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Aachen, Hans von
Aachen, Hans von (b Cologne, 1552; d Prague, 4 Mar. 1615). German painter; his name derives from his father's birthplace, rather than his own. He had an international career, working principally in Italy (c.1574–87) and Prague, where he was appointed court painter by the Emperor Rudolf II (see Habsburg) in 1592. In 1596 he settled permanently in the city (although he made several visits to Germany), and after Rudolf's death in 1612 he worked for his successor, the Emperor Matthias. His paintings, featuring elegant, elongated figures, are—like those of his colleague Bartholomeus Spranger—leading examples of the sophisticated Mannerist art then in vogue at the courts of northern Europe, and he was particularly good with playfully erotic nudes (The Triumph of Truth, 1598, Alte Pin., Munich). Engravings after his work gave his style wide influence and he ranks as one of the most important German artists of his time.
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Cite this article
IAN CHILVERS. "Aachen, Hans von." The Oxford Dictionary of Art. 2004. Encyclopedia.com. 28 May. 2012 <http://www.encyclopedia.com>. IAN CHILVERS. "Aachen, Hans von." The Oxford Dictionary of Art. 2004. Encyclopedia.com. (May 28, 2012). http://www.encyclopedia.com/doc/1O2-AachenHansvon.html IAN CHILVERS. "Aachen, Hans von." The Oxford Dictionary of Art. 2004. Retrieved May 28, 2012 from Encyclopedia.com: http://www.encyclopedia.com/doc/1O2-AachenHansvon.html |
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Aachen, Hans von
Aachen, Hans von (1552–1615). German painter, born in Cologne (in spite of his name, which derives from his father's birthplace). He had an international career, working principally in Italy (c.1574–87) and Prague, where he was appointed court painter by the emperor Rudolf II (see Habsburg) in 1592. In 1596 he settled permanently in the city (although he made several visits to Germany), and after Rudolf's death in 1612 he worked for his successor, the emperor Matthias. His paintings, featuring elegant, elongated figures, are—like those of his colleague Bartholomeus Spranger—leading examples of the sophisticated Mannerist art then in vogue at the courts of northern Europe, and he was particularly good with playfully erotic nudes (The Triumph of Truth, 1598, Alte Pin., Munich). Engravings after his work gave his style wide influence and he ranks as one of the most important German artists of his time.
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Cite this article
IAN CHILVERS. "Aachen, Hans von." The Concise Oxford Dictionary of Art and Artists. 2003. Encyclopedia.com. 28 May. 2012 <http://www.encyclopedia.com>. IAN CHILVERS. "Aachen, Hans von." The Concise Oxford Dictionary of Art and Artists. 2003. Encyclopedia.com. (May 28, 2012). http://www.encyclopedia.com/doc/1O3-AachenHansvon.html IAN CHILVERS. "Aachen, Hans von." The Concise Oxford Dictionary of Art and Artists. 2003. Retrieved May 28, 2012 from Encyclopedia.com: http://www.encyclopedia.com/doc/1O3-AachenHansvon.html |
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