Childe Hassam

Childe Hassam (Frederick Childe Hassam) , 1859-1935, American painter and printmaker, b. Boston, studied in Paris. With their flickering light and airy palette, Hassam's sprightly landscapes, cityscapes, and interiors show the strong influence of late 19th-century French painting, and he is probably the best known of America's impressionists. Examples of his work include many scenes on the Isles of Shoals and July 14th, Rue Daunou, 1910 (1910), The New York Window (1912), The Church at Gloucester (1918), and Fifth Avenue (1919). He also illustrated Celia Thaxter's An Island Garden (1894). An extremely prolific and popular artist, he is represented in virtually every major American museum.

Bibliography: See his lithographs with text by F. Griffith (1962); biography by D. F. Hoopes (1988); I. S. Fort, The Flag Paintings of Childe Hassam (1988); H. B. Weinberg et al., Childe Hassam, American Impressionist (2004).

Hassam, Childe (b Dorchester, Mass., 17 Oct. 1859; d East Hampton, Long Island, NY, 27 Aug. 1935). American painter and printmaker. He was one of his country's earliest and most accomplished exponents of Impressionism, which he discovered on his second visit to Europe in 1886–9. On his return to America he settled in New York, and the life of the city became one of his main sources of subject matter; scenes of rainy streets were something of a speciality. Another favourite theme was a woman in an interior. His early paintings are fresh and clear but sometimes rather slick and saccharine. After the turn of the century, his style tended towards greater simplification and flatness in composition and his colour became lusher—somewhat in the manner of Bonnard. Hassam was immensely prolific in oils, watercolour, pastel, and a variety of drawing media; in his fifties he also took up printmaking seriously, producing a large number of etchings and lithographs (notably harbour scenes in a style reminiscent of Whistler). He received many honours and died a wealthy man, although by this time he was seen in artistic circles as a very conservative figure. See also Ten.