DIAZ, Cameron 1972–

PERSONAL

Full name, Cameron Michelle Diaz; born August 30, 1972, in Long Beach (some sources say San Diego), CA; daughter of Emilio (an oil company foreman) and Billie (an import–export agent) Diaz. Education: Attended Long Beach Polytechnic High School; studied acting with John Kirby.

Addresses: Agent—Creative Artists Agency, 9830 Wilshire Blvd., Beverly Hills, CA 90212; Artists Management Group, 9465 Wilshire Blvd., Suite 519, Beverly Hills, CA 90212. Manager—The Firm, 1999 Century Park East, 18th Floor, Los Angeles, CA 90067. Publicist—Bragman/Nyman/Cafarelli, 9171 Wilshire Blvd., Suite 300, Beverly Hills, CA 90210. Contact—Weschler & Associates, 955 South Carrillo Dr., Los Angeles, CA 90048.

Career: Actress and producer. Worked as a model, 1989–c. 1994; appeared in television commercials for Salon Selectives, 1994, and www.actgreen.com, 2003.

Awards, Honors: MTV Movie Award nominations, best dance sequence (with Jim Carrey), best breakthrough performance, and most desirable female, 1994, and named female star of tomorrow, National Theatre Owners Association, 1996, all for The Mask; ShoWest Award, female star of tomorrow, ShoWest Convention, 1996; Golden Satellite Award nomination, best supporting actress in a comedy or musical motion picture, Blockbuster Entertainment Award, favorite supporting actress in a comedy, 1997, ALMA Award, outstanding individual performance in a crossover role in a feature film, 1998, all for My Best Friend's Wedding; MTV Movie Award nomination (with Ewan McGregor), best dance sequence, 1997, for A Life Less Ordinary; Golden Globe Award nomination, best performance by an actress in a comedy or musical motion picture, American Comedy Award, funniest lead actress in a motion picture, ALMA Award, outstanding actress in a feature film in a crossover role, New York Film Critics Circle Award, best actress, Blockbuster Entertainment Award, favorite actress in a comedy, MTV Movie Award, best female performance, and MTV Movie Award nominations, best comedic performance, best kiss (with Ben Stiller), and best onscreen duo (with Stiller), 1998, all for There's Something about Mary; selected one of the fifty most beautiful people in the world, People Weekly, 1998; Golden Globe Award nomination, best supporting actress in a motion picture, 1999, Screen Actors Guild Award nominations, outstanding performance by a cast in a theatrical motion picture (with others), and outstanding performance by a female actor in a supporting role, Online Film Critics Society Award nomination, best supporting actress, Sierra Award nomination, best supporting actress, Las Vegas Film Critics Society, Golden Satellite Award nomination, best performance by an actress in a supporting role, comedy or musical, Film Award nomination, best performance by an actress in a supporting role, British Academy of Film and Television Arts, American Comedy Award nomination, funniest supporting actress in a motion picture, 2000, all for Being John Malkovich; Blockbuster Entertainment Award, favorite actress—drama, ALMA Award, outstanding actress in a feature film, 2000, both for Any Given Sunday; Golden Satellite Award nomination, best performance by an actress in a motion picture, comedy or musical, MTV Movie Award nomination, best line from a movie, MTV Movie Awards, best dance sequence and best on–screen team (with others), Blockbuster Entertainment Award, favorite action team (with others), Saturn Award nomination, best supporting actress, Academy of Science Fiction, Fantasy and Horror Films, 2001, all for Charlie's Angels; Boston Society of Film Critics Award, best supporting actress, 2001, Golden Globe Award nomination, best performance by an actress in a supporting role in a motion picture, Screen Actors Guild Award nomination, outstanding performance by a female actor in a supporting role, Chicago Film Critics Association Award, best supporting actress, Saturn Award nomination, best supporting actress, ALMA Award nomination, outstanding supporting actress in a motion picture, AFI Film Award nomination, AFI Featured Actor of the Year—Female—Movies, 2002, all for Vanilla Sky; MTV Movie Award nomination (with others), best on–screen team, Blimp Award nomination, favorite voice from an animated movie, 2002, both for Shrek; Golden Globe Award nomination, best performance by an actress in a supporting role in a motion picture, Teen Choice Award nomination (with Leonardo DiCaprio), choice movie liplock, MTV Movie Award nomination (with DiCaprio), best kiss, 2003, for Gangs of New York; MTV Movie Award nominations, best look and best dance sequence (with others), 2004, for Charlie's Angels: Full Throttle.

CREDITS

Film Appearances:

Tina Carlyle, The Mask, New Line Cinema, 1994.

