LAURIE ANDERSON

From: Artforum | Date: December 1, 2005| Author: Burton, Johanna | Copyright information

LAURIE ANDERSON

SEAN KELLY GALLERY

Arguably the most spectacular cinematic dream sequence of all time, Salvador Dali's contribution to Alfred Hitchcock's Spellbound (1945) featured a Surrealist stage set par excellence. Replete with a hallucinogenic landscape, it included morphing objects, a faceless man, and-above all-lots and lots of enormous, blinking, staring eyes. Dali seems to contend that in dreams, despite-or perhaps because ofour eyes being closed, ocularity takes on a ...

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LAURIE ANDERSON
Artforum ; LAURIE ANDERSON SEAN KELLY GALLERY Arguably the most spectacular cinematic dream sequence of all time, Salvador Dali's contribution to Alfred Hitchcock's Spellbound (1945) featured a Surrealist stage set par excellence. Replete with a hallucinogenic landscape, it included morphing objects, a
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Laurie Anderson just generates static electricity
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