Brooks Atkinson

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Brooks Atkinson

The Columbia Encyclopedia, Sixth Edition | 2008 | The Columbia Encyclopedia, Sixth Edition. Copyright 2008 Columbia University Press. (Hide copyright information) Copyright

Brooks Atkinson (Justin Brooks Atkinson), 1894-1984, American journalist, b. Melrose, Mass. After being an editor for the New York Times he became its drama critic in 1925. Except for his service as a foreign correspondent during World War II, he held the position as critic until 1960. His critical opinion had much influence on the success or failure of Broadway plays. Atkinson's books include Henry Thoreau, the Cosmic Yankee (1927), Broadway Scrapbook (1947), and Broadway (1970). An ardent naturalist and conservationist, he wrote This Bright Land: A Personal View (1972).

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Atkinson, (Justin) Brooks

The Oxford Companion to American Literature | 1995 | | © The Oxford Companion to American Literature 1995, originally published by Oxford University Press 1995. (Hide copyright information) Copyright

Atkinson, [Justin] Brooks (1894–1984), drama critic (1925–60) and critic at large for The New York Times, except during World War II when he was a war and news correspondent, winning a Pulitzer Prize for journalism about China. His books include Henry Thoreau: The Cosmic Yankee (1927); East of the Hudson (1931), sketches of bucolic life; Once Around the Sun (1951), essays; Tuesdays and Fridays (1963) and Brief Chronicles (1966), from his columns in The New York Times; and Sean O'Casey (1982).

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James D. Hart and and Phillip W. Leininger. "Atkinson, (Justin) Brooks." The Oxford Companion to American Literature. Oxford University Press. 1995. Encyclopedia.com. 9 Nov. 2009 <http://www.encyclopedia.com>.

James D. Hart and and Phillip W. Leininger. "Atkinson, (Justin) Brooks." The Oxford Companion to American Literature. Oxford University Press. 1995. Encyclopedia.com. (November 9, 2009). http://www.encyclopedia.com/doc/1O123-AtkinsonJustinBrooks.html

James D. Hart and and Phillip W. Leininger. "Atkinson, (Justin) Brooks." The Oxford Companion to American Literature. Oxford University Press. 1995. Retrieved November 09, 2009 from Encyclopedia.com: http://www.encyclopedia.com/doc/1O123-AtkinsonJustinBrooks.html

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Atkinson, (Justin) Brooks

The Oxford Companion to American Theatre | 2004 | | © The Oxford Companion to American Theatre 2004, originally published by Oxford University Press 2004. (Hide copyright information) Copyright

Atkinson, [Justin] Brooks (1894–1984), critic. Born in Melrose, Massachusetts, and educated at Harvard, he taught briefly at Dartmouth, then entered the newspaper world as a reporter for the Springfield (Massachusetts) Daily News. In 1919 Atkinson joined the Boston Evening Transcript as an assistant drama critic but soon moved to the New York Times, where he became its drama critic in 1924, a post he held, except for a stint as a war correspondent (1941–46), until 1960. As such he became the best known and most important of New York's reviewers. His writing was gracious and gentlemanly, and his views generally tolerant, except for a strong prejudice against older musicals after the advent of Oklahoma! and the “musical play.” He also wrote several excellent books on the theatre, including Broadway Scrapbook (1947), Broadway (1970), and The Lively Years: 1920–1973 (1974). Typical of his style was the opening of his review of a 1952 revival of Summer and Smoke: “Nothing has happened for quite a long time as admirable as the new production at the Circle in the Square—in Sheridan Square, to be precise. Tennessee Williams' Summer and Smoke opened there last evening in a sensitive, highly personal performance. When it was put on at the Music Box in 1948 it looked a little detached, perhaps because the production was too intricate or because the theatre was too large.” In 1961 the Mansfield Theatre was renamed the Brooks Atkinson Theatre, the first Broadway house to be named after a theatre critic.

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Gerald Bordman and Thomas S. Hischak. "Atkinson, (Justin) Brooks." The Oxford Companion to American Theatre. Oxford University Press. 2004. Encyclopedia.com. 9 Nov. 2009 <http://www.encyclopedia.com>.

