grapes he'd set up outside Parrhasius's studio; when he tried to pull aside a curtain to tell...
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Newspaper article from: The Independent on Sunday; 7/30/2006; ; 700+ words ; ...defying their supports by punching holes in them. In return, ceilings and walls have been the subject of painters since Parrhasius and his curtain: Piero's ideal city, the neat interiors of Vermeer, Mondrian's gridded streets, Dexter Dalwood's...
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Newspaper article from: The Boston Globe; 5/2/1996; ; 700+ words ; ...Greeks as well. Zeuxis would have earned enduring fame 2,400 years ago by painting grapes that birds pecked at had not Parrhasius trumped him by painting a curtain that people wanted to lift. For every trompiste hanging in museums, there was the humble...
The Limits of Art.
Magazine article from: The Nation; 7/30/1990; ; 700+ words ; The Limits of art takes its name from a statement by Parrhasius: "This I say, even though they that hear believe not: I declare that the clear limits of this art have been found under my...
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Magazine article from: The Romanic Review; 1/1/2006; ; 700+ words ; ...exercise for which the model stood. The question, as formulated by Andre, of puer vs. sentir is as old as Zeuxis' grapes and Parrhasius' curtain. One way of avoiding the imitation topos is by attributing, sentir, which Andre's text contrasts with puer...

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