BARRYMORE, Lionel

Nationality: American. Born: Lionel Blythe in Philadelphia, 28 April 1878; brother of the actress Ethel and the actor John Barrymore. Education: Attended Gilmore School, London; St. Vincent's Academy, New York; Seton Hall, New Jersey; Arts Students League, New York. Family: Married 1) Doris Rankin, 1904 (divorced 1922); 2) Irene Fenwick, 1923 (died 1936). Career: 1900—Broadway debut in Sag Harbor; 1904—critical and public attention for performances on Broadway in The Mummy and the Hummingbird and The Other Girl; 1906–09—moved to Paris to study painting; 1909—returned to Broadway in Fines of Fate; employed at Biograph as actor and writer, and worked with D. W. Griffith; 1911—starring roles in Griffith's films, as well as those of other directors, while continuing to write scripts; mid 'teens—began to do some directing; 1920s—began to play mainly character roles; 1925—abandoned theater completely for film acting; 1926—contract with MGM where he remained for the rest of his career; 1928—appeared in talking film for first time; 1932—in Rasputin and the Empress with brother John and sister Ethel; 1938—role as Dr. Gillespie, first in series of 15 Dr. Kildare films; partially paralyzed by a combination of arthritis and a leg injury, and confined to a wheelchair, but continued acting; 1942—composed tone poem "In Memoriam" for brother John; performed by the Philadelphia Symphony. Awards: Best Actor Academy Award, for A Free Soul, 1930/31. Died: In Van Nuys, California, 15 November 1954.

Films as Actor:

(in films directed or supervised by D. W. Griffith, unless otherwise noted)

1911

The Battle; Fighting Blood

1912

Friends; So Near, Yet So Far; The Chief's Blanket; The One She Loved; Gold and Glitter; My Baby; The Informer; Brutality; The New York Hat; The Burglar's Dilemma; A Cry for Help; The God Within; Home Folks; Love in an Apartment Hotel

1913

Three Friends; The Telephone Girl and the Lady; An Adventure in the Autumn Woods; Oil and Water; Near to Earth; Fate; The Sheriff's Baby; The Perfidy of Mary; A Misunderstood Boy; The Lady and the Mouse (+ sc); The Wanderer; House of Darkness; The Yaqui Cur; Just Gold; The Power of the Press; A Timely Interception; The Well; Death's Marathon; The Switch Tower; A Girl's Stratagem; Classmates (Kirkwood); House of Discord (Kirkwood); Death's Marathon; The Rancher's Revenge; Her Father's Silent Partner; Pa Says; The Fatal Wedding; Father's Lesson; His Inspiration; A Welcome Intruder; Mister Jefferson Green; So Runs the Way; The Suffragette Minstrels

1914

The Massacre; Strongheart (Kirkwood); Men and Women (Kirkwood); Judith of Bethulia (as extra); Brute Force; Under the Gaslight

1915

Wildfire (Middleton); A Modern Magdalen (Davis); The Curious Conduct of Judge Legarde; The Romance of Elaine (Seitz—serial); The Flaming Sword (Middleton); Dora Thorne; A Yellow Streak (Nigh); The Exploits of Elaine (Seitz—serial)

1916

Dorian's Divorce (Lund); The Quitter (Horan); The Upheaval (Horan); The Brand of Cowardice (Noble)

1917

The End of the Tour (Baker); His Father's Son; The Millionaire's Double (Davenport)

1919

The Valley of Night

1920

The Copperhead (Maigne); The Mastermind (Webb); The Devil's Garden (Webb)

1921

The Great Adventure (Webb); Jim the Penman

1922

Boomerang Bill (Terriss); The Face in the Fog (Crosland) (as Boston Blackie)

1923

Enemies of Women (Crosland) (as Prince Lubimoff); Unseeing Eyes (E. H. Griffith); The Eternal City (Fitzmaurice)