Gerald Bordman and Thomas S. Hischak. "Atkinson, (Justin) Brooks." The Oxford Companion to American Theatre. Oxford University Press. 2004. Encyclopedia.com. (November 9, 2009). http://www.encyclopedia.com/doc/1O149-AtkinsonJustinBrooks.html

Gerald Bordman and Thomas S. Hischak. "Atkinson, (Justin) Brooks." The Oxford Companion to American Theatre. Oxford University Press. 2004. Retrieved November 09, 2009 from Encyclopedia.com: http://www.encyclopedia.com/doc/1O149-AtkinsonJustinBrooks.html

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Free newspaper and magazine articles

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Related articles from newspapers, magazines, and more

Wait Until Dark.(Brooks Atkinson Theater, New York, New York) (theater reviews)
Magazine article from: Insight on the News; 5/11/1998; ; 674 words ; ...minutes it takes for Wait Until Dark to unravel at the Brooks Atkinson Theatre on Broadway--his entrance and his curtain...no small feat in a theater as intimate as the Brooks Atkinson. Stephen Lang as Mike Talman, a sympathetic thug...
Benefactors. (Brooks Atkinson Theater, New york)
Magazine article from: The New Leader; 2/10/1986; ; 700+ words ; ...praised in advance as deeply moving and a serious drama of ideas. Far less clear to me is why Benefactors, at the Brooks Atkinson Theater, is a solid hit. One indeed may wonder where the seriousness lies and what ideas are embodied here, or...
Taking Sides.(Brooks Atkinson Theater, New York, New York)
Magazine article from: The New Leader; 11/4/1996; ; 700+ words ; ...production, as he observed, made the Major "the stereotypical ugly American versus a cultured European." At the Brooks Atkinson Theater, Harris, as he puts it, finds "a lot of complexity to this guy," who is considerably "more intelligent...
Redwood Curtain. (Brooks Atkinson Theater, New York, New York)
Magazine article from: The New Leader; 5/3/1993; ; 700+ words ; ...believe him, and he just as stubbornly keeps pushing the loud pedal through a long intermissionless production at the Brooks Atkinson Theater. Wilson must have assumed that any break in the action would disturb Redwood's mood and vitiate its surprise...
BUNDLES FROM BRITAIN.(Brooks Atkinson Theater, New York, New York)(Review)
Magazine article from: The New Leader; 5/17/1999; ; 700+ words ; ...better example of the playwright's duality exists than The Iceman Cometh, now in its newest incarnation at the Brooks Atkinson Theater. The play is composed entirely of talk. No action, just talk. Four hours of repetitive, turgid, declamatory...
Death and the Maiden. (Brooks Atkinson Theater, New York, New York)
Magazine article from: The New Leader; 3/23/1992; ; 700+ words ; ...and a bitterly serious outlook, the play has become a hit in London's West End. The Broadway version of the Brooks Atkinson Theater has been misconceived from start to curtain. Gene Hackman, who spends most of the time in bondage, has...
Blood on the stage ; Theatre ++ THE TIMES THEY ARE A-CHANGIN' ++ Brooks Atkinson Theatre NEW YORK
Newspaper article from: The Independent - London; 11/6/2006; ; 700+ words ; ...dance director Twyla Tharp. It was tempting to dismiss this project as misbegotten even before stepping inside the Brooks Atkinson Theatre on 47th Street, where it has just opened. What good could possibly come of marrying high-stepping, dollar...
Wait Until Dark. (Brooks Atkinson Theatre, New York, New York)
Magazine article from: Newsweek; 4/13/1998; ; 630 words ; Some matters remain beyond human comprehension. No one, for example, has ever directly observed black holes--collapsed stars so dense that they swallow their own light. Luckily, astrophysicists may now flock to Broadway, where they can at last witness a black hole. It's called, appropriately, Wait
Wait Until Dark.(Brooks Atkinson Theatre, New York, New York)
Magazine article from: New York; 4/20/1998; ; 589 words ; Frederick Knott's Wait Until Dark is pure contrivance but with more holes than a tennis net. From Knott's plot's un-Gordian knots, a little logic could easily free the blind heroine beset by three bumbling thugs. They, in turn, could, instead of playing an elaborate charade, win out through simple
REMARKS BY THE PRESIDENT DURING BROOKS ATKINSON THEATER EVENT
Transcript from: Regulatory Intelligence Data; 6/28/1999; ; 700+ words ; 00-00-0000 THE PRESIDENT: Thank you. Wow. I would like to thank Bill Haber and Kevin and all this magnificent cast for giving us too much to think about. (Laughter and applause.) Here we are, all reliving our entire family histories -- (laughter) -- trying to come to grips with some little common

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