Freddie, Feeling Minnesota, Fine Line, 1996.

Heather Davis, She's the One, Fox Searchlight, 1996.

Jude, The Last Supper, Sony Pictures Releasing, 1996.

Nathalie, Head above Water, Fine Line, 1996.

Trudy, Keys to Tulsa, Gramercy, 1997.

Kimberly "Kimmy" Wallace, My Best Friend's Wedding, TriStar, 1997.

Celine Naville, A Life Less Ordinary, Twentieth Century–Fox, 1997.

Blonde television reporter, Fear and Loathing in Las Vegas, Rhino Films, 1998.

Mary Jensen Matthews (title role), There's Something about Mary (also known as There's Something More about Mary), Twentieth Century–Fox, 1998.

Laura Garrety, Very Bad Things, PolyGram Filmed Entertainment, 1998.

Lotte Schwartz, Being John Malkovich, USA Films, 1999.

Random celebrity, Man Woman Film, Canis Lupus Entertainment, 1999.

Christina Pagniacci, Any Given Sunday, Warner Bros., 1999.

Carol, "Love Waits for Kathy," Things You Can Tell Just By Looking At Her, United Artists, 2000.

Natalie Cook, Charlie's Angels (also known as 3 Engel fuer Charlie), Sony Pictures Entertainment, 2000.

Herself, Welcome to Hollywood (documentary), PM Entertainment Group, 2000.

Herself, The Master and the Angels (documentary short film), Columbia TriStar Home Entertainment, 2000.

Herself, Getting G'd Up (documentary short film), Columbia TriStar Home Entertainment, 2000.

Faith O'Connor, The Invisible Circus, Fine Line, 2001.

Voice of Princess Fiona, Shrek (animated), Dream-Works, 2001.

Julie Gianni, Vanilla Sky, Paramount, 2001.

Voice of Princess Fiona, Shrek in the Swamp Karaoke Dance Party, DreamWorks, 2001.

Christina Walters, The Sweetest Thing, Sony Pictures Entertainment, 2002.

(Uncredited) Woman on metro, Minority Report, Twentieth Century–Fox, 2002.

Jenny Everdeane, Gangs of New York, Miramax, 2002.

Herself, Slackers (also known as Les complices), Screen Gems, 2002.

Herself, The Making of "The Sweetest Thing" (documentary; also known as Politically Erect), Columbia, 2002.

Voice of Princess Fiona, Shrek 4–D (also known as Shrek 3–D), DreamWorks, 2003.

Natalie Cook, Charlie's Angels: Full Throttle, Sony Pictures Entertainment, 2003.

Voice of Princess Fiona, Shrek 2 (animated), Dream-Works, 2004.

Herself, In Search of Ted Demme (documentary), IFC Films, 2004.

Television Appearances; Miniseries:

Herself, I Love the '70s (documentary), VH1, 2003.

Television Appearances; Awards Presentations:

The 1995 NCLR Bravo Awards (also known as National Council of La Raza Bravo Awards), Fox, 1995.

Presenter, The 1995 MTV Movie Awards (also known as The 4th Annual MTV Movie Awards), MTV, 1995.

The 1996 ShoWest Awards, TNT, 1996.

Presenter, The 1997 MTV Movie Awards, MTV, 1997.

Presenter, The 1998 MTV Movie Awards, MTV, 1998.

ALMA Awards, 1998.

Presenter, The 70th Annual Academy Awards, ABC, 1998.

The 1999 MTV Movie Awards, MTV, 1999.

Herself, The 2000 Blockbuster Entertainment Awards, Fox, 2000.

Presenter, The 72nd Annual Academy Awards Presentation, ABC, 2000.

Presenter, The 2000 MTV Movie Awards, MTV, 2000.

Nickelodeon's 14th Annual Kids' Choice Awards, Nickelodeon, 2001.

The 7th Annual Blockbuster Entertainment Awards, Fox, 2001.

The 2001 MTV Movie Awards, MTV, 2001.

Presenter, The 74th Annual Academy Awards, ABC, 2002.

Presenter, The 59th Annual Golden Globe Awards, NBC, 2002.

Presenter, The 75th Annual Academy Awards, ABC, 2003.

Herself, The 2003 MTV Movie Awards, MTV, 2003.

Nickelodeon's 16th Annual Kids' Choice Awards, Nickelodeon, 2003.

Nickelodeon's 17th Annual Kids' Choice Awards, Nickelodeon, 2004.

Television Appearances; Specials:

Herself, The Bad Boys of Saturday Night Live (also known as Saturday Night Live: Bad Boys), 1998.

Herself, Reel Comedy: Something about Mary (also known as Reel Comedy: There's Something about Mary), 1998.

