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Cignani, Carlo
Cignani, Carlo (b Bologna, 15 May 1628; d Forlì, 6 Sept. 1719). Bolognese painter. He was a pupil of Albani, but his style was more influenced by Domenichino and Guido Reni, and he became the main force in upholding the tradition of Bolognese classicism into the 18th century; his sweetness and grace also show his admiration for Correggio. He was a slow-working perfectionist, but he employed numerous assistants in his decorative commissions. Most of his work was religious, but he also painted mythological subjects and several self-portraits. He had an international reputation and was so highly regarded by his fellow artists in Bologna that when the Accademia Clementina, the city's first municipal art academy, was founded in 1709, he was appointed director for life.
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Cite this article
IAN CHILVERS. "Cignani, Carlo." The Oxford Dictionary of Art. 2004. Encyclopedia.com. 30 May. 2012 <http://www.encyclopedia.com>. IAN CHILVERS. "Cignani, Carlo." The Oxford Dictionary of Art. 2004. Encyclopedia.com. (May 30, 2012). http://www.encyclopedia.com/doc/1O2-CignaniCarlo.html IAN CHILVERS. "Cignani, Carlo." The Oxford Dictionary of Art. 2004. Retrieved May 30, 2012 from Encyclopedia.com: http://www.encyclopedia.com/doc/1O2-CignaniCarlo.html |
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Cignani, Carlo
Cignani, Carlo (1628–1719). Bolognese painter. He was a pupil of Francesco Albani, but his style was more influenced by Domenichino and Guido Reni, and he became the main force in upholding the tradition of Bolognese classicism into the 18th century; his sweetness and grace also show his admiration for Correggio. He was a slow-working perfectionist, but he employed numerous assistants in his decorative commissions. Most of his work was religious, but he also painted mythological subjects and several self-portraits. He had an international reputation and was so highly regarded by his fellow artists in Bologna that when the Accademia Clementina, the city's first municipal art academy, was founded in 1709, he was appointed director for life.
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Cite this article
IAN CHILVERS. "Cignani, Carlo." The Concise Oxford Dictionary of Art and Artists. 2003. Encyclopedia.com. 30 May. 2012 <http://www.encyclopedia.com>. IAN CHILVERS. "Cignani, Carlo." The Concise Oxford Dictionary of Art and Artists. 2003. Encyclopedia.com. (May 30, 2012). http://www.encyclopedia.com/doc/1O3-CignaniCarlo.html IAN CHILVERS. "Cignani, Carlo." The Concise Oxford Dictionary of Art and Artists. 2003. Retrieved May 30, 2012 from Encyclopedia.com: http://www.encyclopedia.com/doc/1O3-CignaniCarlo.html |
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Carlo Cignani, Conte
Carlo Cignani, Conte , 1628–1719, Italian historical painter of the Bolognese school. He was a pupil of Francesco Albani. The influence of Guido Reni, Carracci, and particularly of Correggio is apparent in much of his fresco work. His notable paintings include The Entry of Paul III into Bologna (painted for the public palace at Bologna); Pera and Cimon (Vienna); The Power of Love (ducal palace, Parma); and his masterpiece, the colossal Assumption of the Virgin, in the dome of the cathedral at Forlì, on which he worked for 20 years. |
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Cite this article
"Carlo Cignani, Conte." The Columbia Encyclopedia, 6th ed.. 2011. Encyclopedia.com. 30 May. 2012 <http://www.encyclopedia.com>. "Carlo Cignani, Conte." The Columbia Encyclopedia, 6th ed.. 2011. Encyclopedia.com. (May 30, 2012). http://www.encyclopedia.com/doc/1E1-Cignani.html "Carlo Cignani, Conte." The Columbia Encyclopedia, 6th ed.. 2011. Retrieved May 30, 2012 from Encyclopedia.com: http://www.encyclopedia.com/doc/1E1-Cignani.html |
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