Henri Fantin-Latour

Fantin-Latour, Henri

Fantin-Latour, Henri (b Grenoble, 14 Jan. 1836; d Buré, Orne, 25 Aug. 1904). French painter and lithographer. He is best known for his luxurious flower pieces, but he produced many other kinds of work, including several group portraits that are important historical documents and show his friendship with leading avant-garde artists and writers. Homage to Delacroix (1864, Mus. d'Orsay, Paris) shows Fantin-Latour himself, with Baudelaire, Manet, Whistler, and others grouped round a portrait of Delacroix; and A Studio at Batignolles (sometimes called Homage to Manet) (1870, Mus. d'Orsay) shows Monet, Renoir, and others in Manet's studio. In spite of his associations with such progressive artists, Fantin-Latour was essentially a traditionalist, and his portraits particularly are in a precise, detailed style. Much of his later career was devoted to lithography; he greatly admired Richard Wagner and did imaginative lithographs illustrating his music and that of other Romantic composers. His wife Victoria Fantin-Latour (née Dubourg) (1840–1926) was also a painter, mainly of flower pieces.

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IAN CHILVERS. "Fantin-Latour, Henri." The Oxford Dictionary of Art. 2004. Encyclopedia.com. 28 May. 2012 <http://www.encyclopedia.com>.

IAN CHILVERS. "Fantin-Latour, Henri." The Oxford Dictionary of Art. 2004. Encyclopedia.com. (May 28, 2012). http://www.encyclopedia.com/doc/1O2-FantinLatourHenri.html

IAN CHILVERS. "Fantin-Latour, Henri." The Oxford Dictionary of Art. 2004. Retrieved May 28, 2012 from Encyclopedia.com: http://www.encyclopedia.com/doc/1O2-FantinLatourHenri.html

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Fantin-Latour, Henri

Fantin-Latour, Henri (1836–1904). French painter and lithographer. He is best known for his luxurious flower pieces, but he produced many other kinds of work, including several group portraits that are important historical documents and show his friendship with leading avant-garde artists and writers. Homage to Delacroix (1864, Mus. d'Orsay, Paris) shows Fantin-Latour himself, with Baudelaire, Manet, Whistler, and others grouped round a portrait of Delacroix; and A Studio at Batignolles (sometimes called Homage to Manet) (1870, Mus. d'Orsay) shows Monet, Renoir, and others in Manet's studio. In spite of his associations with such progressive artists, Fantin-Latour was essentially a traditionalist, and his portraits particularly are in a precise, detailed style. Much of his later career was devoted to lithography; he greatly admired Richard Wagner and did imaginative lithographs illustrating his music and that of other composers. His wife Victoria Fantin-Latour (née Dubourg (1840–1926)) was also a painter, mainly of flower pieces.

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Cite this article
Pick a style below, and copy the text for your bibliography.

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IAN CHILVERS. "Fantin-Latour, Henri." The Concise Oxford Dictionary of Art and Artists. 2003. Encyclopedia.com. 28 May. 2012 <http://www.encyclopedia.com>.

IAN CHILVERS. "Fantin-Latour, Henri." The Concise Oxford Dictionary of Art and Artists. 2003. Encyclopedia.com. (May 28, 2012). http://www.encyclopedia.com/doc/1O3-FantinLatourHenri.html

IAN CHILVERS. "Fantin-Latour, Henri." The Concise Oxford Dictionary of Art and Artists. 2003. Retrieved May 28, 2012 from Encyclopedia.com: http://www.encyclopedia.com/doc/1O3-FantinLatourHenri.html

Learn more about citation styles

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