1924

Decameron Nights (Wilcox); America (Love and Sacrifice) (as Capt. Walter Butler); Meddling Women (Abramson); I Am the Man (Abramson)

1925

Die Frau mit dem schelechten Ruf; The Iron Road (A Man of Iron) (Bennett); Fifty Fifty (Diamiant); The Girl Who Wouldn't Work (DeSano); Children of the Whirlwind (Bennett); The Splendid Road (Lloyd); The Wrongdoers (Dierker)

1926

The Barrier (Hill); Brooding Eyes (Le Saint); Paris at Mid-night (Hopper); The Lucky Lady (Walsh); The Temptress (Niblo); The Bells (Young); Wife Tamers (Roach)

1927

The Show (Browning); Women Love Diamonds (Goulding); Body and Soul (Barker); The Thirteenth Hour (Franklin)

1928

Drums of Love; Sadie Thompson (Walsh) (as Alfred Atkinson); The Lion and the Mouse (Lloyd Bacon) (as John "Ready Money" Ryder); Love (Anna Karenina) (Goulding); The River Woman (Henabery) (as Bill Lefty); West of Zanzibar (Browning) (as Crane)

1929

Alias Jimmy Valentine (Conway) (as Doyle); The Hollywood Review (Riesner); The Mysterious Island (Hubbard) (as Count Andre Dakkar)

1930

Free and Easy (Easy Go) (Sedgwick) (as himself, in bedroom scene); The Love Parade (Lubitsch) (as Prime Minister)

1931

A Free Soul (Brown) (as Stephen Ashe); Guilty Hands (Van Dyke) (as Richard Grant); The Yellow Ticket (The Yellow Passport) (Walsh) (as Baron Igor Andrey); Mata Hari (Fitzmaurice) (as Gen. Serge Shubin)

1932

Broken Lullaby (The Man I Killed) (Lubitsch) (as Dr. Holderlin); Arsène Lupin (Conway) (as Guerchard); Grand Hotel (Goulding) (as Otto Kringelein); Washington Masquerade (Mad Masquerade) (Brabin) (as Jeff Keane); Rasputin and the Empress (Rasputin—The Mad Monk) (Boleslawski) (as Rasputin)

1933

Sweepings (Cromwell) (as Daniel Pardway); Looking Forward (The New Deal) (Brown) (as Michael Benton); The Stranger's Return (King Vidor) (as Grandpa Storr); Dinner at Eight (Cukor) (as Oliver Jordan); One Man's Journey (Robertson) (as Dr. Eli Watt); Night Flight (Brown) (as Rabineau); Christopher Bean (Her Sweetheart) (Wood) (as doctor); Should Ladies Behave? (Beaumont) (as Augustus Merrick); Berkeley Square (Frank Lloyd) (as innkeeper); La ciudad de carton (Cardboard City)

1934

This Side of Heaven (William K. Howard) (as Martin Turner); Carolina (The House of Connelly) (Henry King) (as Bob Connelly); The Girl from Missouri (One Hundred Percent Pure) (Conway) (as T. B. Paige); Treasure Island (Fleming) (as Billy Bones)

1935

David Copperfield (Cukor) (as Dan Peggotty); Mark of the Vampire (Browning) (as Prof. Zelen); The Little Colonel (David Butler) (as Col. Lloyd); Public Hero Number One (Ruben) (as Dr. Josiah Glass); The Return of Peter Grimm (Nicholls Jr.) (title role); Ah, Wilderness (Brown) (as Nat Miller)

1936

The Voice of Bugle Ann (Thorpe) (as Springfield Davis); The Road to Glory (Hawks) (as Papa LaRoche); The Devil Doll (Browning) (as Paul Lavond); The Gorgeous Hussy (Brown) (as Andrew Jackson)

