Giovanni Batista Piazzetta

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Piazzetta, Giovanni Battista (b Venice, 13 Feb. 1683; d Venice, 29 Apr. 1754). Venetian painter and draughtsman. After preliminary training in Venice he spent about two years in Bologna, where he was strongly influenced by G. M. Crespi. By 1705 he had returned to Venice and he spent the rest of his life there. He was one of the most individual Venetian painters of his period, his dramatic style, with its powerful chiaroscuro, looking back to work done a century earlier by Feti, Liss, and Strozzi. Unlike several of his leading contemporaries, he preferred to paint in oils rather than fresco; he was a notoriously slow worker, but his pictures seem fresh and spontaneous rather than laboured. He had a large family and although he was not without wealthy patrons (Algarotti among them) he relied much on drawings and book illustrations to earn money. As a painter he did religious and historical works and portraits, as well as some hauntingly enigmatic genre scenes that reflect his admiration for Crespi. In 1750 Piazzetta became the first director of the Venice Academy of Fine Arts, but in his last years he was eclipsed by the new generation. The young Tiepolo was greatly influenced by him, but later the influence was reversed, as Piazzetta's style became softer and lighter—more Rococo—in feeling.

Piazzetta, Giovanni Battista (1683–1754). Venetian painter and draughtsman. After preliminary training in Venice he spent about two years in Bologna, where he was strongly influenced by G. M. Crespi. By 1705 he had returned to Venice and he spent the rest of his life there. He was one of the most individual Venetian painters of his period, his sombre and dramatic style looking back to work done a century earlier by Feti, Liss, and Strozzi. Unlike several of his leading contemporaries, he preferred to paint in oils rather than fresco; he was a notoriously slow worker, but his pictures seem fresh and spontaneous rather than laboured. He had a large family and although he was not without wealthy patrons (Algarotti among them) he relied much on drawings and book illustrations to earn money. As a painter he did religious and historical works and portraits, as well as some hauntingly enigmatic genre scenes that reflect his admiration for Crespi. In 1750 Piazzetta became the first director of the Venice Academy of Fine Arts, but in his last years he was eclipsed by the new generation. The young Tiepolo was greatly influenced by him, but later the influence was reversed, as Piazzetta's style became softer and lighter—more Rococo—in feeling.

Giovanni Batista Piazzetta , 1682–1754, Italian painter. An exponent of the Venetian school, Piazzetta combined soft colors with a dramatic, chiaroscuro technique reminiscent of Caravaggio . His informal brushwork and shimmering figures foreshadowed rococo style and influenced his pupil Tiepolo . Among his major works are Glory of St. Dominic (1727; in the church of Santi Giovanni e Paolo, Venice), The Fortune Teller (c.1745; Accademia, Venice), and a series of charcoal studies of the nude. Engravings of his paintings by Pietro Monaco brought them international attention.