Herself, Full Contact: The Making of "Any Given Sunday" (documentary), 1999.

Tony Bennett: An All–Star Tribute—Live by Request, Arts and Entertainment, 1998.

Herself, AFI's 100 Years, 100 Laughs: America's Funniest Movies, CBS, 2000.

(In archive footage) Herself, Headliners & Legends: Cameron Diaz, 2001.

Herself, Creating A Fairy Tale World: The Making of "Shrek" (documentary), 2001.

Herself, America: A Tribute to Heroes, 2001.

Herself, Reel Comedy: The Sweetest Thing, Comedy Central, 2002.

(In archive footage) Herself, MTV Europe Music Awards, MTV, 2003.

The Stars' First Time ... On Entertainment Tonight with Mary Hart, CBS, 2003.

Charlie's Angels Uncensored, MTV, 2003.

Television Appearances; Pilots:

Herself, Why Blitt?, Fox, 2003.

Herself, Trippin', MTV, 2004.

Television Appearances; Episodic:

Herself, "Surprise!," Space Ghost Coast to Coast, Cartoon Network, 1994.

Guest, Late Show with David Letterman, 1994, 1997, 1998, 2002.

Herself, The Rosie O'Donnell Show, 1997.

Herself, Lo mas plus, 1997.

Host, Saturday Night Live, NBC, 1998, 2002.

The Entertainment Business, Bravo, 1998.

Herself, Mad TV, Fox, 2000.

Herself, The Tonight Show with Jay Leno, NBC, 2001, 2002, 2003, 2004.

Herself, Total Request Live, MTV, 2002.

Herself, "Cannes Festival 2002," Leute heute, 2002.

Herself, RI:SE, 2002.

Herself, Leute heute, 2002.

Herself, "Charlie's Angels," Player$, 2003.

Herself, Holiday, 2003.

Herself, Late Night with Conan O'Brien, NBC, 2003.

Herself, Otro rollo con: Adal Ramones, 2003.

(In archive footage) Herself, Celebrities Uncensored, E! Entertainment Television, 2003, 2004.

Herself, Tinseltown TV, 2003.

Herself, Matthew's Best Hit TV, 2004.

Herself, The Oprah Winfrey Show, syndicated, 2004.

Herself, This Morning, ITV, 2004.

Herself, Smap x Smap, 2004.

Herself/Fiona, "Shrek," VH1 Goes Inside, VH1, 2004.

Television Work; Pilots:

Executive producer, Trippin', MTV, 2004.

RECORDINGS

Music Videos:

Appeared in REM's "The Great Beyond."

OTHER SOURCES

Books:

Contemporary Hispanic Biography, Volume 1, Gale Group, 2002.

International Dictionary of Films and Filmmakers, Volume 3: Actors and Actresses, 4th ed., St. James Press, 2000.

Newsmakers 1999, Issue 1, Gale Group, 1999.

Periodicals:

Cosmopolitan, November, 1997, p. 217.

Entertainment Weekly, June 26, 1998, p. 24.

Interview, August, 1994, p. 74.

People Weekly, August 22, 1994, pp. 51–52; May 11, 1998, p. 167; December 28, 1998, p. 52.

Premiere, August, 1994, pp. 58–59.

Rolling Stone, August 22, 1996, p. 50.

Teen, June, 1997, p. 54.

Time, November 16, 1998, p. 133.

DIAZ, Cameron

Nationality: American. Born: San Diego, California, 30 August 1972. Education: Long Beach Polytechnic High School, San Diego; studied acting with John Kirby. Career: Began modeling professionally, 1988; first film role in The Mask, 1993. Awards: ShoWest Award, Female Star of Tomorrow, 1996; New York Film Critics Circle Award for Best Actress, and American Comedy Award for Funniest Actress, for There's Something About Mary, 1999. Agent: Addis-Weschler and Associates, 955 South Carrillo Drive, Suite 300, Los Angeles, California, 90048.

Films as Actor:

1994

The Mask (Russell) (as Tina Carlyl)

1995

The Last Supper (Title) (as Jude)

1996

She's the One (Burns) (as Heather); Feeling Minnesota (Baigleman) (as Freddie); Head Above Water (Wilson) (as Nathalie)

1997

Keys to Tulsa (Greif) (as Trudy); My Best Friend's Wedding (Hogan) (as Kimmy Wallace); A Life Less Ordinary (Boyle) (as Celine)

1998

There's Something About Mary (Bobby and Peter Farrelly) (as Mary Jensen Mathews); Very Bad Things (Berg) (as Laura Garrety); Fear and Loathing in Las Vegas (Gilliam) (as the blonde TV reporter)

1999

Being John Malkovich (Jonze) (as Lotte Schwartz); Any Given Sunday (Stone) (as Christina Pagniacci); Things You Can Tell By Looking at Her (Garcia) (as Carol); Man Woman Film (Pearson) (as Random Celebrity)

2000

Charlie's Angels (McG) (as Natalie); Invisible Circus (Brooks) (as Faith O'Connor); Things You Can Tell by Just Looking at Her (García) (as Carol);

Publications:

By DIAZ: articles—

Grobel, L., "Candid Cameron," interview in Movieline (Escondido), March 1997.

