Max Slevogt

Max Slevogt , 1868-1932, German painter. Slevogt, together with Max Liebermann and Lovis Corinth, was among the principal exponents of German impressionism and was influenced by Millet and Courbet. A prolific painter, he attempted to capture movement through broad, informal brush work. His portrait of the singer Francisco d'Andrade as Don Giovanni (1902) is in the Staatsgalerie, Stuttgart.

Slevogt, Max (1868–1932). German painter and illustrator, with Corinth and Liebermann one of his country's leading exponents of Impressionism. He was born in Bavaria and studied in Munich, then at the Académie Julian, Paris, 1889–90. In 1901 he settled in Berlin, where he taught at the Academy from 1917. Slevogt's early work was sombre, but from about 1900 his style became lighter, looser, and more colourful. His subjects included landscapes, portraits, and scenes from contemporary life; he loved the theatre and his best-known works include a number of portrayals of the Portuguese baritone Francesco d'Andrade in his most celebrated role as Mozart's Don Giovanni. Although his vigorous brushwork, bold effects of light, and energetic sense of movement give his work great dash, he never adopted the fragmentation of colours typical of the Impressionists and always retained something of the Bavarian Baroque tradition. He also differed from the Impressionists in that he devoted a good deal of his time to large decorative schemes; these include a fresco of Golgotha in the Friedenskirche at Ludwigshafen (1932), often considered his masterpiece. He was a prolific illustrator for books and journals.

Slevogt, Max (b Landshut, Bavaria, 8 Oct. 1868; d Neukastel, Pfalz, 20 Sept., 1932). German painter and illustrator, with Corinth and Liebermann one of his country's leading exponents of Impressionism. He studied in Munich, then at the Académie Julian, Paris, 1889–90. In 1901 he settled in Berlin, where he taught at the Academy from 1917. Slevogt's early work was sombre, but from about 1900 his style became lighter, looser, and more colourful. His subjects included landscapes, portraits, and scenes from contemporary life; he loved the theatre and his best-known works include a number of portrayals of the Portuguese baritone Francesco d'Andrade in his most celebrated role as Mozart's Don Giovanni. Although his vigorous brushwork, bold effects of light, and energetic sense of movement give his work great dash, he never adopted the fragmentation of colours typical of the Impressionists and always retained something of the Bavarian Baroque tradition. He also differed from the Impressionists in that he devoted a good deal of his time to large decorative schemes; these include a fresco of Golgotha in the Friedenskirche at Ludwigshafen (1932), often considered his masterpiece. He was a prolific illustrator for books and journals.