Angelica Kauffmann

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Angelica Kauffmann

The Columbia Encyclopedia, Sixth Edition | 2008 | The Columbia Encyclopedia, Sixth Edition. Copyright 2008 Columbia University Press. (Hide copyright information) Copyright

Angelica Kauffmann , 1741-1807, Swiss neoclassical painter and graphic artist. From her youth she was known for her artistic, musical, and linguistic abilities. She went to England, where she enjoyed success as a fashionable portrait painter and decorator. A protégée of Sir Joshua Reynolds, Kauffman was one of the original members of the Royal Academy. She often decorated houses designed by the Adam brothers. After her marriage in 1781 to the Venetian painter Antonio Zucchi, she lived in Italy, where she flourished in artistic and literary circles. Reynolds, Winckelmann, Goethe, and Garrick commissioned her to paint their portraits. Representative works include Religion (National Gall., London); Self-Portrait (Staatliche Museen, Berlin); and the etchings of L'Allegra and La Pensierosa. The British Museum has a collection of her drawings and prints.

Bibliography: See study by Lady Victoria Manners and G. C. Williamson (1924).

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Kauffmann, Angelica

The Concise Oxford Dictionary of Art and Artists | 2003 | | © The Concise Oxford Dictionary of Art and Artists 2003, originally published by Oxford University Press 2003. (Hide copyright information) Copyright

Kauffmann, Angelica (1741–1807). Swiss painter, active mainly in Italy and England. From an early age she travelled with her father, the painter Joseph Johann Kauffmann (1707–82), in Switzerland and Italy, and she formed her style in Rome. In 1766 she moved to London, where her work and her person were vastly admired. A foundation member of the Royal Academy in 1768, she was a close friend of the president, Sir Joshua Reynolds, their relationship giving rise to gossip and to a satirical picture by Nathaniel Hone. (Canova, Goethe, and Winckelmann were among the other distinguished men who were charmed by her.) Kauffmann began in England as a fashionable portraitist, but then devoted herself more to historical scenes and also did decorative work for Robert Adam and other architects. Although her work owes much to the Neoclassical tradition, it has a prettiness that can be described as Rococo. At its best it has great charm, but it can be rather insipid, and she was much more successful with ladylike decorative vignettes than with scenes from Homer or Shakespeare. In 1767 she married an unscrupulous adventurer from whom she was quickly estranged. Following his death in 1780 she married the decorative painter Antonio Zucchi (1726–95) and settled with him in Italy, where she continued her successful career, mainly in Rome.

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IAN CHILVERS. "Kauffmann, Angelica." The Concise Oxford Dictionary of Art and Artists. 2003. Encyclopedia.com. 1 Dec. 2009 <http://www.encyclopedia.com>.

IAN CHILVERS. "Kauffmann, Angelica." The Concise Oxford Dictionary of Art and Artists. 2003. Encyclopedia.com. (December 1, 2009). http://www.encyclopedia.com/doc/1O3-KauffmannAngelica.html

IAN CHILVERS. "Kauffmann, Angelica." The Concise Oxford Dictionary of Art and Artists. 2003. Retrieved December 01, 2009 from Encyclopedia.com: http://www.encyclopedia.com/doc/1O3-KauffmannAngelica.html

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Kauffmann, Angelica

The Oxford Dictionary of Art | 2004 | | © The Oxford Dictionary of Art 2004, originally published by Oxford University Press 2004. (Hide copyright information) Copyright

Kauffmann, Angelica (b Chur, 30 Oct. 1741; d Rome, 5 Nov. 1807). Swiss painter, active mainly in Italy and England. From an early age she travelled with her father, the painter Joseph Johann Kauffmann (1707–82), in Switzerland and Italy, and she formed her style in Rome. She impressed several British visitors to Italy and in 1776 she moved to London, where her work and her person were vastly admired. A foundation member of the Royal Academy in 1768, she was a close friend of the president, Sir Joshua Reynolds, their relationship giving rise to gossip and to a satirical picture by Nathaniel Hone. (Canova, Fuseli, Goethe, and Winckelmann were among the other distinguished men who were charmed by her.) Kauffmann began in England as a fashionable portraitist, but then devoted herself more to historical scenes and also did decorative work for Robert Adam and other architects. Although her work owes much to the Neoclassical tradition, it has a prettiness that can be described as Rococo. At its best it has great charm, but it can be rather insipid, and she was much more successful with ladylike decorative vignettes than with scenes from Homer or Shakespeare. In 1767 she married an unscrupulous adventurer from whom she was quickly estranged. Following his death in 1780 she married the decorative painter Antonio Zucchi (1726–95) and in 1781 moved with him to Italy, where she continued her successful career, mainly in Rome.