1937

Camille (Cukor) (as Monsieur Duval); Captains Courageous (Fleming) (as Disko); A Family Affair (Seitz) (as Judge Hardy); Saratoga (Conway) (as Grandpa Clayton); Navy Blue and Gold (Wood) (as Capt. "Skinny" Dawes)

1938

A Yank at Oxford (Conway) (as Dan Sheridan); Test Pilot (Fleming) (as Howard B. Drake); You Can't Take It with You (Capra) (as Martin Vanderhof); Young Dr. Kildare (Bucquet) (as Dr. Leonard Gillespie)

1939

Let Freedom Ring (Conway) (as Thomas Logan); Calling Dr. Kildare (Bucquet) (as Dr. Leonard Gillespie); On Borrowed Time (Bucquet) (as Julian Northup, "Gramps"); The Secret of Dr. Kildare (Bucquet) (as Dr. Leonard Gillespie)

1940

Dr. Kildare's Strange Case (Bucquet) (as Dr. Leonard Gillespie); Dr. Kildare Goes Home (Bucquet) (as Dr. Leonard Gillespie); Dr. Kildare's Crisis (Bucquet) (as Dr. Leonard Gillespie)

1941

The Penalty (Bucquet) (as "Grandpop" Logan); The Bad Man (Two-Gun Cupid) (Thorpe) (as Uncle Henry Jones); Cavalcade of the Academy Awards; The People vs. Dr. Kildare (My Life Is Yours) (Bucquet) (as Dr. Leonard Gillespie); Lady Be Good (McLeod) (as Judge Murdock); Dr. Kildare's Wedding Day (Mary Names the Day) (Bucquet) (as Dr. Leonard Gillespie); Dr. Kildare's Victory (The Doctor and the Debutante) (Van Dyke) (as Dr. Leonard Gillespie)

1942

Calling Dr. Gillespie (Bucquet) (as Dr. Leonard Gillespie); Dr. Gillespie's New Assistant (Goldbeck) (as Dr. Leonard Gillespie); Tennessee Johnson (The Man on America's Conscience) (Dieterle) (as Congressman Thaddeus Stevens)

1943

Dr. Gillespie's Criminal Case (Crazy to Kill) (Goldbeck) (as Dr. Leonard Gillespie); The Last Will and Testament of Tom Smith (Bucquet) (as Gramps); A Guy Named Joe (Fleming) (as the General); Thousands Cheer (Sidney) (as announcer)

1944

Three Men in White (Goldbeck) (as Dr. Leonard Gillespie); Dragon Seed (Conway and Bucquet) (as narrator); Since You Went Away (Cromwell) (as clergyman); Between Two Women (Goldbeck) (as Dr. Leonard Gillespie)

1945

The Valley of Decision (Garnett) (as Pat Rafferty)

1946

Three Wise Fools (Buzzell) (as Dr. Richard Gaunght); The Secret Heart (Leonard) (as Dr. Rossiger); It's a Wonderful Life (Capra) (as Mr. Potter); Duel in the Sun (King Vidor and Dieterle) (as Sen. McCanles)

1947

Dark Delusion (Cynthia's Secret) (Goldbeck) (as Dr. Gillespie)

1948

Key Largo (Huston) (as James Temple)

1949

Some of the Best (Whitbeck) (as narrator); Down to the Sea in Ships (Hathaway) (as Capt. Bering Joy)

1950

Malaya (East of the Rising Sun; Alien Orders) (Thorpe) (as John Manchester); Right Cross (John Sturges) (as Sean O'Malley)

1951

The M-G-M Story (as narrator); Bannerline (Weis) (as Hugo Trimble)

1952

Lone Star (Sherman) (as Andrew Jackson)

1953

Main Street to Broadway (Garnett) (as himself)

Films as Director:

1917

Life's Whirlpool

1929

Confession; Madame X (Absinthe); His Glorious Night (+ pr, mus); The Unholy Night (The Green Ghost)

1930

The Rogue Song (+ pr)

1931

Ten Cents a Dance

Films as Scriptwriter:

1911

Fighting Blood (Griffith)

1912

My Hero (Griffith); The Musketeers of Pig Alley (Griffith); The Tender-Hearted Boy (Griffith)

1913

The Vengeance of Galora

1914

The Battle of Elderbush Gulch (Griffith); date uncertain: The Woman in Black; The Span of Life; The Seats of the Mighty

Publications

By BARRYMORE: book—

We Barrymores, as told to Cameron Shipp, London, 1951.

