BUCHANAN, Jack

Nationality: British. Born: Helensburgh, Scotland, 2 April 1890. Education: Larchfield School, Helensburgh; Glasgow Academy. Family: Married 1) Saffro Arnau, 1915; 2) Suzie Bussett, 1949. Career: Amateur stage appearances while an office worker; 1911—professional debut in variety theater; 1915–17—toured in successful play Tonight's the Night; 1917—film debut in Auld Lang Syne; 1921—critical and popular acclaim for role in Charlot's A—Z musical revue in London; later on Broadway; 1920s—series of leading roles in minor British films; 1929–30—appeared in a few Hollywood films; 1931—built Leicester Square Theatre in London; 1932—directed (with Herbert Wilcox) first film, Yes Mr. Brown; late 1930s—began producing his own films; entertained troops during World War II; 1953—sagging career restored by role in Minnelli's The Band Wagon. Died: In London, 21 October 1957.

Films as Actor:

1917

Auld Lang Syne (Morgan) (as Vane)

1919

Her Heritage (Merwin) (as Bob Hales)

1923

The Audacious Mr. Squire (Greenwood) (as Tom Squire)

1924

The Happy Ending (Cooper) (as Capt. Dale Conway)

1925

Settled Out of Court (Evidence Enclosed) (Cooper) (as husband); Stage Stars Off Screen (short); A Typical Budget (Brunel—short); Bulldog Drummond's Third Round (Morgan) (as Capt. Hugh Drummond)

1927

Confetti (Cutts) (as Count Andrea Zorro)

1928

Toni (Maude) (as Toni Marr/Marini)

1929

Paris (Badger) (as Guy Pennell); Show of Shows (Adolfi)

1930

Monte Carlo (Lubitsch) (as Count Rudolph Fallière); The Glee Quartette (short)

1931

The Invisible Enemy (charity appeal short); Man of Mayfair (Mercanton) (as Lord William)

1932

Goodnight Vienna (Magic Night) (Wilcox) (as Capt. Max Schlettof); Yes Mr. Brown (Geschaft nit Amerika) (as Nicholas Baumann, + co-d with Herbert Wilcox); That's a Good Girl (as Jack Barrow, + d, co-sc)

1935

Brewster's Millions (Freeland) (as Jack Brewster); Come Out of the Pantry (Raymond) (as Lord Robert Brent)

1936

When Knights Were Bold (Raymond) (as Sir Guy de Vere); This'll Make You Whistle (Wilcox) (as Bill Hopping); Limelight (Backstage) (Wilcox) (as himself)

1937

Smash and Grab (Whelan) (as Jack Forrest, + pr); The Sky's the Limit (as Dave Harber, + co-d with Lee Garmes, pr)

1938

Cavalcade of Stars (short); Break the News (Le Mort en fuite) (Clair) (as Teddy Fenton, + pr)

1939

The Middle Watch (Bentley) (as Capt. Maitland); The Gang's All Here (The Amazing Mr. Forrest) (Freeland) (as Forrest, + co-pr)

1940

Bulldog Sees It Through (Huth) (as Bill Watson)

1944

Some Like It Rough (short) (as narrator)

1951

A Boy and a Bike (short)

1952

Giselle (short) (as narrator)

1953

The Band Wagon (Minnelli) (as Jeffrey Cordova)

1955

As Long as They're Happy (Thompson) (as John Bentley); Josephine and Men (Boulting) (as Charles Luton)

1956

The French They Are a Funny Race (The Diary of Major Thompson) (Preston Sturges)

Other Films:

1938

Sweet Devil (Quelle drole de gosse) (Guissart) (pr only)

1943

Happidrome (Brandon) (co-pr only)

Publications

On BUCHANAN: books—

Leonard, William, and James Robert Parish, Hollywood Players: The Thirties, New York, 1976.

Marshall, Michael, Top Hat and Tails: The Story of Jack Buchanan, London, 1978.

Shipman, David, The Great Movie Stars: The Golden Years, revised edition, London, 1979.

Jack Buchanan typified the suave, debonair (almost bland) English gentleman of stage and screen; he could sing and dance hardly more than adequately, but there was something about his personality ("something about you that's different," as one of his songs put it) that was very charming and attractive. Usually attired in top hat and tails, Buchanan was hailed by many critics as the British Fred Astaire, and although his dancing style was far more simplistic than Astaire's, Buchanan did possess the same relaxed manner.

Buchanan made his film debut as a leading man in the silent era; the films were all second-rate, and Buchanan was hopelessly miscast in them. He made his debut in "talkies" in America in leading roles opposite Irene Bordoni in Paris and Jeanette MacDonald in Monte Carlo. Somehow he lacked the natural charm of MacDonald's other leading man from this period, Maurice Chevalier; he returned to England to continue his film career there. (Interestingly Buchanan and Chevalier were later co-starred in one film, René Clair's Break the News.)

In England Buchanan's leading ladies included the American Fay Wray (When Knights Were Bold) and the French-born American star Lili Damita (Brewster's Millions). His best British films, however, are those with Anna Neagle and Elsie Randolph; both ladies possessed just the right middle-class quality to complement Buchanan's aristocratic air. Goodnight Vienna/Magic Night is probably his best film with Neagle, in which he charmingly sings the title song to her over the telephone, while This'll Make You Whistle, his best work with Randolph, introduces the delightful "I'm in a Dancing Mood."

The Buchanan charm was still apparent, despite the ravages of age and cancer, in his return-to-Hollywood feature, The Band Wagon. It was missing from his last film, Preston Sturges's depressingly unfunny The French They Are a Funny Race.

—Anthony Slide

Buchanan, Jack (1891–1957), actor, singer, and dancer. The reedy‐voiced song‐and‐dance man, who to many Americans personified the suave, dapper Englishman, made his American debut in Charlot's Revue (1924). Subsequently he appeared in only three other musicals: The Charlot Revue of 1926, in which he introduced “A Cup of Coffee, a Sandwich and You”; Wake Up and Dream (1929); and Between the Devil (1937), in which he sang “By Myself.” For what proved his final Broadway assignment he deserted the musical theatre to play Daniel Bachelet, the suspicious husband, in Sacha Guitry's comedy Don't Listen, Ladies (1948). Biography: Top Hat and Tails, M. Marshall. 1978.