Amedee Ozenfant

Ozenfant, Amédée

Ozenfant, Amédée (1886–1966). French co-founder, with Le Corbusier, of Purism and L'Esprit Nouveau (1920–5), the first periodical dedicated to the C20 Modernist aesthetic in ‘all its manifestations’. He contributed to articles with Le Corbusier (on whom he was a formative influence), published in Vers une Architecture (1923). Probably his most influential work was Foundations of Modern Art, first published in English in 1931.

Bibliography

Golding (1973);
Ozenfant (1968);
Ozenfant and Jeanneret-Gris (1975);
Jane Turner (1996)

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JAMES STEVENS CURL. "Ozenfant, Amédée." A Dictionary of Architecture and Landscape Architecture. 2000. Encyclopedia.com. 31 May. 2012 <http://www.encyclopedia.com>.

JAMES STEVENS CURL. "Ozenfant, Amédée." A Dictionary of Architecture and Landscape Architecture. 2000. Encyclopedia.com. (May 31, 2012). http://www.encyclopedia.com/doc/1O1-OzenfantAmde.html

JAMES STEVENS CURL. "Ozenfant, Amédée." A Dictionary of Architecture and Landscape Architecture. 2000. Retrieved May 31, 2012 from Encyclopedia.com: http://www.encyclopedia.com/doc/1O1-OzenfantAmde.html

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Amédée Ozenfant

Amédée Ozenfant , 1886–1966, French art theorist and painter. He criticized the cubists after 1912 for creating a merely decorative art form. Ozenfant advocated a disciplined geometry known as purism. With Le Corbusier he wrote Après le cubisme (1918) and La peinture moderne (1927). His painting The Vases is in the Museum of Modern Art, New York City. Ozenfant's book Foundations of Modern Art (1931) is well-known.

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"Amédée Ozenfant." The Columbia Encyclopedia, 6th ed.. 2011. Encyclopedia.com. 31 May. 2012 <http://www.encyclopedia.com>.

"Amédée Ozenfant." The Columbia Encyclopedia, 6th ed.. 2011. Encyclopedia.com. (May 31, 2012). http://www.encyclopedia.com/doc/1E1-Ozenfant.html

"Amédée Ozenfant." The Columbia Encyclopedia, 6th ed.. 2011. Retrieved May 31, 2012 from Encyclopedia.com: http://www.encyclopedia.com/doc/1E1-Ozenfant.html

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Free newspaper and magazine articles

Unspeakable space: Inge Linder-Gaillard considers the art of Le Corbusier's...
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