Nicolaes Maes

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Nicolaes Maes

The Columbia Encyclopedia, Sixth Edition | 2008 | The Columbia Encyclopedia, Sixth Edition. Copyright 2008 Columbia University Press. (Hide copyright information) Copyright

Nicolaes Maes , 1632-93, Dutch genre and portrait painter. His earlier genre pictures bear, in their manner and coloring, a certain resemblance to those of his master, Rembrandt. In Dordrecht (1653-73) he painted chiefly domestic genre on a smaller scale. His later works, mostly portraits, show the influence of Flemish art in their smooth elegance. Among his paintings are Old Woman Praying (Rijks Mus.); and Woman Dozing over a Book and Portrait of a Lady (National Gall. of Art, Washington, D.C.).

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Maes, Nicolaes

The Concise Oxford Dictionary of Art and Artists | 2003 | | © The Concise Oxford Dictionary of Art and Artists 2003, originally published by Oxford University Press 2003. (Hide copyright information) Copyright

Maes, Nicolaes (1634–93). Dutch painter. He was born in Dordrecht and in about 1648 became a pupil of Rembrandt in Amsterdam, staying there until 1653, when he returned to his native town. In his early years he concentrated on genre pictures, rather sentimental in approach, but distinguished by deep glowing colours he had learnt from his master. Old women sleeping, praying, or reading the Bible were favourite subjects. In the later 1650s, however, Maes began to turn more to portraiture, and from about 1660 he worked exclusively in this field. His style changed too, becoming closer to van Dyck than to Rembrandt. He abandoned the reddish tone of his earlier manner for a wider, lighter, and cooler range (greys and blacks in the shadows instead of brownish tones). In 1673 he moved permanently to Amsterdam and had great success with this kind of picture. Maes was a fairly prolific painter and is well represented in, for example, the National Gallery, London, and the museum at Dordrecht.

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Free newspaper and magazine articles

Free Article Picture galleries outside London: Brighton Art Gallery and Museum.
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Magazine article from: Renaissance Quarterly; 6/22/2003; ; 700+ words ; ...representing the different conventions of Gerard Dou, Nicolaes Maes, and Pierer de Hooch, respectively. Through Dou's...pictures within pictures, and mirrors. Paintings by Maes focus our attention on settings located on different spatial...
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Newspaper article from: The New York Observer (New York, NY); 8/28/2006; 700+ words ; ...never get beyond Rembrandtesque. Of all of the students, Nicolaes Maes fares best of all with Jacob Receiving Joseph's Blood-Stained Cloak (ca. 1653). Even so, Maes is put to shame by his teacher's untouchable draftsmanship...
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Newspaper article from: The New York Observer (New York, NY); 9/18/2007; 700+ words ; ...better, Woman With a Pink (early 1660's); Pieter de Hooch's Interior With a Young Couple (early 1660's); Nicolaes Maes' Young Girl Peeling Apples (ca. 1655); and Vermeer's A Maid Asleep (1656-57)--well, you get the point...
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Newspaper article from: The Mail on Sunday (London, England); 2/20/2005; 700+ words ; ...also to encourage people to search for the true meanings of such pictures as Jan Steen's A Woman At Her Toilet or Nicolaes Maes's The Listening Housewife. The obvious sexual connotations of the former present a moral dilemma for the viewer...
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Newspaper article from: The Independent - London; 11/26/2000; ; 381 words ; ...on-line print shop. To browse prints on-line go to: www.worldgallery.co.uk/indy Details 510 came from Nicolaes Maes's The Sleeping Kitchen Maid aka The Idle Servant (1655). Well, you can't get the staff, can you? Of course...

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