By BARRYMORE: articles—

"The Present State of the Movies," in Ladies' Home Journal (New York), September 1926.

"Introduction," in A Christmas Carol in Prose, Being a Ghost Story of Christmas, by Charles Dickens, Philadelphia and Chicago, 1938.

On BARRYMORE: books—

Barrymore, John, We Three: Ethel—Lionel—John, Akron, Ohio, 1935.

Alpert, Hollis, The Barrymores, New York, 1969.

Kotsilibas-Davis, James, The Barrymores: The Royal Family in Hollywood, New York, 1981.

On BARRYMORE: articles—

Mullet, Mary, "Lionel Barrymore Tells How People Show Their Age," in American Magazine, February 1922.

Pringle, Henry F., "Late-Blooming Barrymore," in Collier's (New York), 1 October 1932.

Barrymore, John, "Lionel, Ethel, and I," in American Magazine, February, March, April, and May 1933.

Current Biography 1943, New York, 1943.

Crichton, Kyle, "Barrymore, the Lion-hearted," in Collier's (New York), March 1949.

Obituary in New York Times, 16 November 1954.

"Lionel Barrymore," in Image (Rochester, New York), December 1954.

Downing, R., "Lionel Barrymore 1878–1954," in Films in Review (New York), January 1955.

Gray, B., "A Lionel Barrymore Index," in Films in Review (New York), April 1962.

Classic Images (Indiana, Pennsylvania), June 1982.

Lionel Barrymore, the oldest of the three Barrymore siblings who comprised probably the greatest acting family of the American theater and cinema, began his career in films shortly before 1910. He started out acting in Biograph shorts, and was soon starring in and occasionally writing and directing a wide variety of films for various studios. His roles were characterized by their diversity, from romantic leads and villains to character parts, in films such as D. W. Griffith's The New York Hat, Wildfire, and Just Gold.

In the 1920s Barrymore appeared in dozens of films, among them America, also directed by Griffith, Sadie Thompson, in which he played a self-righteous reformer, and Alias Jimmy Valentine, as the detective Doyle. The 1920s were a turning point in his career, for he began more and more to play character parts and older men, something he was to do for the rest of his life. Although in his younger days Lionel had resembled his younger brother John in his good looks, his jowlishness in middle age necessitated a switch to character parts when he was still relatively young. By the early 1930s Lionel usually appeared as a father-type or as a heavily made-up character, as in Rasputin and the Empress. That film marked the only time that Lionel, John, and Ethel Barrymore all played together in the same film. Lionel Barrymore won an Oscar in 1931 as Best Actor (tying with Wallace Beery for The Champ) for A Free Soul, in which he played Norma Shearer's drunken father. His performance stands up well, as do many of his others of the period, such as Grand Hotel (in which he is memorably cast as the dying accountant attempting to squeeze every last drop of life). Barrymore is equally remembered, however, for his role as Dr. Leonard Gillespie in the long-running MGM series of Dr. Kildare films produced in the 1930s and 1940s. Barrymore appeared in all 15 of the films, more than anyone else connected with the series. His first Dr. Kildare film, Young Dr. Kildare, opened in late 1938 and seemed ideally suited to Barrymore because he was by then afflicted with severe arthritis and could act only on crutches or while sitting down. The series accommodated his illness by allowing him to remain in a wheelchair yet be vital in his characterization. Dr. Gillespie was the definitive Barrymore combination of exaggerated moves, intensity, and emotional vacillation. He could be calm and tender with patients yet extremely agitated with everyone else.