"Cameron-ready," interview with Robert Sullivan in Vogue, October 1997.

Charity, Tom, "Fame? They Can Keep It," interview in Time Out (London), no. 1415, 1 October 1997.

On DIAZ: articles—

Richardson, J.H., "Yearning for Keanu," in Premiere (Boulder), March 1996.

Elia, M., "Cameron Diaz," in Sequences (Montreal), no. 184, May/June 1996.

Hofler, Robert, "The Year of Living Famously: Cameron Diaz, Hollywood's Up-and-coming Big Star," in Premiere (Boulder) December 1998.

Peretz, Evgenia, "Frat-house Goddess," in Vanity Fair, Jan. 2000.

Cameron Diaz is that type of actor eagerly sought by innovative directors—a natural. Discovered by a modeling agency photographer at a party, she began an international modeling career when she was only sixteen, and fell into acting with no experience outside of high school drama classes.

Her first film role, like her modeling career, was a combination of serendipity, good looks, and her own sometimes painfully difficult work. Her modeling agent suggested she audition for a bit part in Chuck Russell's upcoming fantasy-adventure blockbuster The Mask, as an adventure. Diaz caught the director's eye, however, and she found herself cast in the lead, where she made the most of the femme fatale role of Tina, the sultry nightclub singer with the heart of gold who ends up with the hero. Though Diaz's nervousness about acting left her with an ulcer, critics singled her out for the depth of her savvy portrayal of Tina, who might have been just another comic book character in the comic book film.

Diaz surprised studios, fans, and critics when she did not follow up her success in The Mask by seeking work in other big studio blockbuster films. Instead, she chose to step back from the fast track to fame. She refused several offers of big budget movies and spent several years working in small independent films. Many of these films were dark and quirky, like The Last Supper, about liberals who decide to rid the world of right wing extremists by inviting them to dinner one by one and poisoning them.

Diaz got mixed reviews for her roles in these films. Some critics found it hard not to typecast her as the model-turned-actress bimbo, while others found her subtle and engaging, even pointing her out as the best performer in films like She's the One that they otherwise hated. Stacy Title, director of The Last Supper, said that Diaz has the "old movie-star glamour of Rita Hayworth and the incredible timing and great physical comedy of Lucille Ball."

It is this gift for comedy that helped create one of the biggest sleeper hits of the 1990s. There's Something About Mary filled movie houses and set staid reviewers from journals as diverse as The New Republic and Variety rolling in the aisles in unwilling laughter over jokes about penis pain and cruelty to animals. The film not only intentionally broke all taboos about good taste and appropriate comedy material, but inspired a series of so-called "gross-out" comedies that competed to find the most offensive subjects of fun. In the midst of it all, Diaz's sweet, funny, and artful performance as Mary made There's Something About Mary the single film of the genre that may outlast the fad.

Perhaps to sidestep the blonde bimbo stereotype that followed her since her role in The Mask, Diaz took a much less glamorous role in the off-beat independent film, Being John Malkovich. As Lotte, a mousy veterinarian's assistant with frizzy brown hair and an entourage of needy animals clinging to her skirts, Diaz turned the ideal of the sex object on its head. Lotte is not only a sweet surprise of a character, showing spirit, sensuality, and loyalty, but also explores her sexual and gender identity with a freedom and irony that typifies the turn of the century.

In many ways, Diaz represents the attitudes of her generation. While certainly not rejecting the glitz and glamour of Hollywood fame, she has resisted the big studio establishment and chosen a more rebellious path toward that fame. While she might often play the bimbo, she manages to give that stereotype a "riot grrl" edge of nerve and self-reliance. It has been her willingness to take the circuitous route, shifting between mainstream Hollywood and the innovative independents, that has given Diaz her depth as an actress. When she was cast in The Mask, Diaz said, "I'm a pretty girl who's a model who doesn't suck as an actress." Her good looks and sincere charm may have gotten her into the movies, but it is her adventurous approach to her career that may keep her there.

—Tina Gianoulis