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IAN CHILVERS. "Kauffmann, Angelica." The Oxford Dictionary of Art. 2004. Encyclopedia.com. (December 1, 2009). http://www.encyclopedia.com/doc/1O2-KauffmannAngelica.html

IAN CHILVERS. "Kauffmann, Angelica." The Oxford Dictionary of Art. 2004. Retrieved December 01, 2009 from Encyclopedia.com: http://www.encyclopedia.com/doc/1O2-KauffmannAngelica.html

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Free newspaper and magazine articles

Free Article Insurer claims rights to 4th painting; Concord theft after Shrewsbury.(LOCAL NEWS)
Newspaper article from: Telegram & Gazette (Worcester, MA); 6/30/2008
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Newspaper article from: Yorkshire Evening Post (Leeds, England); 12/26/2007
Free Article Private Interests: Women, Portraiture, and the Visual Culture of the English Novel, 1709-1791.(Book Review)
Magazine article from: Yearbook of English Studies; 1/1/2004

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Insurer claims rights to 4th painting; Concord theft after Shrewsbury.(LOCAL NEWS)
Newspaper article from: Telegram & Gazette (Worcester, MA); 6/30/2008; 700+ words ; ...and Katherine. It was painted in 1765 in Italy by Angelica Kauffmann, who was a Swiss-born neoclassical painter who...New York asking if he was interested in buying an Angelica Kauffmann," Chief Macone said. The New York art dealer...
Clever girls; 18th-century intellectuals.(Brilliant Women: 18th-Century Bluestockings)
Magazine article from: The Economist (US); 3/22/2008; 700+ words ; ...writers and artists, all robed in classical style, holding scrolls and musical instruments, with Angelica Kauffmann at the easel. Kauffmann survives, but many of the others are now obscure outside academia: Elizabeth Montagu, a critic...
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Magazine article from: Transactions of the American Philosophical Society; 1/1/2008; ; 700+ words ; ...victories over Turkey. Instead, she sent her a work by Angelica Kauffinann, the Swiss-born painter Dashkova admired...would be long lasting like Odysseus's, and that Angelica Kauffmann's painting would not lead to a rapprochement with...
The Ringling Museum Cultural Institute.(PROMOTION AND PERFORMANCES)
Magazine article from: Sarasota Magazine; 6/22/2009; 531 words ; ...Museum of Art; Ann Albritton, Faculty, Ringling College of Art and Design Fee: $50, $40 for Ringling Members Angelica Kauffmann Sappho Inspired by Love, 1775 Bequest of John Ringling, 1936, SN329
Harewood House and the slave trade.
Newspaper article from: Yorkshire Evening Post (Leeds, England); 12/26/2007; 700+ words ; ...stature: John Carr, Robert Adam, and Sir Charles Barry, along with decoration and furnishings by Antonio Zucci, Angelica Kauffmann, Biagio Rebecca and Thomas Chippendale. "The house is of particular historical interest, partly in view of its...
Private Interests: Women, Portraiture, and the Visual Culture of the English Novel, 1709-1791.(Book Review)
Magazine article from: Yearbook of English Studies; 1/1/2004; ; 700+ words ; ...solipsistic fantasy. Conway ends, slightly puzzlingly, with a trio of self-fashioning women on page and canvas--Angelica Kauffmann, Mary Wollstonecraft, and Elizabeth Inchbald. I thought the chapter on Clarissa most interesting; discussion...
Think you know the museum?
Newspaper article from: Bath Chronicle, The; 12/6/2007; 438 words ; ...Ramsay, Zoffany and Gainsborough, who spent 16 years in Bath. Bath connections are also well represented by Angelica Kauffmann's portrait of Henrietta Laura Pulteney, Hone's miniature of Beau Nash, the city's Master of Ceremonies...
D.C. women's arts museum recovers after weak premiere
Newspaper article from: Chicago Sun-Times; 7/12/1987; ; 700+ words ; ...the late 18th century primarily due to her many paintings of Marie Antoinette. The Swiss neo-classical painter Angelica Kauffmann was so admired that the artistic community in Rome went into mourning when she died. The exhibit's inclusion...
Contra el sexismo y el racismo: Guerrilla Girls. (mujeres que informan al público sobre el sexismo mediante su arte)(TT: Against sexism and racism: Guerrilla Girls) (TA: women that inform the public about sexism through their art)
Magazine article from: Fem; 10/1/1996; ; 700+ words ; ...Goncharova Kate Greenway Barbara Hepworth Eva Hesse Hannah Hoch Anna Huntingdon Mary Howard Jackson Frida Kahlo Angelica Kauffmann Hilma of Klimt Kathe Kollwitz Lee Krasner Dorothea Lange Marie Laurencin Edmonia Lewis Judith Leyster Barbara Longhi...
You write the reviews
Newspaper article from: The Independent - London; 4/7/2008; ; 632 words ; ...whose salons were arranged precisely in serried rows by la grande dame herself. Others were gloriously talented. Angelica Kauffmann portrays her own tussle with the muses of music and art. One of the great advantages of being your own portraitist...

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