Apollo Belvedere

Apollo Belvedere

Apollo Belvedere. Marble statue (Vatican Mus.) of the Greek god Apollo, discovered towards the end of the 15th century and long regarded as one of the supreme masterpieces of world art and the absolute standard for male beauty (it is named after the Belvedere Court in the Vatican, in which it was once displayed). The statue is a copy from the Roman period of a Classical or Hellenistic Greek bronze, and Leochares has been proposed as the sculptor of the lost original. It was often copied or adapted, for example by Bernini in his Apollo and Daphne and by Reynolds, who painted his Commodore Keppel in the posture of the statue but in 18th-century dress. Winckelmann's rapturous description of the Apollo Belvedere enshrined it as one of the models of Neoclassicism, but from the later 19th century its reputation declined and it now seems cold and academic to many critics. Whereas to Winckelmann it appeared ‘the highest ideal of art among all the works of antiquity’, to Kenneth Clark it seemed that ‘in no other famous work of art are idea and execution more distressingly divorced’.

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IAN CHILVERS. "Apollo Belvedere." The Oxford Dictionary of Art. 2004. Encyclopedia.com. 31 May. 2012 <http://www.encyclopedia.com>.

IAN CHILVERS. "Apollo Belvedere." The Oxford Dictionary of Art. 2004. Encyclopedia.com. (May 31, 2012). http://www.encyclopedia.com/doc/1O2-ApolloBelvedere.html

IAN CHILVERS. "Apollo Belvedere." The Oxford Dictionary of Art. 2004. Retrieved May 31, 2012 from Encyclopedia.com: http://www.encyclopedia.com/doc/1O2-ApolloBelvedere.html

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Apollo Belvedere

Apollo Belvedere Marble statue (Vatican Mus.) of the Greek god Apollo, discovered towards the end of the 15th century and long regarded as one of the supreme masterpieces of world art and the absolute standard for male beauty (it is named after the Belvedere Court in the Vatican, in which it was once displayed). The statue is a copy from the Roman period of a Classical or Hellenistic Greek bronze, and Leochares has been proposed as the sculptor of the lost original. It was often copied or adapted, for example by Bernini in his Apollo and Daphne and by Reynolds, who painted his Commodore Keppel in the posture of the statue but in 18th-century dress. Winckelmann's rapturous description of the Apollo Belvedere enshrined it as one of the models of Neoclassicism, but from the later 19th century its reputation declined and it now seems cold and academic to many critics. Whereas to Winckelmann it appeared ‘the highest ideal of art among all the works of antiquity’, to Kenneth Clark it seemed that ‘in no other famous work of art are idea and execution more distressingly divorced.’

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IAN CHILVERS. "Apollo Belvedere." The Concise Oxford Dictionary of Art and Artists. 2003. Encyclopedia.com. 31 May. 2012 <http://www.encyclopedia.com>.

IAN CHILVERS. "Apollo Belvedere." The Concise Oxford Dictionary of Art and Artists. 2003. Encyclopedia.com. (May 31, 2012). http://www.encyclopedia.com/doc/1O3-ApolloBelvedere.html

IAN CHILVERS. "Apollo Belvedere." The Concise Oxford Dictionary of Art and Artists. 2003. Retrieved May 31, 2012 from Encyclopedia.com: http://www.encyclopedia.com/doc/1O3-ApolloBelvedere.html

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Apollo Belvedere

Apollo Belvedere see Apollo , in Greek religion.

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"Apollo Belvedere." The Columbia Encyclopedia, 6th ed.. 2011. Encyclopedia.com. 31 May. 2012 <http://www.encyclopedia.com>.

"Apollo Belvedere." The Columbia Encyclopedia, 6th ed.. 2011. Encyclopedia.com. (May 31, 2012). http://www.encyclopedia.com/doc/1E1-X-E-ApolloBe.html

"Apollo Belvedere." The Columbia Encyclopedia, 6th ed.. 2011. Retrieved May 31, 2012 from Encyclopedia.com: http://www.encyclopedia.com/doc/1E1-X-E-ApolloBe.html

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