A short time before the Dr. Kildare series began, Barrymore had appeared in the first of MGM's Andy Hardy films as Judge Hardy in A Family Affair. Barrymore gave an excellent, calm performance which in retrospect seems more realistic than the wise and overtly patient characterization given by Lewis Stone in the subsequent films.

Apart from the Dr. Gillespie role, Barrymore continued to act in dozens of films throughout the final years of his life, usually in a wheelchair or deskbound yet still dominating his scenes. His screen persona in the latter years was often the butt of nightclub impressionists who copied his unusually pitched and timed voice and grandiose hand gestures. Yet Barrymore's career was a diverse one with as many calmly serious roles as flamboyant ones. It is unfortunate that the lasting impression he left is more that of Mr. Potter in Frank Capra's It's a Wonderful Life than the worried businessman in Dinner at Eight or the smart detective in Arsène Lupin. He was a consummate actor who worked hard and gave almost 300 screen performances of wide diversity, a great accomplishment by any standard.

—Patricia King Hanson, updated by Audrey E. Kupferberg

Barrymore, Lionel (1878–1954),actor. The elder son of Maurice Barrymore and Georgiana Drew Barrymore, he made his debut in his native Philadelphia in 1893, playing Thomas to the Mrs. Malaprop of his grandmother, Mrs. John Drew. A year later he appeared with her again when making his New York debut in The Road to Ruin. Other early appearances were in The Bachelor's Baby (1895), Mary Pennington, Spinster (1896), Squire Kate (1896), Cumberland '61 (1897), Uncle Dick (1898), and Honorable John Grigsby (1898). His colleagues' growing respect for his abilities prompted James A. Herne to write a small role for him in Sag Harbor, but he made his first real hit as Giuseppe, the organ grinder, in The Mummy and the Humming Bird (1902). Barrymore scored as prizefighter Kid in The Other Girl (1903), the title role in Pantaloon (1905), the malicious Col. Ibbetson opposite his brother John in Peter Ibbetson (1917), and, in what many considered his finest performance, Milt Shanks, a Northerner suspected of Southern sympathies during the Civil War, in The Copperhead (1918). In 1919 he was reunited with John, playing the villain Neri in The Jest, then played the cruel judge Mouzon in The Letter of the Law (1920), before he floundered as Macbeth (1921). His last successes were Achille Cortelon, the radical politician destroyed by his wife, in The Claw (1921), and Tito Beppi, a modern‐day Pagliacci, in Laugh, Clown, Laugh! (1923). When a series of failures followed in 1925, he left Broadway permanently for the West Coast and the movies. John Corbin wrote of his Neri, “Barrymore illumines it with a touch of genius. Malicious bully though the huge mercenary is, he is yet comprehensibly, deliciously human.” While Lionel Barrymore may not have had quite the range or depth of his brother, he was a great actor who scarcely realized his potential. If dissipation kept John Barrymore from the stage, disinclination kept Lionel from it. He preferred the easy money of Hollywood, which allowed him to devote more time to his real loves, painting and music. A crippling illness, which later confined him to a wheelchair, precluded any return to the stage, even had he been so inclined. Autobiography: We Barrymores, 1951.

Barrymore, Lionel (1878–1954), American actor, brother of Ethel and John Barrymore and grandson of Mrs John Drew, under whom he made his first appearance on the stage. After achieving some success, notably in the title-role of Barrie's Pantaloon (1905), he went to Paris to study art. Returning to the United States in 1909, he reappeared on the stage in Conan Doyle's The Fires of Fate, and soon became one of New York's leading actors, being particularly admired in dramatizations of George Du Maurier's Peter Ibbetson (1917) and Augustus Thomas's The Copperhead (1918). After an unsuccessful Macbeth (1921) and other failures he left the theatre for films in 1925.