George Benjamin Luks

American painter George Benjamin Luks (1867-1933) was a pioneer realist, a member of "The Eight," and a vigorous opponent of academic and conservative standards in subject matter.

George Luks was born in Williamsport, Pa., on Aug. 13, 1867. About 1884 he entered the Pennsylvania Academy of Fine Arts but soon made his way to Europe, where he remained for several years. His chronology and many details of his life remain obscure because of the extravagant claims he made about exploits which seem to have been wholly fictitious. At Düsseldorf he acquired a taste for somber colors. He may have worked in London and Paris as well. He admired Rembrandt and Frans Hals.

On his return to Philadelphia in the early 1890s, Luks supported himself precariously by all kinds of commercial jobs—by painting signs, circus and band wagons, campaign portraits, and houses and floors. Frequent references to activities as a professional prizefighter (under a variety of picturesque names) do not seem to be founded on fact. Like Glackens, Sloan, and Shinn, he was employed as a newspaper artist, and he was sent by the Bulletin to cover the Spanish-American War in 1895. His illustrations were lively and exciting but apparently largely imaginary, as was the story that he had been captured, sentenced to death, and deported. He returned, penniless, to New York, where he was employed by the World. He was one of the earliest comic strip artists and continued R. F. Outcault's "The Yellow Kid," created in 1895, when Outcault moved to another paper. For 15 years most of his work was in black and white; it was only in 1898 that Luks started painting. He was married three times.

Luks was fascinated with the characters and environment of the Lower East Side and consciously attempted to portray these with the explicitness and vitality of Hals. Beggars, drunks, actors, street urchins, prizefighters, the whole range of urban activity, are presented with sharp observation and gusto. Street scenes and landscapes are rarer subjects.

The rejection of one of Luks's paintings from the 1907 exhibition of the National Academy of Design was one of the causes for the formation and exhibition of "The Eight" in 1908. Luks's work in this show had a kind of raw strength and even brutality which offended academic patrons and critics but brought him into attention. From this time on his work was increasingly exhibited, received a number of prizes, and was acquired by the more daring contemporary collectors. For a time, he taught at the Art Students League.

Luks was a radical only in subject matter, not in style or technique. He was involved in the formation of the 1913 Armory Show, in which he was well represented. However, he was unable to understand or accept the genuinely radical European art, which was shown in America for the first time, and resigned from the society which had formed the show.

Luks, always lusty and belligerent, was apparently killed as the result of a tavern fight on Oct. 29, 1933, dying in New York on the streets which he had immortalized on many canvasses.

Further Reading

There is no comprehensive study of Luks. Elisabeth Luther Cary, George Luks (1931), is a brief but useful picture book. There are interesting personal sidelights in Bennard P. Perlman, The Immortal Eight: American Painting from Eakins to the Armory Shows 1870-1913 (1962). □

Luks, George (1867–1933). American painter and graphic artist. He was born in Williamsport, Pennsylvania, and began his studies at the Pennsylvania Academy of the Fine Arts, Philadelphia, in 1884. Over the next decade he travelled in Europe, studying at various academies en route. In 1894 he became an illustrator on the Philadelphia Press and became friendly with other newspaper artists—Glackens, Shinn, and Sloan—who introduced him to Robert Henri. In 1896 Luks moved to New York, where he turned more to painting and became a member of The Eight and the Ashcan School. A flamboyant character who identified himself with the poorer classes and made a pose of bohemianism, he was much given to tall tales and sometimes posed as ‘ Lusty Luks', an ex-boxer. His work was uneven and unpredictable. It had vigour and spontaneity but often lapsed into superficial vitality. One of his best-known works is The Wrestlers (Museum of Fine Arts, Boston, 1905), which shows his preference for earthy themes and admiration for the bravura painterly technique of artists such as Manet. Luks taught for several years at the Art Students League and also ran his own school. His death was slightly mysterious, his body being found in a doorway; newspapers reported that he had died sketching in the street, but some of his friends assumed he had picked one fight too many.

Luks, George (b Williamsport, Pa., 13 Aug. 1867; d New York, 29 Oct. 1933). American painter and graphic artist. In 1894, after a decade's travel in Europe, he became an illustrator on the Philadelphia Press and made friends with other newspaper artists—Glackens, Shinn, and Sloan—who introduced him to Robert Henri. In 1896 Luks moved to New York, where he turned more to painting and became a member of The Eight and the Ashcan School. A flamboyant character who identified himself with the poorer classes and made a pose of bohemianism, he was much given to tall tales and sometimes posed as ‘Lusty Luks’, an ex-boxer. His work was uneven and unpredictable. It had vigour and spontaneity but often lapsed into superficial vitality. One of his best-known works is The Wrestlers (1905, MFA, Boston), which shows his preference for earthy themes and admiration for the bravura painterly technique of artists such as Manet. Luks taught for several years at the Art Students League and also ran his own school.

Luks, George (1867–1933). American painter and graphic artist. In 1894, after a decade's travel in Europe, he became an illustrator on the Philadelphia Press and made friends with other newspaper artists—Glackens, Shinn, and Sloan—who introduced him to Robert Henri. In 1896 Luks moved to New York, where he turned more to painting and became a member of The Eight and the Ashcan School. A flamboyant character who identified himself with the poorer classes and made a pose of bohemianism, he was much given to tall tales and sometimes posed as ‘Lusty Luks’, an ex-boxer. His work was uneven and unpredictable. It had vigour and spontaneity but often lapsed into superficial vitality. One of his best-known works is The Wrestlers (1905, MFA, Boston), which shows his preference for earthy themes and admiration for the bravura painterly technique of artists such as Manet. Luks taught for several years at the Art Students League and also ran his own school.

George Benjamin Luks , 1867-1933, American portrait and genre painter, b. Williamsport, Pa., studied at the Pennsylvania Academy of the Fine Arts and in Düsseldorf. He worked as a newspaper illustrator, for a time drawing the comic strip The Yellow Kid for the New York World. In 1902 he became a painter and art teacher. A member of the Eight , Luks is best known for his spirited portraits, painted with dash and verve and bordering on caricature. The Spielers (Addison Gall., Andover, Mass.) is characteristic of his work. Luks is represented in many leading American galleries.