Cennino Cennini

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Cennino Cennini

The Columbia Encyclopedia, Sixth Edition | 2008 | The Columbia Encyclopedia, Sixth Edition. Copyright 2008 Columbia University Press. (Hide copyright information) Copyright

Cennino Cennini , c.1370-1440, Florentine painter, follower of Agnolo Gaddi. None of his paintings is extant. He is most famous for having written the Libro dell'arte (written 1400?, tr., The Craftsman's Handbook, 1933). This treatise marks a transition between medieval and Renaissance concepts of art. Closely following the tradition of Giotto, he offers detailed advice about the established technique of painting. At the same time, Cennini was one of the first to call for imagination in art and to advocate the elevation of painting from artisanship to the fine arts.

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Cennini, Cennino

The Oxford Dictionary of Art | 2004 | | © The Oxford Dictionary of Art 2004, originally published by Oxford University Press 2004. (Hide copyright information) Copyright

Cennini, Cennino (b Colle de Val d'Elsa, nr. Florence, c.1370; d Florence, c.1440). Florentine painter and writer. No paintings survive that are certainly by him, but he is remembered as the author of Il libro dell'arte, the most important source concerning artistic practice in the late Middle Ages. Cennini states in the book that he was a pupil of Agnolo Gaddi, who learnt from his father Taddeo Gaddi, who in turn was a pupil of Giotto, so his detailed descriptions of tempera and fresco painting no doubt reflect, even if at several removes, the technical procedures of the founder of the great tradition of Florentine painting. The earliest extant manuscript of the treatise (evidently made by a copyist in the debtors' prison in Florence) is dated 1437, but most authorities put the date of composition at around 1400. Although it is mentioned by Vasari, the book was long forgotten, until the discovery of one of the three surviving manuscript copies in the early 19th century; the first printed edition of the text was published in 1821. The standard English translation, by Daniel V. Thompson Jr., is entitled The Craftsman's Handbook (1933); it supersedes two 19th-century translations (1844 and 1899).

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IAN CHILVERS. "Cennini, Cennino." The Oxford Dictionary of Art. 2004. Encyclopedia.com. 6 Dec. 2009 <http://www.encyclopedia.com>.

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Free Article Art in Renaissance Italy.
Magazine article from: The Magazine Antiques; 4/1/1997

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Art and humanism in early Renaissance Padua: Cennini, Vergerio and Petrarch on imitation.
Magazine article from: Renaissance Quarterly; 9/22/1996; ; 700+ words ; A number of passages in Cennino Cennini's early fifteenth-century craft...sources and its transformations -- Cennini's treatment of imitation and style...Few Masters as Possible."(2) Cennini's discussion of copying masters...
Color and Meaning: Practice and Theory in Renaissance Painting.
Magazine article from: Renaissance Quarterly; 3/22/1995; ; 700+ words ; ...Florentine story, running from Cennini and Alberti, through Leonardo...of Theophilus and verdaccio of Cennini. By the fourteenth century inhibitions...Italy are not all comprehended in Cennino Cennini's Libro dell'arte, invaluable...
On the side of beauty
Magazine article from: The Spectator; 11/1/1997; ; 700+ words ; ...Jamie Muir, dealt with two mediaeval masterpieces - a Cennino Cennini altarpiece and the Wilton Diptych. It's not my favourite...silent crew of restorers brought it vividly to life. Cennini's altarpiece, we learned, was not so much a work...
Gleams of gold: the Fortunoff collection of paintings by Joseph Southall, currently on show at the Fine Art Society, London, is a comprehensive reminder of the talent of one of the few true Arts and Crafts painters.
Magazine article from: Apollo; 4/1/2005; ; 700+ words ; ...Christiana Herringham, an influential figure in the Edwardian art world, who was an expert on tempera and translator of Cennino Cennini's Il Libro dell' Arte (1899), textbook of the movement. (4) There were about fifty artist-members of the...
The Meeting at the Golden Gate (1305) ; GREAT WORKS ++ Giotto Scrovegni Chapel, Padua
Newspaper article from: The Independent - London; 2/16/2007; ; 700+ words ; ...he does bodies. The enormous solidity of Giotto's figures has always been appreciated. An early commentator, Cennino Cennini, said that Giotto had "translated the art of painting from Greek into Latin", meaning that he'd changed it from...
Magical American Fresco - Crafting the Sublime.(Brief Article)
Magazine article from: World and I; 2/1/2001; ; 700+ words ; ...painting and stained glass. The instructor is a practicing illuminator and specialist in sculpture restoration. Cennino Cennini's Craftsman's Handbook, a how-to book from the fourteenth century, serves as a text. Inspired by Gregorian...
Art in Renaissance Italy.
Magazine article from: The Magazine Antiques; 4/1/1997; ; 700+ words ; ...pertinent writing of the period in question and summarize a particular aspect of daily life. Thus, the "voice" of Cennino Cennini, writing about 1410, admonishes painters to eat wholesome dishes and drink light wines, while avoiding overindulgence...
A guide to Modernism? It would be a pleasure, Your Royal Highness
Newspaper article from: The Independent on Sunday; 4/9/2006; ; 700+ words ; ...as a historical style label. It is deligtful to note that the idea of modernity has been around for a long time. Cennino Cennini in his Libro dell'Arte said Giotto, with his psychologial realism and new-fangled perspective, made painting...
Learn how to gild your own lily; Homes & Property.
Newspaper article from: The Evening Standard (London, England); 3/14/2001; ; 648 words ; ...the layman "for the use and good profit of anyone who wants to enter this profession", in Il Libro Dell'Arte by Cennino Cennini. Today Homes & Property is happy to impart the secrets of gilding to readers in the third of our series of...
Gendered style in Italian art criticism from Michelangelo to Malvasia.
Magazine article from: Renaissance Quarterly; 12/22/1995; ; 700+ words ; ...frame of reference for gendered semantics of stylistic description.(4) Sources from the early fifteenth century (Cennino Cennini) to the mid-seventeenth century (Carlo Cesare Malvasia) and beyond have been used for this study in order to...

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